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October 2021

Vol. 163 | No. 1423

Art in twentieth-century China

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Editorial

Art history in the Anthropocene

On 31st october delegates from almost two hundred countries will assemble in Glasgow for COP26 – the twenty-sixth ‘Conference of the parties’, referring to the parties to the United Nations Convention on Climate Change.

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The Colours of Nadia

Paris exerted a powerful magnetic draw on young artists in the 1920s. Eager to engage with the city’s avant-garde artistic traditions, they flocked from all over Europe and beyond to create the cosmopolitan mix of talents that became known as the École de Paris.

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  • The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism

    By Mei Mei Rado
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  • The nude male form in Chen Yanqiao’s woodblock prints and cartoons, 1934–35

    By Elizabeth Emrich-Rougé
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  • The fate of Chinese history painting in an age of ideology

    By Yiqiang Cao
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  • The restoration of ‘Young woman reading a letter at an open window’ by Johannes Vermeer: final report

    By Uta Neidhardt,Christoph Schölzel
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  • Study for ‘Worn out’: a newly discovered Van Gogh drawing

    By Teio Meedendorp
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  • John Ayers (1922–2021)

    By Rose Kerr
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  • Jane Roberts (1949–2021)

    By Martin Clayton
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  • Henri Bertin and the Representation of China in Eighteenth-Century France

    By Kee Il Jr Choi
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  • Seeking Transparency: Rock Crystals Across the Medieval Mediterranean

    By Lesley Milner
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  • Vasari, Michelangelo and the ‘Allegory of Patience’

    By Beverly Louise Brown
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  • Giulio Cesare Procaccini: Life and work with a catalogue of his paintings

    By Stéphane Loire
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  • Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700

    By Mirjam Hähnle
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  • Reframing Japonisme: Women and the Asian Art Market in Nineteenth- Century France, 1853–1914

    By Alice S. Legé
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  • The Asian Modern

    By Marv Recinto
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  • Modern Art for a Modern China: The Chinese Intellectual Debate, 1900–1930

    By Paul Bevan
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  • The Velislav Bible, Finest Picture-Bible of the Late Middle Ages: ‘Biblia Depicta’ as Devotional, Mnemonic and Study Tool

    By Frederica C.E. Law-Turner
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  • Korean Treasures: Rare Books, Manuscripts and Artefacts in the Bodleian Libraries and Museums of Oxford University, vol.2

    By Sarah Bolwell
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  • A Mediated Magic: The Indian Presence in Modernism 1880–1930

    By Archishman Sarker
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  • The Women of Art: Stories of Women Between the Sixteenth and Seventeenth Centuries

    By Jörg Zutter
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  • Fede Galizia: Admirable Paintress

    By Jörg Zutter
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  • Nero: The Man Behind the Myth

    By Christine Gardner-Dseagu
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  • The Making of Rodin

    By Melanie Vandenbrouck
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  • The Colours of Nadia

    By Jennifer Mundy
  • Ivan Kožarić: A Retrospective – One of 100 Possible Ones

    By Penelope Curtis
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  • Fighting, Hunting, Impressing: Arms and Armour from the Islamic World 1500–1850

    By Arthur Bijl
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  • Marinus: Painter from Reymerswale

    By Larry Silver
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  • Le renouveau de la Passion: La sculpture religieuse entre Chartres et Paris autour de 1540

    By Jeremy Warren
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  • Conversations with God: Jan Matejko’s Copernicus

    By Celina Fox
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  • Young Poland: The Polish Arts and Crafts Movement, 1890–1918

    By Celina Fox
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  • Hippolyte, Paul, Auguste: Les Flandrin artistes et frères

    By Michael Clarke
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  • Soutine / de Kooning: Conversations in Paint

    By Merlin James
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  • VKhUTEMAS 100: School of Avant-garde

    By Konstantin Akinsha
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  • Cy Twombly: Making Past Present

    By Isabelle Loring Wallace
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