Issue contents
Editorial
Ease of access
Articles
‘Mysterious wisdom won by toil’: new light on Samuel Palmer’s ‘Lonely Tower‘
by WILLIAM VAUGHAN and ELIZABETH E. BARKER
Evocation or typography: John Piper’s watercolours of Windsor Castle, 1941–44
by SUSAN OWENS
Shorter notices
Samuel Woodforde’s first diary: an early source for Mary Beale
by CAROL GIBSON-WOOD
A rediscovered oil-sketch by John Constable
by JENNIFER A. THOMPSON
John Brett and Ruskin’s ‘The Elements of Drawing’
by CHARLES BRETT
Artistic integrity and feminist spin: a spat at the Endell Street Military Hospital
by JENNIAN F. GEDDES
Bridget Riley’s ‘Continuum’ (1963) recreated
by FRANCES FOLLIN
Letter to the Editor
The Whitehall Banqueting Hall
by GREGORY MARTIN
Book reviews
John Constable and the Theory of Landscape Painting, R. Lambert
by MICHAEL ROSENTHAL
Building Jerusalem. The Rise and Fall of the Victorian City, T. Hunt; The Small House in Eighteenth-Century London, P. Guillery
by CHRIS MIELE
Men at Work: Art and Labour in Victorian Britain, T. Barringer
by PETER FUNNELL
Body Doubles: Sculpture in Britain, 1877–1905, D.J. Getsy
by PEYTON SKIPWITH
William Roberts. An English Cubist, A. Gibbon Williams
by FRANCES SPALDING
Modern Art, Britain and the Great War: Witnessing, Testimony and Remembrance, S. Malvern
by DAVID PETERS CORBETT
Exhibition reviews
British watercolours and drawings
by RICHARD GREEN
Treasures from Dresden
by TIMOTHY SCHRODER
Graham Sutherland
by DENNIS FARR
Pictures of Innocence
by ALEX KIDSON
Landscape in Provence
by PHILIP CONISBEE
Paul McCarthy
by MORGAN FALCONER
Freud; Venice Biennale; Pollock
by CATHERINE CRAFT
Vittoria Colonna
by STEPHEN J. CAMPBELL
Maria de’ Medici
by BRUCE. L. EDELSTEIN
Jasper Johns
by JAMES LAWRENCE
Tiepolo’s oil-sketches
by CATHERINE WHISTLER
In next month's issue
An appreciation of Ellis Waterhouse (1905–85) by Michael Levey
Portraits of Elizabeth I at Kenilworth
Van Dyck’s ‘Coutness of Southampton’
'Cézanne and Pissarro' reviewed