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Index research: Leonardo in the Burlington

Leonardo da Vinci in the Burlington Magazine – Complete Bibliography 1903–2011


H. P. Horne, ‘A Lost "Adoration of the Magi" by Sandro Botticelli’, March 1903, vol.1, no.1, pp.63–74. (Article)

A. Michel, ‘Two Italian Bas-Reliefs in the Louvre’, June 1903, vol.2, no.4, pp.84–89. (Short Notice)

A. L., ‘Leonardo da Vinci’, July 1904, vol.5, no.16, p.417. (Book Review)

A. Edith Hewett, ‘A Newly Discovered Portrait by Ambrogio de Predis’, February 1907, vol.10, no.47, pp.308–13. (Article).

[Anon.], ‘Leonardo da Vinci. Thoughts on Art and Life’, April 1907, vol.11, no.49. (Book Review)

A. M. Hind, ‘Two Unpublished Plates of the Series of Six "Knots" Engraved after Designs by Leonardo da Vinci’, October 1907, vol.12, no.55, pp.41–43 (Article).

H. F. Cook, ‘A Portrait of a Musician, by Leonardo da Vinci’, November 1907, vol.12, no.56, pp.91–103. (Article).

[Anon.], ‘The Thoughts of Leonardo da Vinci. As Recorded in His Note Books’, February 1908, vol.12, no.59, pp.319–20.

E. McCurdy, ‘Edward Das Abendmahl des Leonardo da Vinci. Ein Beitrag zur Frage seiner kunstlerischen Rekonstruktion’, June 1908, vol.13, no.63, pp.173–74. (Book Review)

A. Wiel, ‘A Portrait by Leonardo da Vinci Discovered at Milan’, March 1909, vol.14, no.72, pp.359–360. (Short Notice).

[Anon.], ‘The 'Leonardo' Discovery at Milan’, April 1909, vol.15, no.73, pp.50–51. (Short Notice).

H. F. Cook, ‘The Newly-Discovered 'Leonardo'’, May 1909, vol.15, no.74, pp.108–13. (Short Notice).

Editorial Article: ‘The Wax Bust Attributed to Leonardo’, December 1909, vol.16, no.81, pp.123–76.

[Anon.], ‘Affidavits concerning the Wax Bust of Flora’, June 1910, vol.17, no.87, pp.178–83. (Article).

S. de Ricci, ‘New Pictures by Francesco Napolitano’, October 1910, vol.18, no.91, pp.24–27. (Article).

[Anon.], ‘Leonardo Da Vinci ed i lavori di prosciugamento delle Paludi Pontine ai tempi di Leone X (1514–16)’, October 1911, vol.20, no.103, pp.56–57. (Book Review).

R. Dell, ‘Art in France’, October 1911, vol.20, no.103, pp.60–62. (Short Notice).

H. F. Cook, ‘Leonardo da Vinci and Some Copies’, December 1911, vol.20, no.105, pp.128–33. (Article).

R. Dell, ‘Art in France’, December 1911, vol.20, no.105, pp.186–88. (Short Notice).

S. Colvin, ‘A Note on the Bénois Madonna of Leonardo da Vinci’, January 1912, vol.20, no.106, pp.230–33. (Article).

H. F. Cook, ‘The Portrait of Ginevra dei Benci by Leonardo da Vinci’, March 1912, vol.20, no.108, pp.345–47. (Article).

R. Fry, ‘The Virgin of the Rocks by Leonardo da Vinci’, March 1912, vol.20, no.108, pp.359–60. (Short Notice).

T. Borenius, ‘Leonardo da Vinci’, May 1912, vol.21, no.110, pp.117–18. (Book Review).

S. Reinach, ‘Flemish Imitations of the Benois Madonna’, September 1912, vol.21, no.114, pp.358–59. (Short Notice).

A. K., ‘Studien Uber Leonardo da Vinci’, March 1913, vol.22, no.120, p.357. (Book Review).

C. Dodgson, ‘Two Unpublished Drawings by Leonardo’, August 1913, vol.23, no.125, pp.264–67. (Article).

C. J. Holmes, ‘The Shop of Verrocchio’, February 1914, vol. 24, no.131, pp.279–87. (Article).

A. M. Hind, ‘Die Lombardische Graphik der Renaissance nebst einem Verzeichnis von Buchern mit Holzschnitten’, September 1914, vol. 25, no.138, pp.357–58. (Book Review).

