In our March issue, published on February 27th 2018: 



181 Modigliani, taste and the canon



182 An introduction to Modigliani’s materials and techniques
by annette king, nancy ireson, simonetta fraquelli and joyce h. townsend

189 The catalogues raisonnés of Amedeo Modigliani
by anna ceroni and simonetta fraquelli



196 A Grand Master in miniature: Giovanni Bandini’s bust of Jean de la Valette
by jeremy warren

206 Simon Vouet’s ‘Virgin and Child’ in the National Gallery of Art, Washington
by mary morton and élodie vaysse

214 A portrait of Consul Smith
by lucy whitaker

217 ‘Almost her creation’: Georgiana, Duchess of Devonshire, and the decoration of Chiswick House
by esmé whittaker


226 Raphael in Oxford and Vienna
by tom henry


234 The Mainz Treasure
by daniela kaufmann

235 Textiles and wealth in medieval Florence
by lisa monnas

237 Filippo Lippi
by nathaniel silver

239 Nicholas Régnier
by arnauld brejon de lavergnée

241 Casanova
by duncan robinson

243 Henry Fuseli
by david pullins

244 Van Eyck and the Pre-Raphaelites
by stephen duffy

246 The art of pastel
by richard r. brettell

249 Julio González
by jonathan vernon

251 Louvre Abu Dhabi: the building
by david cowan

252 Louvre Abu Dhabi: the displays
by martha barratt


254 The Neutelings Collection: Four Centuries of Medieval Sculpture, L. Hendrikman
by glyn davies

254 Italian Maiolica and Europe: Medieval, Renaissance and Later Italian Pottery in the Ashmolean Museum, T. Wilson
by dora thornton

256 A Magnificent Faith: Art and Identity in Lutheran Germany, B. Heal
by thomas dacosta kaufmann

256 Angelo Caroselli 1585–1652, pittore romano: Copista, posticheur, restauratore, conoscitore, M. Rossetti
by giulia weston

257 Mona Lisa: The People and the Painting, M. Kemp and G. Pallanti
by pietro c. marani

258 Russian Realisms: Literature and Painting, 1840–1890, M. Brunson
by galina mardilovich

259 Max Klinger: ‘. . . schon der leiseste Zwang nimmt mir die Luft’, H.-W. Schmidt and J. Stoschek, eds.
by marsha morton

260 Explodity: Sound, Image and Word in Russian Futurist Book Art, N. Perloff; Aleksandr Zhitomirsky: Photo montage as a Weapon of World War II and the Cold War, E. Wolf; and Communist Posters, M. Ginsberg, ed.
by marie collier

261 John Golding, J. Lundin Aral, ed.
by sam cornish

262 Almost Nothing: Observations on Precarious Practices in Contemporary Art, A. Dezeuze
by milena tomic