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March 2022

Vol. 164 | No. 1428

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Editorial

Art in the age of digital reproduction

 

One of the most remarkable museums to have opened in Britain in many years, the Spanish Gallery at Bishop Auckland, County Durham, is impressive in a number of ways over and above the fact that it is devoted to that seemingly most unEnglish of subjects: the art of Counter-Reformation Spain. 

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The Chipperfield extension and private collections

With its third extension, the Kunsthaus Zurich can legitimately claim to be the largest museum in Switzerland. The competition is fierce in a country where recent initiatives to expand museums have multiplied, such as the extension of the Kunsthaus Basel by Christ & Gantenbein (2016) and more recently the erection of the new Musée Cantonal des Beaux-Arts de Lausanne (MACBA) by the Estudio Barozzi Veiga (2019).

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  • Piranesi’s ‘Catalogo delle Opere’

    By Andrew Robison
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  • Picasso’s ‘Faun musician’: revealing the making, contextualising the meaning

    By Kristi Dahm,Francesca Casadio,Jean-Louis Andral
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  • Anthony van Dyck in London: newly discovered documents

    By Justin Davies,James Innes-Mulraine
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  • Carlo Maratti’s additions to the ‘Barberini Venus’

    By Giovan Battista Fidanza
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  • A pastel ‘Study for a head’ by Boltraffio in the Biblioteca Ambrosiana, Milan

    By Antonio Mazzotta,Agostino Allegri
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  • Dante 1321–2021

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  • The Spanish Gallery, Bishop Auckland

    By Isabelle Kent
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  • Obituary: Richard Kendall (1946–2021)

    By James A. Ganz
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  • Obituary: John White (1924–2021)

    By Julian Gardner
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  • La Collezione di Medaglie Mario Scaglia

    By Jeremy Warren
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  • Die Silberne Stadt: Rom im Spiegel seiner Medaillen von Papst Paul II. bis Alexander VII.

    By Giulia Zaccariotto
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  • Die Krone der Hildegard von Bingen

    By Stefanie Seeberg
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  • The Basilica of Saint John Lateran to 1600

    By Julian Gardner
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  • Titian’s Icons: Tradition, Charisma and Devotion in Renaissance Italy

    By Giorgio Tagliaferro
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  • Las mujeres y las artes: Mecenas, artistas, emprendedoras y coleccionistas

    By María Cruz de Carlos Varona
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  • Rembrandt: Studies in his Varied Approaches to Italian Art

    By Jeroen Giltaij
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  • Intagli rococ : Professionalit  ed elaborazione del gusto negli interni del Palazzo Reale di Torino

    By Susanna Zanuso
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  • Georg Baselitz

    By Jeremy Lewison
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  • Anthony van Dyck and the Art of Portraiture

    By Karen Hearn
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  • Christian Daniel Rauch und Ernst Rietschel: Der Briefwechsel 1829–1857. Ein Quellenwerk zur preu ischen und s chsischen Kunst- und Kulturgeschichte. Kommentierte Neuausgabe

    By Astrid Nielsen
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  • Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art

    By Neil McWilliam
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  • Modern Women Artists in the Nordic Countries, 1900–1960

    By Aisha Lovise Maud Bornoe
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  • The Story of (my) Exhibitions

    By Martin Holman
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  • Mainie Jellett (1897–1944): Translation and Rotation

    By Victoria Horne
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  • Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione

    By Oskar Bätschmann
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  • Galleries for the permanent collection

    By Laura Moretti
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  • Willem van de Velde and Son

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  • Grand Tour: Sogno d’Italia da Venezia a Pompei

    By Clare Hornsby
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  • True to Nature: Open-Air Painting in Europe 1780–1870

    By Carl-Johan Olsson
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  • Mikhail Vrubel

    By Ilia Doronchenkov
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  • Nikolai Astrup: Visions of Norwegian Nature

    By Kari Greve
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  • Julie Manet: An Impressionist Heritage

    By Belinda Thomson
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  • The Chipperfield extension and private collections

    By Louis Deltour