The 2019 prize is now open for entries

 

 

The Burlington Contemporary Art Writing Prize seeks to discover talented young writers on contemporary art, with the winner receiving £1,000 and the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine.

Since its founding in 1903, The Burlington Magazine has always considered the art of the present to be as worthy of study as the art of the past. The Burlington Contemporary Art Writing Prize advances our commitment to the study of contemporary art by encouraging aspiring young writers to engage critically with its forms and concepts. The Prize promotes clear, concise and well-structured writing that is able to navigate sophisticated ideas without recourse to over-complex language.

Deadline 31st March 2019

£1,000 prize

If you have any enquiries about the Writing Prize, please contact editorial@burlington.org.uk.

 

Submission Requirements


Contenders – who must be no older than 35 years of age on 31st March 2019 and have published no more than six exhibition reviews – should submit one unpublished review of a contemporary art exhibition, no more than 1,000 words in length with up to three low-resolution images. ‘Contemporary’ is defined as art produced since 2000. The submitted review must be written in English (although the art considered may be international) and emailed as a Word document, clearly stating the name, age, country of residence and occupation of the writer, to editorial@burlington.org.uk

 

Past Winners and Judges

2018 

The 2018 prize was judged by Jenni Lomax, former Director of the Camden Art Centre, London, and the artist Fiona Banner. The judges commended the diverse range of artists covered by the entrants, the variety of viewpoint represented and the general lack of formulaic ‘art speak’. The prize was awarded to Anna Campbell, who chose to write about an exhibition of work by Hetain Petal held at the Manchester Art Gallery, in 2017.

 

2017

The 2017 prize was judged by Julia Peyton-Jones, former Director of the Serpentine Galleries, London, and Martin Caiger-Smith, Head of the MA programme Curating the Art Museum at the Courtauld Institute of Art, London. The judges were very impressed by the range and overall quality of the entries, and particularly by their clear and controlled language and ambition in tackling complex and lesser-known work. The winner of the prize was John Parton, Commissioning Editor at Laurence King Publishing, for his review of Ragnar Kjartansson at the Barbican Art Gallery, London. In January 2018 issue of the Burlington Magazine, he reviewed the Camille Henrot retrospective at the Palais de Tokyo, Paris. 

Camille Henrot, by John Parton

2016

The 2016 Prize garnered over 130 entries from dozens of countries. The overall standard of the entries was described as ‘very impressive’ by the judges, Alex Farquharson, the Director of Tate Britain, and Lynne Cooke, Curator of Special Projects in Modern Art at the National Gallery of Art, Washington D.C. The winner was Luke Naessens, an Exhibitions Assistant at Barbican Art Gallery. Luke chose to write about Sculpture 4tet, an exhibition of sculptures by Luciano Fabro, Jean-Luc Moulène, Bruce Nauman and Danh Võ held at Marian Goodman Gallery, London. Luke published a review of an exhibition at the Centre Pompidou, Paris, devoted to the sculptor Jean-Luc Mouléne.

Jean-Luc Moulène, by Luke Naessens

2015

After a year’s hiatus, the 2015 Prize was judged by the Director of the Contemporary Art Society, Caroline Douglas, and art critic and novelist Michael Bracewell. The winner was Helena Anderson, who wrote about an Olga Chernysheva show at Pace Gallery, London. Helena is the Gallery Manager at Deborah Gage (Works of Art) Ltd. and published a review of the Imperial War Museum’s Lee Miller retrospective in the April 2016 issue of the Magazine.

Lee Miller, by Helena Anderson

2013

Judged by the artist Dexter Dalwood and Daniel F. Herrmann, Curator of Special Projects at the National Gallery, London, the 2013 Prize was awarded to Jenna Krumminga for her review of photographs by Larry Clark at C/O Berlin. Jenna reviewed an exhibition on photography and the American Civil War at the Metropolitan Museum of Art, New York, for the Magazine’s August 2013 issue.

Photography and the American Civil War, by Jenna Krumminga

2012

The inaugural Prize was judged by current Director of the National Portrait Gallery, Nicholas Cullinan, and Anna Lovatt, currently the Marguerite Hoffman Scholar in Residence at the SMU Meadows School of Art, Dallas, and a former lecturer at the University of Nottingham and the University of Manchester. The winner was Isabella Maidment, who chose to write about an exhibition of work by Lygia Pape at the Serpentine Gallery, London. Isabella has since reviewed several exhibitions for the Magazine, received her doctorate from University College London.  She is currently Assistant Curator of Performance at Tate.

Read Isabella’s review of the Liverpool Biennial here.

Liverpool Biennial, by Isabella Maidment