Issue contents
Editorial
Entradas y salidas
Articles
New light on some portraits by Aelbert Cuyp
by JOHN LOUGHMAN
Princess, countess, lover or wife? Liotard’s ‘lady on a sofa’
by DUNCAN BULL
‘Pictures properly framed’: Degas and innovation
in Impressionist frames
by ELIZABETH EASTON and JARED BARK
New information on Pieter de Hooch and the
Amsterdam lunatic asylum
by FRANS GRIJZENHOUT
Obituaries
Howard colvin
by ANTHONY GERAGHTY
Anne d'Harnoncourt
by ALLEN STALEY
Book reviews
Archaeology in Architecture: Studies in Honor of Cecil L. Striker,
J.J. Emerick and D.M. Deliyannis, eds.
by ROBIN CORMACK
The Mind’s Eye. Art and Theological Argument in the Middle Ages,
J.F. Hamburger and A.-M. Bouché, eds.
by JULIAN M. LUXFORD
Il mondo dei pittori a Bologna, 1348–1430,
R. Pini
Mezzaratta: Vitale e altri pittori per una confraternita
Bolognese,
A. Volpe
by ROBERT GIBBS
The Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d’Este,
S.J. Campbell
by PAUL HOLBERTON
Framing the Nineteenth Century: Picture Frames 1837–1935,
J. Payne
by NICHOLAS PENNY
A life of John Julius Angerstein, 1735–1823:
Widening circles in finance, philanthropy, and the
arts in eighteenth-century London,
A. Twist
by RICHARD GREEN
Gustav Klimt,
A. Weidinger, ed.
by JOHN COLLINS
Sculpture Today ,
J. Collins
by PATRICK ELLIOTT
Exhibition reviews
Vilhelm Hammershøi
by RACHEL SLOAN
Wyndham Lewis
by ANDREW CAUSEY
American Prints 1910–60
by MARTIN HOPKINSON
Recent and current exhibitions
by NICHOLAS CULLINAN
Twentieth-century British art
by JAMES BEECHEY
Marie d'Orleans
by PHILIP WARD-JACKSON
Bridget Riley
by PAUL MOORHOUSE
Frames
by NICHOLAS PENNY
The Renaissance Portait
by JAN PIET FILEDT KOK
Florence and the Netherlands
by BEVERLY LOUISE BROWN
Anish Kapoor
by JAMES LAWRENCE
El Greco to Velázquez
by XANTHE BROOKE
The colour of life
by XAVIER BRAY
Calendar
In next month's issue
Venetian choirstalls
The commission for Michelangelo’s ‘David’
The sculpture of Vincenzo Danti
A portrait by Pontormo
New documents for Raphael and Perugino
The provenance of the ‘Ansidei’ altarpiece