The exhibition features Sussex artist Sarah Money’s most recent paintings and sculptures. The show features sixteen works, including large-scale landscape paintings, still life's of flowers, and intimate stone-fired ceramic sculptures. Informed by Sarah's former career in physical theatre and dance, the pieces explore intuition, rhythm and movement.

Iron Age hillforts are few and far between in the East Midlands, and not very well understood. However, archaeological discoveries from Burrough Hill and Breedon Hill, both in Leicestershire, are providing important clues about life and beliefs at these important fortifications.

In a collection of self-portraits that feature the artist dressed in an array of outfits, Hurlstone reveals the potential of garments to oscillate between their practical, gendered, and fashionable territories into uncharted psychological, emotional and cinematic terrains; we see one man, but many people.

In Hardest Kinds of Soft, the works of artists Céline Ducrot and Cathrin Hoffmann enter into a thematic and visual dialogue to reflect on being human and corporeality in the (post)digital age. Particularly in their juxtaposition, their paintings and sculptures explore new perspectives on the ambivalences and challenges of an increasingly virtual hyper-reality.

This group exhibition explores ideas of belonging, memory, migration and the search for sanctuary. Curated by Dr Omar Kholeif as their ‘love-letter to London’, it brings together a cross-generational, international line-up of twenty artists including Otobong Nkanga, Lubaina Himid and Hugeutte Caland, offering glimpses into personal memories and imagined futures.