By Max Donnelly
An examination of stained-glass memorial windows by Daniel Cottier for the Northesk family, designs for which were seen by Vincent van Gogh in London.
By Sarah Moss
An examination of the various collage elements and cultural references in Juan Gris's The table (1914).
By Jonathan Benington
A discussion of the provenance of a Paul Klee Small harbour scene (1919) recently bequeathed to the Victoria Art Gallery, Bath.
By Samuel Elmer
A discussion of the Nameless Exhibition, held at the Grosvenor Galleries, London, in 1921, and the reception of modern art in England at this time.
By John-Paul Stonard
A look at the display and reception of Paolozzi's sculpture in America in the 1950s.
By Anna Lovatt
A re-examination by Anna Lovatt of Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths (1985).
By Glenn Adamson
An article on acquisitions of Postmodern design at the V. & A. ahead of the exhibition Postmodernism: Style and Subversion 1970 to 1990 (24th September to 15th January 2012).
By Anna Gruetzner Robins
A note on Toulouse-Lautrec's visit in June 1896 to the Catford Cycle Track and the posters he produced afterwards: Cycle Michael and La Chaîne Simpson.
Reviewed by Tanya Harrod
Reviewed by Chris Miele
Reviewed by Richard E. Spear
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