THE BURLINGTON MAGAZINE

Editorial

To lend or not to lend?

Articles

Barocci, the Fransiscans and a possible funerary gift
by KEITH CHRISTIANSEN

Forgery in Risorgimento Florence: Bastianini’s ‘Giovanni delle Bande Nere’ in the Wallace Collection
by JEREMY WARREN

 

Shorter notices

Pordenone, Annibale Carracci and the last will of Claudio Scotti
by LOTHAR SICKEL

Carracci drawings in the Louvre: a new catalogue
by NICHOLAS TURNER

A note on Artemisia Gentileschi and her collaborator
by GIUSEPPE DE VITO

An unknown bozzetto by Pietro Bardellino for Ferdinand IV, King of Naples
by ANTONELLO CESAREO

Giorgio de Chirico’s ‘Portrait of Guillaume Apollinaire’ of 1914
by WILLARD BOHN

Book reviews

Piero della Francesca. A Mathmatician’s Art, J.V. Field; The Cambridge Companion to Piero della Francesca, J.M. Wood
by FRANK DABELL

Early engravers and their public: the Master of the Berlin Passion and manuscripts from convents in the Rhine–Maas region, U. Weekes
by MARK MCDONALD

Holbein and England, S. Foister
by XANTHE BROOKE

Ave Papa, Ave Papabile. The Sacchetti Family, their Art Patronage, and Political Aspirations, L.H. Zirpolo
by CLARE ROBERTSON

Il Cavalier Giuseppe Cesari d’Arpino. Un grande pittore nella splendore della fama e nell’inconstanza della fortuna, H. Röttgen
by STÉPHANE LOIRE

Falsi d’autore: Icilio Federico Joni e la cultura del falso tra otto e novocento, ed. G. Mazzoni
by JULIAN GARDNER

The World in Paint: Modern Art and Visuality in England, 1848–1914, D. Peters Corbett
by SIMON WATNEY

Giorgio Morandi: the Art of Silence, J. Abramowicz
by MATTHEW GALE

Real Spaces, D. Summers by JOHN-PAUL STONARD

Exhibition reviews

Candice Breitz
by SARAH WHITFIELD

Cambridge Illuminations
by C.M. KAUFFMANN

Summer of Love
by DAVID ANFAM

The legacy of Homer
by KATHY MCLAUGHLAN

Willi Baumeister
by DANIEL F. HERRMANN

Goya
by JANIS TOMLINSON

Alberti
by JOHANNES RÖLL

Early European print-making
by MARK MCDONALD

Toulouse-Lautrec
by JOHN HOUSE