Issue contents
Editorial
Paul Mellon (1907-99)
Articles
'So good with the humbler persons': Stubbs as portraitist
by
JUDY EGERTON
Pietro Bellotti in England and elsewhere
by CHARLES BEDDINGTON
John Constable and the Royal Hibernian Academy in 1834, with an unpublished letter to Martin Cregan
by PHILIP McEVANSONEYA
The London context and critical reception of Robert Bevan's 'The cab horse' (1910)
by ROBERT UPSTONE
'Powerful emotive agents': the association between Ben Nicholson and John Piper
by FRANCES SPALDING
Book reviews
Mellon: An American Life, D. Cannadine
by CELINA FOX
The Buildings of England: Shropshire, J. Newman and N. Pevsner
by WILLIAM MOSTYN-OWEN
Glory, Laud and Honour: The Arts of the Anglican Counter-Reformation, G. Parry
by SIMON WATNEY
Fabricating the Antique, V. Coltman
by JONATHAN SCOTT
Letters of Uvedale Price, C. Watkins and B. Cowell
by RICHARD GREEN
William Holman Hunt: A Catalogue Raisonné, J. Bronkhurst
by MALCOLM WARNER
The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and their Circle, T.E. Stebbins, Jr., and V. Anderson
by CHRISTOPHER NEWALL
John Singer Sargent: Figures and Landscapes, 1874-1882, Complete Paintings, Vol. 4, R. Ormond and E. Kilmurray
by MARC SIMPSON
Peter Lanyon: Modernism and the Land, A. Causey
by MERLIN JAMES
Exhibition reviews
Paul Mellon's legacy
by HUGH BELSEY
Benjamin Robert Haydon and Charles Landseer
by RICHARD GREEN
The face of Childhood
by ERIKA LANGMUIR
Renaissance silver
by CHARLES TRUMAN
Kenneth and Mary Martin
by ALASTAIR GRIEVE
Richard Long
by JOHN HALDANE
Charles Mellin
by DOMINIQUE JACQUOT
Documenta 12
by LYNNE COOKE
Max Beckmann in Amsterdam
by SEAN RAINBIRD
Angelica Kauffmann
by WILLIAM HAUPTMAN
Calendar
Supplement
Recent acquisitions at National Museums Liverpool. This supplement is the sixth in a series of acquisitions in British museums which is generously supported by the Jerwood Charitable Foundation
In next month's issue
Alessandro Turchi's works in Spain
New documents for the Oratory of the Decollato in Valletta
A drawing after Donatello attributed to Raphael
A drawing by Pesellino
Ribera's 'Drunken Silenus'
Batoni's 'Sacred Heart of Jesus' painted for Il Gesú, Rome