Issue contents
Editorial
Munich's Pinakothek der Moderne
Articles
Works on paper by Francis Bacon in the Hugh Lane Gallery, Dublin
by MARGARITA CAPPOCK
More on Goya's portrait of Alberto Foraster
by ISADORA ROSE-DE VIEJO
Shorter notices
Hogarth's 'Marriage-A-la-Mode' and the copyist Adam Callander
by JUDY EGERTON
Towards a reconstruction of Delacroix's Mornay Album
by LEE JOHNSON
A dangerous passion: Max Beckmann's 'Aerial acrobats'
by SEAN RAINBIRD
Book reviews
The Preference for the Primitive: Episodes in the History of Western Taste and Art, E.H. Gombrich
Catalogue of the Collection of Drawings in the Ashmolean Museum. Volume VII: French School, Jon Whiteley
Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century, David Bindman
Goya 1900: Catálogo ilustrado y estudio de la exposición en el Ministerio de Instrucción Pública y Bellas Artes, Nigel Glendinning et al.
The Emergence of the Professional Watercolourist. Contentions and Alliances in the Artistic Domain, 1760–1824, Greg Smith
John Singer Sargent: Portraits of the 1890s. Complete Paintings, Vol.2, Richard Ormond and Elaine Kilmurray
Picasso: Style and Meaning, Elizabeth Cowling
Exhibition reviews
LONDON, WASHINGTON and BOSTON: Gainsborough
LONDON: Twentieth-century and contemporary exhibitions
BRISTOL, MANCHESTER and NORWICH: Victor Burgin
VIENNA and ESSEN: Flemish still-life painting
MURCIA, SEVILLE and MADRID: The 'Westmorland' treasures
STOCKHOLM and COPENHAGEN: Impressionism and the North
PHILADELPHIA and LONDON: Giorgio de Chirico
BALTIMORE and SAINT LOUIS: Painted prints
LOS ANGELES, MUNICH and BERLIN: The Avant-gardes in Central Europe, 1910–30
Supplement
Selected acquisitions by museums in East Anglia