G. Frizzoni, ‘Certain Studies by Cesare da Sesto in Relation to His Pictures’, February 1915, vol. 26, no.143, pp.186–94. (Article).

S. S. Sprigge, ‘The Curves of Life; Being an Account of Spiral Formations and Their Application to Growth in Nature, to Science and to Art, with Special

Reference to the Manuscripts of Leonardo da Vinci’, September 1915, vol. 27, no.150, pp.246–47. (Book Review).

L. Cust, C. Dodgson, [A Note on Ishrael van Meckenem - Iohannes Torrentius - The Portrait of Johan van Echten by Rembrandt - The Virgin of the Rocks], September 1915, vol. 27, no.150, pp.248–51. (Short Notice).

L. Cust, ‘Mona Lisa’, October 1915, vol. 28, no.151, pp.29–31. (Article).

R. C. Witt, ‘The Admirable Painter; A Study of Leonardo da Vinci’, June 1916, vol. 29, no.159, p.132. (Book Review).

H. F. Cook, ‘Leonardo da Vinci, the Artist and the man’, July 1916, vol. 29, no.160, pp.176–77. (Book Review).

S. Brinton, ‘La Corte di Lodovico il Moro (Bramante e Leonardo da Vinci)’, January 1917, vol. 30, no.166, pp.36–37. (Book Review).

H. Ochenkowski, W. Wright, ‘The Quatercentenary of Leonardo Da Vinci’, May 1919, vol. 34, no.194, pp.186–203. (Article).

C. Phillips, ‘Florentine Painting before 1500’, June 1919, vol. 34, no.195, pp.208–19. (Article).

S. Brinton, ‘Raccolta Vinciana presso l'Archivio Storico del Comune di Milano Fascicolo Decimo. Nel quarto Centenario dalla Morte di Leonardo da Vinci, Maggio MCMXIX’, October 1919, vol. 35, no.199, pp.173–74. (Book Review).

C. J. Holmes, ‘Leonardo and Boltraffio’, September 1921, vol. 39, no.222, pp.102–08. (Article).

Editorial Article: ‘Leonardo in the Consulting Room’, December 1922, vol. 41, no.237, pp.255–56.

E. MacLagan, ‘Leonardo in the Consulting Room’, January 1923, vol. 42, no.238, pp.54–58. (Letter).

E. MacLagan, ‘Leonardo as Sculptor’, August 1923, vol. 43, no.245, pp.66–69. (Article).

E. MacCurdy, ‘Leonardo and Ovid’, April 1925, vol. 46, no.265, p.204. (Letter).

E. MacCurdy, ‘Leonardo da Vinci's Notebooks’, June 1925, vol. 46, no.267, pp.260–66. (Article).

E. Moeller, ‘An Unpublished Leonardo Drawing’, December 1925, vol. 47, no.273, pp.274–77. (Article)

E. Moeller, ‘Leonardo's Madonna with the Yarn Winder’, August 1926, vol. 49, no.281, pp.61–69. (Article).

E. Moeller, ‘Leonardo's Madonna with the Yarn Winder’, January 1927, vol. 50, no.286, p.50. (Letter).

G. deTérey, ‘Italian Pictures in the Keglevich Collection’, April 1927, vol. 50, no.289, pp.182–189. (Article).

K. T. Parker, ‘Leonardo da Vinci: der Kunstler und sein Werk’, June 1928, vol. 52, no.303, p.312. (Book Review).

S. Popovitch, ‘The Work of Leonardo’, September 1928, vol. 53, no.306, pp.106–10. (Article).

D. A. Hall, ‘A Sidelight on Dating’, September 1928, vol. 53, no.306, pp.142–45. (Short Notice)

Editorial Article: ‘Bode’, April 1929, vol. 54, no.313, pp.165–66.

E. MacLagan, ‘Leonard de Vinci’, May 1929, vol. 54, no.314, p.277. (Book Review)

K. F. Suter, ‘The Earliest Copy of Leonardo da Vinci's Battle of Anghiari’, October 1929, vol.55, no.319, pp.181–88. (Article).

E. MacCurdy, ‘Leonardo's Bronze Statuette at Burlington House’, March 1930, vol. 56, no.324, pp.140–41. (Article).

T. Borenius, ‘Leonardo's Madonna with the Children at Play’, March 1930, vol. 56, no.324, pp.142–43+146–47. (Article).

K. F. Suter, ‘A Copy in Colour by Rubens of Leonardo's Battle of Anghiari’, May 1930, vol. 56, no.326, pp.257–71. (Article).

A. Venturi, ‘An Unpublished Portrait by Bernardino Luini’, September 1930, vol. 57, no.330, pp.120–22. (Article).

G. M. Richter, ‘Leonard de Vinci’, February 1932, vol. 60, no.347, pp.119–20. (Book Review).

K. Clark, ‘Leonardo: Des Meister's Gemalde und Zeichnungen in 360 Abbildungen herausgegeben und eingeleitet’, April 1932, vol. 60, no.349, pp.212–13. (Book Review).

W. R. Valentiner, ‘Leonardo and Desiderio’, August 1932, vol. 61 No.353, pp.52–61. (Article).

K. Clark, ‘Bibliografia Vinciana’, 1493–1930’, October 1932, vol. 61 No.355, pp.186–87. (Book Review).

K. Clark, ‘Leonardo's Adoration of the Shepherds and Dragon Fight’, January 1933, vol. 62, no.358, pp.20–26. (Article).

E. Moeller, ‘Leonard de Vinci’, January 1933, vol. 62, no.358, pp.46–47. (Book Review).

W. R. Valentiner, ‘Leonardo and Desiderio’, February 1933, vol. 62, no.359, p.92. (Letter).

K. Clark, ‘The Madonna in Profile’, March 1933, vol. 62, no.360, pp.136–40. (Article).

B. Degenhart, ‘An Unknown Crucifixion by Lorenzo di Credi’, July 1933, vol. 63, no.364, pp.10–16. (Article).

M. Lessing, ‘Leonardo da Vinci's Pazzia Bestialissima’, May 1934, vol. 64, no.374, pp.219–31. (Article).

E. Moeller, ‘Leonardo da Vinci's Pazzia Bestialissima’, August 1934, vol.65, no. 377, pp.89–90. (Letter).

E. Kris, ‘Het komische genre in de italaansche Schilderkunst gedurende de zeventiende en de achtiende eeuw. Bijdrage tot de geschiedenis van de caricatuur’, February 1935, vol. 66, no.383, p.97. (Book Review).

A. E. Popham, ‘The Royal Collections. II - The Drawings’, May 1935, vol. 66, no.386, pp.218–28. (Article).

C. Brandi, ‘The First Version of Filippino Lippi's Assumption’, July 1935, vol. 67, no.388, pp.30–35. (Article).

C. J. Holmes, ‘A Catalogue of the Drawings of Leonardo da Vinci in the Collection of His Majesty the King, at Windsor Castle’, July 1935, vol. 67, no.38, pp.45–47. (Book Review).

E. Moeller, ‘Leonardo e il Verrocchio’, October 1935, vol. 67, no.391, p.186. (Book Review).

O. Kurz, ‘A Contribution to the History of the Leonardo Drawings’, September 1936, vol. 69, no.402, p.135. (Short Notice).

A. E. Popham, ‘The Drawings at the Burlington Fine Arts Club’, February 1937, vol. 70, no.407, pp.86–88. (Short Notice).

I. Richter, ‘The Earliest Reference to the Leonardo Drawings in the English Royal Collection’, September 1937, vol. 71, no.414, pp.139–40. (Short Notice).

[Anon.], ‘Loan Exhibitions in Italy’, May 1939, vol. 74, no.434, pp.232–34. (Short Notice).

J. Pope-Hennessy, ‘Recent Research’, September 1939, vol. 75, no.438, pp.128–30. (Short Notice).

E. MacLagan, ‘The Notebooks of Leonardo Da Vinci’, October 1939, vol. 75, no.439, pp.169–70. (Book Review).

T. D. Kendrick, ‘Leonardo da Vinci: An Account of His Development as an Artist’, December 1940, vol. 77, no.453, pp.202–03. (Book Review)

T. Borenius, ‘Artistic Theory in Italy, 1450–1600’, March 1941, vol. 78, no.456, p.101. (Book Review).

J. Pope-Hennessy, ‘Recent Research’, January 1942, vol. 80, no.466, pp.24–26. (Short Notice).

M. Johnson, ‘Leonardo's Fantastic Drawings I’, June 1942, vol. 80, no.471, pp.141–45. (Article).

M. Johnson, ‘Leonardo's Fantastic Drawings II’, August 1942, vol. 81 No.473, pp.192–95. (Article).

R. Langton Douglas, ‘Leonardo and His Critics I’, October 1942, vol. 81 No.475, pp.238–47. (Article).

R. Langton Douglas, ‘Leonardo and His Critics II’, November 1942, vol. 81 No.476, pp.262–74. (Article).

R. Langton Douglas, ‘Leonardo and His Critics’ January 1943, vol. 82, no.478, p.21. (Letter).

W. E. Suida, ‘Leonardo's Madonna of the Pomegranate’, June 1943, vol. 82, no.483, pp.153–56. (Letter).

R. Langton Douglas, ‘Leonardo's Childhood’, November 1944, vol. 85, 500, pp.264–67. (Article).

E. H. Gombrich, ‘Leonardo da Vinci, His Life and Pictures’, May 1945, vol. 86, no.506, pp.129–30. (Book Review).

Editorial Article: ‘Loan Exhibitions in Italy in 1939’, January 1946, vol.88, no.514, p.3.

A. E. Popham, ‘The Holkham Leonardo Manuscript’, September 1946, vol.88, no.522, p.231. (Letter).

K. T. Parker, ‘The Drawings of Leonardo da Vinci’, September 1946, vol.88, no.522, pp.231–232. (Book Review).

C. Gould, ‘ ‘Leonardo da Vinci's Notes on the Colour of Rivers and Mountains’, September 1947, vol.89, no.534, pp.238–43. (Article).

A. E. Popham,  ‘Leonardo da Vinci: The Virgin of the Rocks in the National Gallery’, July 1948, vol.90, no.544, p.212. (Book Review).

R. Eisler, C. Gould, ‘Leonardo's 'Virgin of the Rocks'’, November 1948, vol.90, no.548, pp.328–30. (Letter).

A. M. Hind, ‘A Chiaroscuro Woodcut after Leonardo da Vinci’, June 1949, vol.91, no.555, pp.164–65. (Article).

C. Gould, ‘'Paragone', A Comparison of the Arts’, September 1949, vol., 91 No.558, pp.268. (Book Review).

W. R. Valentiner, ‘A Late Drawing by Leonardo’, December 1949, vol., 91 No.561, pp.342–43. (Article).

A. E. Popham,  ‘The Reappearance of Some Leonardo Drawings’, May 1952, vol.94 Bo. 590, pp.127–32. (Article).

Editorial Article: ‘Leonardo da Vinci 1452–1952’, October 1952, vol.94. no.595, p.277.

L. H. Heydenreich, ‘Leonardo da Vinci, Architect of Francis I’, October 1952, vol.94, no.595, pp.277–85. (Article).

R. Holland, ‘A Note on 'La Vierge aux Rochers'’, October 1952, vol.94, no.595, pp.284–86. (Article).

W. G. Hiscock, ‘The Charles I Collection of Drawings by Leonardo and Others’, October 1952, vol.94, no.595, pp.287–89. (Book Review).

C. Gould, Leonardo's 'Neptune' Drawing, October 1952, vol.94, no.595, pp.289–95. (Article).

L. H. Heydenreich, ‘An Ashmolean Drawing Here Attributed to Leonardo’, October 1952, vol.94, no.595, pp.294–95. (Short Notice).

J. Wilde, ‘Michelangelo and Leonardo’, March 1953, vol.95, no.600, pp.65–77. (Article).

C. Pedretti, ‘Leonardo's Allegories at Oxford Explained by Lomazzo’, June 1954, vol.96, no.615, pp.175–77. (Article).

C. Gould, ‘Documenti e Memorie riguardanti Leonardo da Vinci a Bologna e in Emilia’, January 1955, vol.97, no.622, p.26. (Book Review).

A. H. Scott-Elliot, ‘The Pompeo Leoni Volume of Leonardo Drawings at Windsor’, January 1956, vol.98, no.634, pp.11–17. (Article).

K. Keele, ‘Leonardo da Vinci: Das Anatomische Werk’, January 1956, vol.98, no.634, pp.27–28. (Book Review).

B. Sewell, ‘Zurbaran and Leonardo’, October 1957, vol.99, no.55, p.348. (Short Notice).

C. Gould, ‘Treatise on Painting (Codex Urbinas Latinus 1270) by Leonardo da Vinci’, February 1958, vol.100, no.659, pp.65–66. (Book Review).

C. Gould, ‘Leonardo da Vinci’, April 1958, vol.100, no.661, p.134. (Book Review).

G. de Tervarent, ‘The Iconography of the Immaculate Conception in the Middle Ages and Early Renaissance’, April 1958, vol.100, no.661, p.138. (Book Review).

M. Levey, ‘Leonardo's 'Madonna of the Rocks'’, June 1958, vol.100, no.663, p.218. (Letter).

A. E. Popham, ‘Leonardo da Vinci: Fragments at Windsor Castle from the Codex Atlanticus’, July 1958, vol.100, no.664, p.255. (Book Review).

B. A. R. Carter, ‘Pictorial Space’, December 1958, vol.100, no.669, pp.444–47. (Book Review).

C. Gould, ‘Leonardo da Vinci's Trattato della Pittura’, March 1959, vol. 101 No.672, p.114. (Book Review).

M. Levi D'Ancona, ‘The Iconography of the Immaculate Conception’, April 1959, vol. 101 No.673, pp.149–50. (Letter).

M. Levi D'Ancona, ‘More about the Immaculate Conception’, June 1959, vol. 101 No.675, p.245. (Letter).

J. Shearman, ‘Raccolta Vinciana, fascicolo XVIII’, November 1961, vol. 103, no.704, pp.474–75. (Book Review).

C. Gould, J. Shearman, ‘Leonardo's 'Virgin of the Rocks'’, January 1962, vol. 104, no.706, pp.30–34. (Letter).

Editorial Article: ‘The Leonardo Appeal Fund’, May 1962, vol. 104, no.710, p.181.

J. Byam Shaw, ‘One Link More in the History of the Leonardo Cartoon’, May 1962, vol.104, no.710, pp.212–15. (Short Notice).

C. Gould, ‘Leonardo da Vinci on Painting: A Lost Book (Libro A)’, February 1966, vol. 108, no.755, p.96. (Book Review).

L. Reti, ‘The Two Unpublished Manuscripts of Leonardo Da Vinci in the Biblioteca Nacional of Madrid I’, January 1968, vol. 110, no.778, pp.2–24. (Article).

C. Pedretti, ‘The Burlington House Cartoon’, January 1968, vol.110, no.778, pp.22–28. (Article).

C. Pedretti, ‘Studi Vinciani’, January 1968, vol. 110, no.778, pp.48–49. (Book Review).

L. Reti, ‘The Two Unpublished Manuscripts of Leonardo da Vinci in the Biblioteca Nacional of Madrid II’, February 1968, vol. 110, no.779, pp.81–91. (Article).

C. Maccagni, ‘Leonardo's List of Books’, July 1968, vol. 110, no.784, pp.406–10. (Letter).

A. Corbeau, M. Goukovsky, ‘Leonardo Manuscripts in Madrid’, February 1969, vol. 111, no.791, p.91. (Letter).

C. Pedretti, ‘The 'Pointing Lady'’, June 1969, vol. 111 No.795, pp.338–46. (Article).

J. Wasserman, ‘A Re–Discovered Cartoon by Leonardo da Vinci’, April 1970, vol.112, no.805, pp.194+196–204. (Article).

J. Wasserman, ‘The Literary Works of Leonardo da Vinci’, March 1971, vol. 113, no.816, p.162. (Book Review).

L. Reti, ‘Leonardo da Vinci and the Graphic Arts: The Early Invention of Relief-Etching’, April 1971, vol. 113, no.817, pp.188–195. (Article).

J. Wasserman, ‘Catalogue of the Incunabula in the Elmer Belt Library of Vinciana’, October 1972, vol.114, no.835, p.723. (Book Review).

K. Clark, ‘Mona Lisa’, March 1973, vol.115, no.840, p.144–151. (Article).

J. Wasserman, ‘The Clark/Pedretti Leonardo’, February 1974, vol.116, no.851, pp.111–113. (Book Review).

C. Gould, ‘Leonardo: A Study in Style and Chronology’, September 1974, vol.116, no.858, p.544. (Book Review).

C. Gould, ‘Leonardo: The Last Supper’, June 1975, vol.117, no.867, p.400. (Book Review).

D. Wakefield, ‘Art Historians and Art Critics XI: Stendhal’, December 1975, vol.117, no.873, pp.803–809. (Article).

M. Kemp, ‘Dr William Hunter on the Windsor Leonardos and His Volume of Drawings Attributed to Pietro da Cortona’, March 1976, vol.118, no.876, pp.144–48. (Article).

