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August 2019, No. 1397 – Vol 161

Architecture

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Editorial

At the Yale Center for British Art

At the end of June Amy Meyers stepped down as Director of the Yale Center for British Art, New Haven, after seventeen years. Her appointment in 2002 coincided with the twenty-fifth anniversary of the opening of the Center in its purpose-built home on Chapel Street, designed by Louis I. Kahn.

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Ilya Repin. State Tretyakov Gallery, Moscow

Over the past decade the State Tretyakov Gallery has had great success in reviving the popularity of Russian painters of the pre-revolutionary era. So high was attendance at the Valentin Serov exhibition in 2016 that a new phrase was coined (‘to queue for Serov’ means to wait an awfully long time).

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  • Peer review in art history

    By Sam Rose
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  • Was Lord Burlington a Jacobite?

    By Alexander Echlin
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  • Buenos Aires Cathedral in the eighteenth century

    By Gauvin Alexander Bailey
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  • The fate of Notre-Dame, Paris

    By Alexandra Gajewski,Michael Hall
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  • New evidence for the ‘Barberini Apostles’ by Andrea Sacchi and Carlo Maratti

    By Giovan Battista Fidanza
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  • ‘Mantegna and Bellini’ in London and Berlin

    By Caroline Campbell
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  • Architects and Intellectual Culture in Post-Restoration England. By Matthew Walker

    By John Bold
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  • Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion. By Ludmila Kvapilová

    By Matthias Weniger
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  • Art and Miracle in Renaissance Tuscany. By Robert Maniura

    By Margherita Clavarino
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  • Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco. By Gianni Papi

    By John Gash
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  • The Fabrication of Leonardo da Vinci’s ‘Trattato della pittura’. By Claire Farago, Janis Bell and Carlo Vecce

    By Anthony Colantuono
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  • Gestatten Suermondt! Sammler, Kenner, Kunstmäzen. Edited by Peter van den Brink and Wibke Vera Birth

    By Thomas Tuohy
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  • For America: Paintings from the National Academy of Design. Edited by Jeremiah William McCarthy and Diana Thompson

    By John P. Murphy
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  • Looking at Men: Art, Anatomy and the Modern Male Body. By Anthea Callen

    By Satish Padiyar
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  • Photography in Argentina: Contradiction and Continuity. Edited by Idurre Alonso and Judith Keller; and Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero. Edited by Mary Davis MacNaughton

    By Luciana Martins
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  • Pink: The History of a Punk, Pretty, Powerful Colour. Edited by Valerie Steele

    By Sanda Miller
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  • Book of Beasts: The Bestiary in the Medieval World. J. Paul Getty Museum, Los Angeles

    By William Diebold
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  • ‘Saxones’: A New History of the Old Saxons. Landesmuseum Hannover

    By Meg Boulton
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  • Frans Hals: Family Portraits Fondation Custodia, Paris

    By Quentin Buvelot
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  • Their Majesties’ Retiring Room. Museo Nacional del Prado, Madrid; and A Painting for a Nation: The Execution of Torrijos. Museo Nacional del Prado, Madrid

    By Simon Lee
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  • Ilya Repin. State Tretyakov Gallery, Moscow

    By Isabel Stokholm Romanova
  • Lee Krasner: Living Colour. Barbican Art Gallery, London

    By David Anfam
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  • Emma Kunz: Visionary Drawings. Muzeum Susch, Zernez

    By Jennifer Mundy
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  • How Chicago! Imagists 1960s and 70s. De La Warr Pavilion, Bexhill-on-Sea

    By James Boaden
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