Issue contents
Editorial
Ellis Waterhouse: readable art history
Articles
Portraits of Queen Elizabeth I and the Earl of Leicester for Kenilworth Castle
by ELIZABETH GOLDRING
Anthony van Dyck’s portrait of Rachel de Ruvigny, Countess of Southampton
by JAYNIE ANDERSON and CARL VILLIS
Ellis Waterhouse: an appreciation
by MICHAEL LEVEY
Shorter notices
A new Lotto portrait in Berlin
by AIDAN WESTON-LEWIS
Jacopo Amigoni: a Venetian painter in Georgian London
by MARTINA MANFREDI
‘Pioneering Modern Painting’: the Cézanne and Pissarro exhibition reviewed
by RICHARD R. BRETTELL
Book reviews
Becket's Crown: Art and Imagination in Gothic England 1170–1300, P. Binski
by T.A. HESLOP
Façade as Spectacle: Ritual and Ideology at Wells Cathedral, C. Marino Malone
by PAUL WILLIAMSON
Il crepuscolo della scultura medievale in Lombardia, L. Cavazzini
by CARL BRANDON STREHLKE
Filippino Lippi, P. Zambrano and J. Katz Nelson
by ALISON WRIGHT
The Papacy and the Art of Reform in Sixteenth-Century Rome: Gregory XIII’s Tower of the Winds in the Vatican, N. Courtright; Northern Landscapes on Roman Walls: the Frescoes of Matthijs and Paul Bril, C. Hendriks
by LUKE PIJL
Masters of Dutch Painting: The Detroit Institute of Arts, G.S. Key
by FRANCES SPALDING
Constructed Abstract Art in England after the Second World War: a Neglected Avant Garde, A. Grieve
by NORBERT LYNTON
Exhibition reviews
Delaware’s Pre-Raphaelites
by RACHEL SLOAN
The American West
by DAVID ANFAM
Gauguin’s ‘Vision’
by LINDA GODDARD
French paintings from Germany
by COLIN B. BAILEY
Twetieth-century German art
by JOHN-PAUL STONARD
Picasso
by MARILYN MCCULLY
The Buen Retiro
by ROSEMARIE MULCAHY
James Turrell and Sol LeWitt
by JAMES LAWRENCE
Renaissance Florence
by ELIZABETH PILLIOD
Ruisdael
by ELIZABETH ALICE HONIG
In next month's issue
The November issue is devoted to Italian art, with articles on a Barocci at the Metrpolitan Museum of Art, New York; forging sculpture in nineteenth-century Italy; the Louvre’s drawings by the Carracci; and De Chirico’s ‘Portrait of Guillaume Apollinaire’.