Attributed works:
[ Agnew, 43 Old Bond Street, London ] Philip Baptising the Eunuch. Inscribed and Dated 1677. Pen and Brown Wash. 205 × 292 mm
Attributed works:
[ Artemis Fine Arts Limited, 6 Mason's Yard, St James's, London ] Domenico Tiepolo-The Grocer's Shop, Pen and Ink and Grey-Brown Wash over Black Chalk, Signed and Dated 1791, 296 × 222 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Jacob de Gheyn II. The Landscape with the Farm-House. Etching. (About 1603 or Later). Hollstein 293.
Attributed works:
[ Chaucer Fine Arts, 45 Pimlico Road, London ] Vincenzo Camuccini (Rome 1771-1844). The Magnanimity of the Roman Women. The Return of Atilius Regulus to Carthage. Oil on Paper Laid on Canvas, a Pair, 25.5 × 43.9 cm. Each
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Salvator Rosa. A Philosopher. Naples 1615-Florence 1673. Oil on Canvas, 136 × 99 cms
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Il Bacchiacca. Woman with a Cat. Panel, 20¾ × 17 in.
Attributed works:
[ Front cover ] Detail from Portrait of Pépin, by Simon Vouet. Black Chalk, White Crayon, with Red, Yellow and Brown Pastel. (Private Collection).
Attributed works:
[ Harari & Johns Ltd, 173 New Bond Street, London ] Anton Rafael Mengs. Self Portrait of The Artist. Painted Circa 1773. Oil on Canvas, 97 × 74cm
Attributed works:
[ Heim, 59 Jermyn Street, St James's Street, London ] Madonna Adoring the Christ Child by Simon Vouet (Paris 1590-1649). Oil on Canvas: 118 × 132 cm. Bibl: Richard E. Spear, Storia dell'arte, no. 14, 1972 pp. 150-1, fig. 3
Attributed works:
[ Kate de Rothschild ] Willem van de Velde the Elder 1611-1693. Figures Riding in a Wagon on the Beach. Pen and Brown Ink and Graphite. 103 × 112mm.
Attributed works:
[ Kate Ganz Ltd, 54 Holland Park Avenue, London ] Annibale Carracci Susanna and the Elders c. 1590; i/iv
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Lyonel Feininger Drobsdorf, 1927, Oil on Canvas, 100.4 × 125.7 cm
Attributed works:
[ Martyn Gregory Gallery, 34 Bury Street, St James's Street, London ] Lymington Quay. Signed & Dated 1826. 11 × 15 cms
Attributed works:
[ Matthiesen, 7-8 Masons's Yard Duke Street, London ] Luca Giordano (1632-1705). Phineas and His Companions Turned to Stone at the Wedding Feast of Perseus and Andromeda. Canvas: 113 × 144 ins.
Attributed works:
[ Maurice Segoura, 58 East 79th Street, New York ] Jean-Honoré Fragonard "Les Deux Jumeaux." Oil on Canvas: 37 × 47 cm.
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Attributed to Pietro da Cortona (Cortona 1596-1669 Rome). Study of a Dioscouros (For the Ceiling of Sala di Marte, Palazzo Pitti, 1644-1646). Red Chalk; 5 × $6frac{3}{4}$"; Verso: Two Male Studies, Black Chalk
Attributed works:
[ Noortman & Brod, Maastricht Galleries, Vrijthof 49, Maastricht ] David Teniers the Younger. 1610-Antwerp-1690. Landscape with Castle and Shepherds with Flock. Panel, 21.5 × 28.5 cm. Signed with Monogram
Attributed works:
[ Pardo, 160 Boulevard Haussmann, Paris ] Eustache Le Sueur. "Alexandre et son médecin". Canvas 123 cm × 67.5 cm
Attributed works:
[ Phillips, 7 Blenheim Street New Bond Street, London ] Jean François Demay. "The Village Fête." Canvas 23 cms × 31.5 cms. Signed & Dated.
Attributed works:
[ Rafael Valls Gallery, 34 Bury Street, London ] Pierre Puget, 1620-1694. A Pair of Mediterranean Port Scenes: Shipping Approaching Harbour; Tradesmen Unloading a Goods Boat in Harbour. Oil on Copper Framed 7¼ by 9 Inches (18.5 by 23 cms)
Attributed works:
[ Richard J. Collins, 605 Madison Avenue, New York ] Pierre Mignard (1612-1695). The Apotheosis of Psyche. Brush and Brown Ink with White Bodycolour over Graphite, ca. 1666. 35½ × 27¼ Inches (90 × 69 cm.)
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Nicholaes Moyaert, "Christ and the Woman Taken in Adultery." Oil on Panel, 100 by 143 cm
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Francisco Jose de Goya y Lucientes, Los Caprichos (D. 38-117; H. 36-115), the Set of 80 Plates, Etchings and Aquatints, Fine Impressions, One of a Small Number of 'Presentation' Copies Specially Bound for the Artist in Contemporary Spanish Mottled Calf Gilt.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Rembrandt Harmensz. van Rijn, Landscape with Cottage and a Haybarn (B. Holl. 225; H. 177; BB 41-A), Etching with Drypoint, 1641, Rich Impression, with Burr, 129 by 320 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Lambert Sustris, An Allegory of the Pursuit of Fortune, 146 by 228 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Flutiste Assise et Dormeuse, VI (Geiser 469), Monotype, 1933, 150 by 186mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Portrait of Fernande Olivier (Not in Bloch or Geiser), Drypoint, 1906, Printed with Burr and Plate Tone, One of Only Four Impressions Known, 162 by 118mm.
Attributed works:
[ Thomas Le Claire, Adickestrasse 40, Hamburg ] Julius Schnorr von Carolsfeld (1794-1872): 'Studies of Arms', Preparatoring Drawing for 'The Baptism of Rudiger' in the Hall of Ariost in the Villa Massimo, Rome, Pencil and Black Chalk with Traces of Red Chalk, 307 × 490 mm; With the Estate Stamp.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Bernardo Cavallino (Naples 1616-Circa 1656). St. Peter & St. Paul (A Pair) Signed. Canvas 127 × 94cm. Octagonal
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. The Capitol with Santa Maria d'Aracoeli, Rome
Attributed works:
[Ian Birksted Gallery, 37 Great Russell Street, London] William Henderson
Attributed works:
[Kimbell Art Museum, Fort Worth] Jusepe de Ribera, 1591-1652, The Club-Footed Boy (Le Pied-Bot), 1642, Oil on Canvas. Musée du Louvre, Paris.
Western art unattributed:
[ Bernard Baruch Steinitz, 4 Rue Drouot, Paris ] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel
