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May 2011

Vol. 153 | No. 1298

Art in France

Editorial

Boston’s new view on the Art of the Americas

As the largest museum building project on the eastern seaboard of the United States in recent times, the new Art of the Americas wing at Boston’s Museum of Fine Arts provides an imposing home and rich context for the stars of its American holdings. Ten years in the planning and designed by Foster Partners, it is inserted into the space between the wings of the original building which respectively house European and Ancient collections. Its external impact is relatively minimal – in fact rather low-key and corporate; however, when approached from the heart of the Museum, a sense of occasion, even drama is created.

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  • Art History Reviewed XII: T.J. Clark’s ‘Image of the People: Gustave Courbet and the 1848 Revolution’, 1973

    By Alastair Wright

    A re-examination of T.J. Clark's 'Image of the People', 1973

  • Jean-Antoine Watteau: the first documents

    By François Marandet

    Two unpublished documents concerning Jean-Antoine Watteau and his estate.

  • Degas in court

    By Theodore Reff

    New information on Degas’s court cases in 1877 and 1887

  • Edouard Manet’s ‘View at place Clichy’

    By Malcolm Park

    Buildings and viewpoints in Manet’s View at place Clichy (c.1874–78).

  • Obituary. Lorenz Eitner (1919–2009)

    By Frances Suzman Jowell
  • ‘Marius at Minturnae’ by Jean-Germain Drouais: a classical source and the sublime

    By Todd Magreta

    An examination of Marius at Minturnae (1786) by Jean-Germain Drouais.

  • The collection of paintings of Abel-Jean Vignier (1639–1700), the elusive marquis d’Hauterive

    By Olivier Lefeuvre,Frédérique Lanoë

    A discussion of the picture collection of Abel-Jean Vignier, marquis of d’Hauterive (1639–1700).

  • Weaving together an identity in Nicolas Poussin’s ‘Landscape with an anchorite saint’

    By James R. Jewitt

    A reidentification of Poussin’s Landscape with an anchorite saint (c.1636–37).