Editorial

Art in the age of digital reproduction

 

One of the most remarkable museums to have opened in Britain in many years, the Spanish Gallery at Bishop Auckland, County Durham, is impressive in a number of ways over and above the fact that it is devoted to that seemingly most unEnglish of subjects: the art of Counter-Reformation Spain. 

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The Chipperfield extension and private collections

With its third extension, the Kunsthaus Zurich can legitimately claim to be the largest museum in Switzerland. The competition is fierce in a country where recent initiatives to expand museums have multiplied, such as the extension of the Kunsthaus Basel by Christ & Gantenbein (2016) and more recently the erection of the new Musée Cantonal des Beaux-Arts de Lausanne (MACBA) by the Estudio Barozzi Veiga (2019).

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• Articles (9)
• Books (14)
• Exhibitions (10)

• Piranesi’s ‘Catalogo delle Opere’

  By Andrew Robison
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• Picasso’s ‘Faun musician’: revealing the making, contextualising the meaning

  By Kristi Dahm,Francesca Casadio,Jean-Louis Andral
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• Anthony van Dyck in London: newly discovered documents

  By Justin Davies,James Innes-Mulraine
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• Carlo Maratti’s additions to the ‘Barberini Venus’

  By Giovan Battista Fidanza
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• A pastel ‘Study for a head’ by Boltraffio in the Biblioteca Ambrosiana, Milan

  By Antonio Mazzotta,Agostino Allegri
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• Dante 1321–2021

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• The Spanish Gallery, Bishop Auckland

  By Isabelle Kent
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• Obituary: Richard Kendall (1946–2021)

  By James A. Ganz
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• Obituary: John White (1924–2021)

  By Julian Gardner
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• La Collezione di Medaglie Mario Scaglia

  By Jeremy Warren
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• Die Silberne Stadt: Rom im Spiegel seiner Medaillen von Papst Paul II. bis Alexander VII.

  By Giulia Zaccariotto
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• Die Krone der Hildegard von Bingen

  By Stefanie Seeberg
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• The Basilica of Saint John Lateran to 1600

  By Julian Gardner
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• Titian’s Icons: Tradition, Charisma and Devotion in Renaissance Italy

  By Giorgio Tagliaferro
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• Las mujeres y las artes: Mecenas, artistas, emprendedoras y coleccionistas

  By María Cruz de Carlos Varona
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• Rembrandt: Studies in his Varied Approaches to Italian Art

  By Jeroen Giltaij
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• Intagli rococ : Professionalit  ed elaborazione del gusto negli interni del Palazzo Reale di Torino

  By Susanna Zanuso
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• Georg Baselitz

  By Jeremy Lewison
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• Anthony van Dyck and the Art of Portraiture

  By Karen Hearn
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• Christian Daniel Rauch und Ernst Rietschel: Der Briefwechsel 1829–1857. Ein Quellenwerk zur preu ischen und s chsischen Kunst- und Kulturgeschichte. Kommentierte Neuausgabe

  By Astrid Nielsen
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• Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art

  By Neil McWilliam
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• Modern Women Artists in the Nordic Countries, 1900–1960

  By Aisha Lovise Maud Bornoe
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• The Story of (my) Exhibitions

  By Martin Holman
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• Mainie Jellett (1897–1944): Translation and Rotation

  By Victoria Horne
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• Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione

  By Oskar Bätschmann
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• Galleries for the permanent collection

  By Laura Moretti
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• Willem van de Velde and Son
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• Grand Tour: Sogno d’Italia da Venezia a Pompei

  By Clare Hornsby
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• True to Nature: Open-Air Painting in Europe 1780–1870

  By Carl-Johan Olsson
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• Mikhail Vrubel

  By Ilia Doronchenkov
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• Nikolai Astrup: Visions of Norwegian Nature

  By Kari Greve
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• Julie Manet: An Impressionist Heritage

  By Belinda Thomson
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• The Chipperfield extension and private collections

  By Louis Deltour

  • Picasso, a political enemy of Francoist Spain by GENOVEVA TUSELL GARCÍA. March 2013 Vol. 155 No. 132 574.8 KB PDF
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