Editorial

The gallery of honour

The gallery of honour in the heart of the Rijksmuseum, Amsterdam, has recently welcomed an impressive painting to its walls: Vanitas still life by Maria van Oosterwijck (1630–93). In a compelling sense the artist has long had a place in galleries of honour, as works by her were acquired by Emperor Leopold I, Louis XIV of France and Cosimo III de’ Medici of Tuscany.

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Exhibition Review

D’or et d’éclat: Le bijou à la Renaissance

To mark the 30th anniversary of its opening in the Hôtel d’Assézat, Toulouse, the Fondation Bemberg is celebrating with a dazzling exhibition dedicated to Renaissance jewellery – the first on the subject since Princely Magnificence: Court Jewels of the Renaissance, 1500–1630 at the Victoria and Albert Museum, London (V&A), in 1980–81.

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• Articles (8)
• Books (12)
• Exhibitions (9)

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  Jan van Eyck’s diptych for Philip the Good

  By Emma Capron
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  A Saxon in Hamburg: a leaf from the lost tournament book of Duke John the Steadfast

  By Alexandra Burger
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• 

  Sibylla von Freyberg’s prayer book

  By Clarck Drieshen
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• 

  Putting a name to a face: ‘Portrait of a lady’ at Parham House

  By Bianca Arthur-Hull,Elise Effmann Clifford,Elizabeth Goldring,Sakeenah Teal Montanaro
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• 

  Frans Hals’s portraits of Jan van de Poll and Duijfje van Gerwen: new identifications

  By Jonathan Bikker
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• 

  A ‘Salvator Mundi’ at Dulwich reconsidered

  By Lucy West,Nicole Ryder
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  A ‘Flagellation of Christ’ in Zagreb from Dirck Santvoort’s Passion series

  By Ivan Ferenčak
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• 

  Germany’s celebration of Caspar David Friedrich’s 250th anniversary

  By Christian Scholl
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• National Gallery Catalogues: The German Paintings before 1800

  By Stephan Kemperdick
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• Fifteenth-Century Netherlandish Painting at the Museo Nacional del Prado: Catalogue Raisonné

  By Katrin Dyballa
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• Costruire a Venezia: I mutamenti delle tecniche edificatorie lagunari tra Medioevo e Età moderna

  By Deborah Howard
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• Lucas Cranach: From German Myth to Reformation

  By Armin Kunz
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• The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe

  By Gauvin Alexander Bailey
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• Le medaglie del Museo Nazionale del Bargello: Europa occidentale (Regni d’Inghilterra, di Scozia, d’Irlanda, di Francia, di Navarra, della Spagne, di Portogallo e Algarve), secoli XV–XVII. Storia della collezione e catalogo

  By Ludovic Jouvet
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• Étienne-Barthélemy Garnier (1759–1849): de l’Académie royale à l’Institut de France

  By Isabelle Mayer-Michalon
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• Erich Heckel in Flanders

  By Will Stone
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• Art, Feminism, and Community: Feminist Art Histories from Turkey, 1973–1998

  By Elizabeth Savage
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• Peter Gregory: Publisher and Patron of Modern British Artists

  By Stephen Feeke
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• Roberto Longhi: Da Cimabue a Morandi

  By Gianluca Forgione
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• Richard Smith: Artworks 1954–2013

  By Martin Holman
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• Chistian Krohg: Le peuple du Nord

  By Maryanne Stevens
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• Mamluks, 1250–1517

  By Federica Gigante
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• Corpi Moderni. La costruzione del corpo nella Venezia del Rinascimento: Leonardo, Michelangelo, Dürer, Giorgione

  By Furio Rinaldi
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• Wellington’s Dutch Masterpieces

  By Robert Wenley
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• Corot to Watteau? On the Trail of French Drawings

  By Christoph Martin Vogtherr
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• Le Louvre s’invite chez Goya

  By Elsa Espin
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• Picturing Nature: The Stuart Collection of 18th- and 19th- Century British Landscapes and Beyond

  By John Marciari
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• Monstrous Beauty: A Feminist Revision of Chinoiserie

  By Kee Il Jr Choi
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• Medardo Rosso: Inventing Modern Sculpture

  By Sharon Hecker
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