J. Wasserman, ‘Leonardo da Vinci: The Royal Palace at Romorantin’, May 1976, vol.118, no.878, pp.313–315. (Book Review).

C. Pedretti, J. Roberts, ‘Drawings by Leonardo da Vinci at Windsor Newly Revealed by Ultra-Violet Light’, June 1977, vol.119, no.891, pp.396–409. (Article).

C. Gould, ‘Leonardo Drawings at Windsor Castle’, August 1977, vol.119, no.893, p.574. (Letter).

M. Kemp, ‘Current and Forthcoming Exhibitions: Leonardo da Vinci. Anatomical Drawings from the Royal Collection’, January 1978, vol.120, no.898, pp.41–47. (Exhibition Review).

J. Wasserman, ‘Leonardo and Central Italian Art: 1515–1550’, February 1978, vol.120, no.899, p.98. (Book Review).

B. Morley, ‘The Plant Illustrations of Leonardo da Vinci’, September 1979, vol.121, no.918, pp.553–62. (Article).

J. Wasserman, ‘Leonardo Studien’, March 1980, vol.122, no.924, pp.199–201. (Book Review).

P. Hills, ‘Leonardo and Flemish Painting’, September 1980, vol.122, no.930, pp.608–15. (Article).

J. Wasserman, ‘The Literary Works of Leonardo da Vinci. Commentary’, October 1981, vol.123, no.943, pp.623–24. (Book Review).

S. J. Freedberg, ‘A Recovered Work of Andrea del Sarto with Some Notes on a Leonardesque Connection’, May 1982, vol.124, no.950, pp.266–88. (Article).

M. Kemp, ‘Leonardo dopo Milano. Vinci, December 1982’, vol.124, no.957, p.788. (Exhibition Review).

M. Podro, ‘Leonardo da Vinci. The Marvellous Works of Nature and Man’, January 1983, vol.125, no.958, pp.35–37. (Book Review).

M. Kemp, ‘Leonardo da Vinci. Corpus of the Anatomical Studies in the Collection of Her Majesty the Queen at Windsor Castle’, April 1983, vol.125, no.961, pp.229–30. (Book Review).

J. B. Bury, ‘A Leonardo Project Realised in Portugal’, August 1984, vol.126, no.977, pp.499–501. (Short Notice).

P. Holberton, ‘Ekphrasis und Herrscherallegorie. Antike Bildbeschreibungen im Werk Tizians und Leonardos’, April 1986, vol.128, no.997, p.294. (Book Review).

R. Schofield, ‘Leonardo, Architect’, August 1986, vol.128, no.1001, pp.611–12. (Book Review).

M. Kemp, ‘Studies on Leonardo da Vinci I. Linear Perspective and the Visual Dimensions of Science and Art’, August 1987, vol.129, no.1013, pp.540–41. (Book Review).

Editorial Article: ‘The Leonardo Cartoon’, September 1987, vol.129, no.1014, p.571.

J. Cunnally, ‘Leonardo and the Horses of Nero’, September 1988, vol.130, no.1026, pp.689–90. (Short Notice).

R. Schofield, ‘Leonard de Vinci: ingenieur et architecte’, September 1988, vol.130, no.1026, pp.702–03. (Book Review).

F. Zöllner, ‘Leonardo-Studien’, April 1989, vol.131 No.1033, pp.301–02. (Book Review).

R. Schofield, ‘Leonardo. London, Hayward Gallery’, April 1989, vol.131 No.1033, pp.306–07. (Exhibition Review).

D. A. Brown, ‘Leonardo e i Leonardeschi a Brera’, July 1989, vol.131 No.1036, pp.491–92. (Book Review).

J. Fletcher, ‘Bernardo Bembo and Leonardo's Portrait of Ginevra de' Benci’, December 1989, vol.131 No.1041, pp.811–16. (Article)

D. Scrase, ‘Leonardo; Italian Drawings. Paris and Lille’, February 1990, vol.132, no.1043, pp.151–54. (Exhibition Review)

B. B. Fredericksen, ‘Leonardo and Mantegna in the Buccleuch Collection’, February 1991, vol.133, no.1055, pp.116–18. (Short Notice).

[Anon.], ‘Nine Lectures on Leonardo da Vinci’, November 1991, vol.133, no.1064, p.786. (Publication Received)

N. Penny, ‘Raphael's 'Madonna dei garofani' Rediscovered’, February 1992, vol.134, 1067, pp.67–81. (Article).

N. Penny, ‘Leonardo's Madonna of the Yarnwinder. Edinburgh. National Gallery of Scotland’, August 1992, vol.134, no.1073, pp.542–44. (Exhibition Review).

