In Hardest Kinds of Soft, the works of artists Céline Ducrot and Cathrin Hoffmann enter into a thematic and visual dialogue to reflect on being human and corporeality in the (post)digital age. Particularly in their juxtaposition, their paintings and sculptures explore new perspectives on the ambivalences and challenges of an increasingly virtual hyper-reality.

In a collection of self-portraits that feature the artist dressed in an array of outfits, Hurlstone reveals the potential of garments to oscillate between their practical, gendered, and fashionable territories into uncharted psychological, emotional and cinematic terrains; we see one man, but many people.

This group exhibition explores ideas of belonging, memory, migration and the search for sanctuary. Curated by Dr Omar Kholeif as their ‘love-letter to London’, it brings together a cross-generational, international line-up of twenty artists including Otobong Nkanga, Lubaina Himid and Hugeutte Caland, offering glimpses into personal memories and imagined futures.

Rachel Ruysch’s deceptively realistic floral still lifes was sought-after and expensive collector’s items during her lifetime. Demand was so great that the Amsterdam painter could afford to produce merely a few works a year. As the daughter of the renowned professor of anatomy and botany, Frederik Ruysch, the first female member of the Confrerie Pictura, court painter in Düsseldorf, lottery game winner and the mother of eleven children, she was an exceptional figure in her time.

The Weight of Lightness features the works of three artists: Cao Jigang, Angela Glajcar and Bay Tang Jiaxin. The exhibition explores the potential of paper as a medium and considers its meaning through a cross-cultural and intergenerational dialogue.