THE BURLINGTON MAGAZINE

Editorial

March 1903 – February 2004

Articles

Benedict Nicolson: becoming an art historian in the 1930s
by CAROLINE ELAM

Benedict Nicolson: a portrait
by RICHARD SHONE

Burlington primitive: non-European art in The Burlington Magazine before 1930
by COLIN RHODES

Shorter notices

The National Gallery's new catalogue of fifteenth-century Italian paintings
by LAURENCE KANTER

The Earl of Leicester and portraits of the duc d'Alençon
by ELIZABETH GOLDRING

A work in tempera by Margaret Gere
by HANNAH SPOONER

Book reviews

The Illustrated Beatus. A Corpus of the Illustrations of the Commentary on the Apocalypse: IV, The Eleventh and Twelfth Centuries, J.Williams
by ROSE WALKER

St John the Divine. The Deified Evangelist in Medieval Art and Theology, J.F.Hamburger
by VERONICA SEKULES

The Church of the Panaghia tou Arakos at Lagoudhera, Cyprus: the Paintings and their Painterly Significance, D. and J. Winfield
by ROBIN CORMACK

The Great Book of Thomas Trevilian. A facsimile from the manuscript in the Wormsley Library, ed. N. Barker
by SIMON JERVIS

Lettere artistiche del Settecento veneziano: I, ed. A. Bettagno and M. Magrinni
by MICHAEL LEVEY

De Watteau à Ingres. Dessins français du XVIIIe siècle du Rijksmuseum Amsterdam, R.J.A. te Rijdt
by PERRIN STEIN

Painting the Nation. Identity and Nationalism in Scottish Painting, 1800–1920, J.Morrison
by NICHOLAS TROMANS

Dictionnaire des Fondeurs de Bronze d'Art. France 1890–1950, E. Lebon
by PATRICK ELLIOTT

Exhibition reviews

Frédéric Bazille
by JOHN HOUSE

Cy Twombly
by CATHERINE CRAFT

Paul Gauguin
by COLIN RHODES

Eighteenth-century French oil-sketches
by JO HEDLEY

Giorgione
by BEVERLY LOUISE BROWN

Degas and the Italians
by PHILIP RYLANDS

Christoffer Wilhelm Eckersberg
by ANDREW CARRINGTON SHELTON

Chuck Close
by JAMES LAWRENCE

Lee Bontecou
by LYNNE COOKE