P. Rubin, ‘Le Lunette di Leonardo nel refettorio delle Grazie (Quaderni del restauro, 7)’, October 1992, vol.134, no.1075, p.676. (Publication Received).

P. Holberton, ‘Leonardo as a Physiognomist: Theory and Drawing Practice’, March 1995, vol.137, no.1104, pp.188–89. (Book Review).

A. Boström, ‘Leonardo da Vinci's Sforza Monument Horse. The Art and the Engineering’, October 1996, vol.138, no.1123, p.699. (Book Review).

A. Wright, ‘Leonardo da Vinci. Origins of a Genius’, April 1999, vol.141, no.1153, pp.233–34. (Book Review).F. Zöllner, ‘Leonardo. Una carriera di pittore’, January 2001, vol.143, no.1174, pp.35–37. (Book Review).

B. Cornelis, ‘Leonardo da Vinci and the Splendor of Poland: A History of Collecting and Patronage’, May 2003, vol.145, no.1202, p.377. (Book Review).

M. Bury, ‘Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian’, August 2003, vol.145, no.1205, p.589. (Book Review).

A. D. Brown, ‘Leonardo drawings’, August 2003, vol.145, no.1205, pp.613–15. (Exhibition Review).

B. Cornelis, ‘Leonardo da Vinci: Natur im Übergang’, October 2004, vol.146, no.1219, p.699. (Publication Received).

L. Syson, R. Billinge, ‘Leonardo da Vinci's use of underdrawing in the 'Virgin of the Rocks' in the National Gallery and 'St Jerome' in the Vatican’, July 2005, vol.147, no.1228, pp.450–63. (Article).

J. Martineau, ‘Leonardo da Vinci: The flights of the mind’, November 2005, vol.147, no.1232, pp.764. (Publication Received).

D. Laurenza, ‘Figino and the lost drawings of Leonardo's comparative anatomy’, March 2006, vol.148, no.1236, pp.173–79. (Article).

L. A. Waldman, ‘Leonardo da Vinci. Florence, London, Oxford and Munich’, April 2007, vol.149, no.1249, pp.283–86. (Exhibition Review).

L. Syson, ‘Leonardo da Vinci, 1452–1519: the Complete Paintings and Drawings’, October 2008, vol.50, no.1267, pp.691–92. (Book Review).

P. G. Gwynne, ‘A new contribution to the biography of Leonardo da Vinci’, August 2009, vol.151, no.1277, pp.543. (Article).

A. Sconza, ‘Leonardo e il monumento equestre a Francesco Sforza’, August 2009, vol.151, no.1277, pp.554–55. (Book Review).

A. Sconza, ‘Leonardo. Dagli studi di proporzione al Trattato della pittura’, August 2009, vol.151, no.1277, pp.554–55. (Book Review).

W. Mostyn-Owen, ‘The American Leonardo: A Twentieth-Century Tale of Obsession, Art and Money’, June 2010, vol.152, no.1287, p.421. (Publication Received).

D. Ekserdjian, ‘Leonardo da Vinci: ‘Leonardo da Vinci: ‘La Bella Principessa’-The Profile Portrait of a Milanese Woman’, June 2010,  vol.152, no.1287, pp.420–21. (Book Review).

A. Butterfield, ‘Leonardo and sculpture. Atlanta and Los Angeles’, August 2010, vol.152, no.1289, pp.570–71. (Exhibition Review).

D. L. Sparti, ‘Re-Reading Leonardo: The Treatise on Painting across Europe, 1550–1900’, December 2010, vol.152, no.1293, pp.809–10. (Book Review).

L. Wolk-Simon, ‘The ‘Cartones of Leonardo da Vinci’’, March 2011, vol.153, no.1296, pp.148–55. (Article).

Benois Madonna, Hermitage, St Petersburg. As photographed in 1911 for the Burlington Magazine.
Benois Madonna, Hermitage, St Petersburg. As photographed in 1911 for the Burlington Magazine.
The Burlington Magazine front cover – October 1952
The Burlington Magazine front cover – October 1952
Virgin of the rocks, Louvre, Paris
Virgin of the rocks, Louvre, Paris
Mona Lisa, Louvre, Paris
Mona Lisa, Louvre, Paris
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