THE BURLINGTON MAGAZINE

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Issue contents

Editorial

Le dix-neuvième siècle

Articles

French artists and the Meyrick armoury
by STEPHEN DUFFY

Friendship in the Romantic studio: Charles-Emile Champmartin’s
‘Portrait of Eugène Delacroix and Alphonse Vée’
by JOHN P. LAMBERTSON

Jean-François Millet’s ‘Waiting’: a ‘realist’ religious painting
by SIMON KELLY

‘Dans un café’, ‘Zigzags’ and five recovered Impressionist drawings
by RICAHRD KENDALL

Symbolism, Decadence and Gustave Moreau
by PETER COOKE

 

Obituary

Michael Levey (1927–2008)
by RICHARD SHONE and MARTIN WYLD

Letters

Lusieri not Hackert
by AIDAN WESTON-LEWIS

Picasso and the sight-size technique
by NICHOLAS BEER and JOAN P. URANECK

Mondrian and the Vereniging Rembrandt
by PETER HECHT

Book reviews

Peintures françaises du XVIIIe siècle. Catalogue raisonné. Musée des Beaux-Arts de Tours. Château d’Azay-le-Ferron, S. Join-Lambert
by CHRISTOPH MARTIN VOGTHERR

Liotard, M. Roethlisberger and R. Loche
by NEIL JEFFARES

Chains. David, Canova, and the Fall of the Public Hero in Post revolutionary France, S. Padiyar
by PHILIPPE BORDES

Ingres, A. Carrington Shelton
by RICHARD WRIGLEY

Delacroix et la photographie, C. Leribault, ed.
by JOHN WHITELEY

Joseph Blanc (1846–1904), peintre d’histoire et décorateur, P. Sérié
by PETER COOKE

Exhibition reviews

Van Dyck and Britain
by ELIZABETH HONIG

Le Corbusier
by COLIN AMERY

Constable Portraits
by HUGH BELSEY

Treasures of the Black Death
by JOHN CHERRY

David Cox
by RICHARD GREEN

Giorgio de Chirico
by SILVIA LORETI

Jan Lievens
by ANNE T. WOOLLETT

Giacometti and Egypt
by ROGER CARDINAL

Futurism
by CHRIS MICHAELIDES

Brücke
by ROBIN REISENFELD

Gustave Caillebotte
by FELIX KRÄMER

Film and video
by MORGAN FALCONER

Edvard Munch
by RACHEL SLOAN

Wu Guanzhong
by DAVUD CARRUER and LIU HAIPING

Calendar

In next month's issue

Brussels tapestry in the seventeenth century
The furnishing of the French ambassador’s residence in London in the 1780s
The Wordsworth Memorial, Grasmere,
by Thomas Woolner
Duveen’s frames
The Baroque exhibition reviewed