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December 2023

Vol. 165 | No. 1449

Spanish art

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Editorial

The Picasso anniversary

Although the fact that Pablo Picasso is the most famous artist of the twentieth century – some would say now the most famous artist of all time – is ample reason to have celebrated on such a large scale the fiftieth anniversary of his death on 5th April 1973, the sheer quantity of commemorative events can also be explained as an explosion of energy by museums across the world, liberated from the constraints imposed by the pandemic.

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The Lost Mirror: Jews and Conversos in Medieval Spain

This exhibition, curated by Joan Molina Figueras, examines the image medieval Spanish Christians had of Jews and Jewish converts. It comprises a carefully chosen selection of seventy-one works of art that represent Jews and Judaism, created mainly by Christians between the thirteenth century and 1492, when the Jews were expelled from Spain. Its title needs some explanation. 

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  • The ceiling in Fig.8 shown in situ in the Torrijos Palace

    Four wooden ceilings from the Torrijos Palace, Toledo

    By Anna McSweeney,Mariam Rosser-Owen
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  • Detail of Immaculate Conception,

    Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville

    By Benito Prieto Navarrete
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  • Detail of Self-portrait with Dr Arrieta

    Goya’s ‘Self-portrait with Dr Arrieta’

    By Mercedes Céron-Peña
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  • William Tell

    Biting satire: notes on Salvador Dalí’s ‘Debris of an automobile’

    By David Lomas
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  • The Exhibition of 20th Century German Art, New Burlington Galleries, London

    Edith Hoffmann’s early years in England, 1934–38

    By Yonna Yapou-Kromholz
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  • Eberhard W. Kornfeld

    Eberhard W. Kornfeld (1923–2023)

    By Johannes Nathan
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  • Kavita Singh

    Kavita Singh (1964–2023)

    By Saloni Mathur
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  • Louis Lagrenée, dit l’Aîné (1725–1805)

    By Humphrey Wine
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  • Imperial Colors: The Roman Portrait Busts of Septimius Severus and Julia Domna

    By Christine Gardner-Dseagu
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  • Frankish Manuscripts: The Seventh to the Tenth Century

    By Bernard Meehan
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  • La maiolica italiana del Rinascimento: Studi e ricerche. Atti del convegno internazionale, Assisi, 9–11 settembre 2016

    By Thierry Crépin-Leblond
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  • How the Country House Became English

    By Rebekah Hodgkinson
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  • Narrative Painting in Nineteenth-Century Europe

    By Neil McWilliam
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  • Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism

    By Colin Rhodes
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  • Writing After Art: Essays on Modern and Contemporary Artists

    By Michael Schreyach
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  • La chiesa di Santa Maria dei Servi e la comunità veneziana dei Servi di Maria (secoli XIV–XIX)

    By Peter Humfrey
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  • Giovan Pietro Bellori: Das Leben des Domenico Zampieri, gen. Domenichino / Vita di Domenico Zampieri, Il Domenichino

    By Janis Bell
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  • Les Cahen d’Anvers en France et en Italie: Demeures et choix culturels d’une lignée d’entrepreneurs

    By Thomas E. Stammers
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  • Thoroughly Modern: The Pioneering Life of Barbara Ker-Seymer, Photographer, and her Brilliant Bohemian Friends

    By Amanda Hopkinson
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  • Mythological Subjects: Hercules to Olympus (Corpus Rubenianum Ludwig Burchard, 11.2)

    By Christopher Brown
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  • The Myth of Spain: Ignacio Zuloaga (1870–1945)

    By Morlin Ellis
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  • Royal Collections Gallery, Madrid

    By Michael Hall
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  • Return of the Gods

    By Stephen Lloyd
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  • The Lost Mirror: Jews and Conversos in Medieval Spain

    By Mireia Castano Martinez
  • Tiziano 1508: Agli esordi di una luminosa carriera

    By Thomas Dalla Costa
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  • Frans Hals

    By Quentin Buvelot
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  • Louis Janmot: Le Poème de l’âme

    By Jamie Mulherron
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  • Camere con vista: Aby Warburg, Firenze e il laboratorio delle immagini

    By Daniel Spaulding
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  • Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka

    By Aya Soika
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  • Philip Guston

    By David Anfam
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