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39 articles
Exhibition Review
VKhUTEMAS 100: School of Avant-garde
10/2021 | 1423 | 163
Pages: 961-963
related names
Reviewer:
Akinsha, Konstantin (Akinsha, Konstantin)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
VKhUTEMAS 100: School of Avant-garde Edited by Ksenia Guseva and Aleksandra Selivanova. 326 pp. incl. numerous col. + b. & w. ills. (Museum of Moscow and ABC Design, Moscow, 2021), $159. ISBN 978–5–4330–0163–3. | :
Illustrations
Attributed works:
33. Still life for the painting class, by Aleksandr Rodchenko. 1924. Photograph. (Private collection).
Attributed works:
34. Exhibition on the subject ‘Colour’ in VKhUTEMAS. Photograph, 1926. (Private collection).
Attributed works:
35. Composition of geometrical shapes sequentially drawn in one, two, three, four, five mutually crossed shapes, by Anastasia Akhtyrko. 1921. Pencil on paper. (Private collection).
Book Review
Modernism and the Spiritual in Russian Art: New Perspectives. Edited by Louise Hardiman and Nicola Kozicharow
12/2019 | 1401 | 161
Pages: 1070
related names
Reviewer:
Brunson, Molly (Brunson, Molly)
Subjects
Reviewed Items
subjects:
Modernism and the Spiritual in Russian Art: New Perspectives Edited by Louise Hardiman and Nicola Kozicharow. 318 pp. incl. 89 col. ills. (Open Book Publishers, Cambridge, 2017), £24.95. ISBN 978–1–78374–339–1. | :
Book Review
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt
03/2019 | 1392 | 161
Pages: 260-261
related names
Reviewer:
Milner, John (Milner, John)
Subjects
Reviewed Items
subjects:
The Russian Art of Movement, 1920–1930. By Nicoletta Misler, transl. John E. Bowlt | :
Illustrations
Attributed works:
6. Couple dancing: plastic pose, by N. Svishchov-Paola. 1926. Art of Movement State Courses (of Valeriia Tsvetaeva). Photographic print, 7 by 7 cm. (Private collection).
Exhibition Review
Russian art 1917–32. London
05/2017 | 1370 | 159
Pages: 409-411
related names
Reviewer:
Spira, Andrew (Spira, Andrew)
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places:
Illustrations
Attributed works:
52. Vladimir Lenin and a demonstration, by Isaak Brodsky. 1919 (State Historical Museum, Moscow; exh. Royal Academy of Arts, London)
Attributed works:
53. Textile workers, by Alexander Deineka. 1927 (State Russian Museum, St Petersburg; exh. Royal Academy of Arts, London)
Attributed works:
54. Morning still life, by Kuzma Petrov-Vodkin. 1918 (State Russian Museum, St Petersburg; exh. Royal Academy of Arts, London)
Attributed works:
55. Heads (human in the world), by Pavel Filonov. 1925-26 (State Russian Museum, St Petersburg; exh. Royal Academy of Arts, London)
Book Review
Avant-Garde Museology. Edited by Arseny Zhilyaev
03/2017 | 1368 | 159
Pages: 228-229
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
subjects:
Book Review
Koretsky: The Soviet Poster: 1930–1984, E. Wolf
02/2014 | 1331 | 156
Pages: 117-118
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
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artists:
Publication Received
Künstlermuseen. Die russische Avantgarde und ihre Museen für Moderne Kunst. By Christiane Post.
01/2014 | 1330 | 156
Pages: 29
related names
Reviewer:
Warner, Lauren (Warner, Lauren)
Subjects
Book Review
The Stalin Cult: A Study in the Alchemy of Power, Jan Plamper
11/2013 | 1328 | 155
Pages: 784
related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
dates:
places:
Article
The Russian section of the ‘Machine-Age Exposition’ (1927)
10/2012 | 1315 | 154
Pages: 694-700
related names
Author:
Blood, Anne (Blood, Anne)
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art literature:
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museums and institutions:
subjects:
Illustrations
Attributed works:
22. Cover of The Little Review, Supplement: Machine-Age Exposition, by Fernand Léger. 1927. (Archives of the Museum of Modern Art, New York).
Attributed works:
23. Front and back cover of The Little Review, Special Theatre Number: International Theatre Exposition, by Frederick Kiesler. 1926. 20.3 by 25.4 cm. (National Art Library, Victoria and Albert Museum, London).
Attributed works:
28. Electro-Physical Laboratory, Lefortovo, Moscow, by Ivan Sergeevich Nicolaev and Anatoly Stepanovich Fisenko. 1927. Photograph from H.R. Hitchcock and P. Johnson: The International Style, New York 1932, p. 237.
Attributed works:
29. First version of a Garage for 1,000 automobiles, by Konstantin Melnikov. 1925. Drawings. (Private collection).
Attributed works:
30. Machine-Age Exposition catalogue, 1927, pp. 34-35, showing Constructed torso, by Naum Gabo (top right), and a costume design by Alexandra Exter (bottom left).
Attributed works:
32b. S.O. Khan-Magomedov: Pioneers of Soviet Architecture: The Search for New Solutions in the 1920s and 1930s, London, 1987, p. 229.
Western art unattributed:
24. Installation view of the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
25. Installation view of the Internationale Ausstellung neuer Theatertechnik, Vienna. 1924. (Courtesy of Frederick and Lilian Kiesler Foundation, Vienna).
Western art unattributed:
26. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
27. Installation view of the Russian section at the International Theatre Exposition, Steinway Hall, New York, 1926.
Western art unattributed:
31. Installation view of the 'Constructivist Room' from the First Exhibition of Modern Architecture, Moscow, 1927.
Western art unattributed:
32a. Machine-Age Exposition catalogue, 1927, pp. 32-33.
Exhibition Review
Russian architecture. Barcelona, Madrid and London
01/2012 | 1306 | 154
Pages: 52-54
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
museums and institutions:
places:
print:
Reviewed Items
subjects:
Building the Revolution: Soviet Art and Architecture 1915–1935 | institution: Fundación 'La Caixa' , institution: Fundación 'La Caixa' , institution: Royal Academy of Arts
Illustrations
Attributed works:
65. Spatial force construction, by Liubov Popova. 1921. Oil and marble dust on plywood, 71 by 63.9 cm. (State Museum of Contemporary Art, Thessaloniki; exh. Royal Academy of Arts, London).
Attributed works:
67. Gosprom building, Karkhov, detail with covered skywalk, by Richard Pare. 1999. Photograph, 121.9 by 120.1 cm. (Courtesy of the photographer; exh. Royal Academy of Arts, London).
Western art unattributed:
66. MoGES under construction, by an unknown photographer. c.1924? Photograph, 22.8 by 16.4 cm. (Shchusev State Museum of Architecture, Moscow; exh. Royal Academy of Arts, London).
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