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July 2021

Vol. 163 | No. 1420

Art in Britain

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Editorial

Crossing borders

Published last month, the fourth issue of the journal on our Burlington Contemporary digital platform is the first to have a theme – Art from Latin America. Like each of the preceding issues, its contents were submitted in response to a call for articles and so their subjects, which range from Surrealism in Mexico to indigenous art in Paraguay, could not have been predicted. 

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Under the Open Sky: Travelling with Wassily Kandinsky and Gabriele Münter

On 2nd December 1911 Wassily Kandinsky and Gabriele Münter declared their departure from from the New Artists’ Association (Neue Künstlervereinigung) in Munich because Kandinsky in particular felt insufficiently valued by the group. 

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  • A second Paston prospective rediscovered

    By Stephen Lloyd,Simon Jervis
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  • From Dolly to Dorrit: William Powell Frith’s scenes from Dickens

    By Mark Bills
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  • The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies

    By Samuel Shaw
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  • Laura Knight on display: book jackets and self-promotion in the 1920s

    By Sally Beazley-Long
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  • Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance

    By Dillian Gordon
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  • Socles and settings: Roubiliac’s busts of George II and Viscount Ligonier

    By Malcolm Baker,Jonathan Marsden
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  • A design for the mystery of Freemasonry

    By Sarah Medlam
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  • The sitter in Copley’s ‘Portrait of a lady’ in the Wadsworth Atheneum identified

    By Susan J. Rawles
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  • Out of the Cage: The Art of Isabel Rawsthorne

    By Dawn Ades
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  • The Cosmatesque Mosaics of Westminster Abbey. The Pavements and Royal Tombs: History, Archaeology, Architecture and Conservation

    By Lucy Donkin
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  • Der Schatz der Marienkirche zu Danzig: Liturgische Gewänder und textile Objekte aus dem späten Mittelalter (Berner Forschungen zur Geschichte der textilen Künste, 1)

    By Lisa Monnas
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  • Elizabethan Globalism: England, China and the Rainbow Portrait

    By Elizabeth Goldring
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  • Sculpture Journal, Volume 29, Issue 3

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  • British Art and the East India Company

    By Emily M. Weeks
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  • The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865

    By Rufus Bird
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  • The Museum Building of Trinity College Dublin: A Model of Victorian Craftsmanship

    By Michael Hall
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  • Thomas Hennell: The Land and the Mind

    By Timothy Wilcox
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  • The ‘Black Art’ Renaissance: African Sculpture and Modernism across Continents

    By Ellen MCBREEN
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  • Iteration: Episodes in the Mediation of Art and Architecture

    By Elizabeth A. Darling
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  • Dorothy Morland: Making ICA History

    By Elena Crippa
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  • Tracey Emin / Edvard Munch: The Loneliness of the Soul

    By James Cahill
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  • Women Artists of the Wiener Werkstätte

    By Elana Shapira
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  • Under the Open Sky: Travelling with Wassily Kandinsky and Gabriele Münter

    By Lucy Wasensteiner
  • Savinio: Enchantment and Myth

    By Silvia Loreti
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  • Alice Neel: People Come First

    By Barry Schwabsky
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  • Isa Genzken: Works from 1973 to 1983

    By Isabel Parkes
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