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Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop

Madison, USA

Chazen Museum of Art

Opened 18 Dec 2023

Until 24 Mar 2024

Mark Rothko

Paris, France

Fondation Louis Vuitton

Opened 18 Oct 2023

Until 2 Apr 2024

Jonathan Baldock: Touch Wood

West Bretton, UK

Yorkshire Sculpture Park

Opened 23 Sep 2023

Until 14 Apr 2024

Elmgreen & Dragset: READ

Prague, Czech Republic

Kunsthalle Praha

Until 22 Apr 2024

Frans Hals

Amsterdam, Netherlands

Rijksmuseum

Opened 16 Feb 2024

Until 9 Jun 2024

Sargent and Fashion

London, UK

Tate Britain

Opened 22 Feb 2024

Until 7 Jul 2024

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Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop

Discover parallels between the business of 15th-century printmaking and today’s branding practices in Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop. The exhibition will be the first in the United States to present new research about the role Israhel van Meckenem (German, 1440/1445-1503) played in developing printmaking as a fine art and will feature more than sixty objects that place his important engravings alongside images he copied from his contemporaries, including Master ES, Martin Schongauer and Albrecht Dürer. The exhibition explores the business of printmaking in the late 15th century, focusing on Israhel’s operation of a productive workshop during the initial rise of printed text and images in Europe. The engravings in the exhibition highlight Israhel’s primary audiences and the ways they used engravings. The exhibition will also explore his strategic use of materials like paper and copper, as well as the development of new products, including intricate ornamental designs, engraved indulgences, scenes of everyday life and the earliest printed self-portrait.

 

Closing soon

Madison, USA

Chazen Museum of Art

Opened 18 Dec 2023

Until 24 Mar 2024

ALL EYES ON US

Do you ever get the feeling of being watched? In this exhibition, we are scrutinised by the eyes in dozens of portraits. What happens when we return their gaze? ALL EYES ON US explores who gets to look at whom and prompts questions of power and performance. Is it possible to meet ourselves reflected in familiar or forgotten faces? Featured artworks include Victoria Russell’s Portrait of Fiona Shaw (2002), Murdo MacLeod’s Portrait of Roy Keane (2002), Sasha Kropotkin (c.1912) by Gerald Festus Kelly, and Kevin Mooney’s Storyteller (2016), a surprising portrait of Peig Sayers.

Closing soon

Cork, Ireland

Crawford Art Gallery

Until 24 Mar 2024

Tropical: Stories from Southeast Asia and Latin America

Tropical: Stories from Southeast Asia and Latin America is the first large-scale museum exhibition to take a comparative approach across Southeast Asia and Latin America, uniquely animated by their struggles against colonialism. Comprising over two hundred paintings, sculptures, drawings, performances and sensorial installations, Tropical spans the twentieth century, tracing how artists from both regions challenged conventions and fostered solidarities, defiantly reclaiming their place within the story of art. Featuring over two hundred artworks, sculptures, drawings, performances and immersive installations by more than seventy-five artists, encompassing the breadth of the twentieth century. The exhibition extends across three galleries and more, each exploring distinct themes.

Closing soon

Singapore, Republic of Singapore

National Gallery Singapore

Until 24 Mar 2024

Friesen: Immortalised

Friesen: Immortalised features first prints from the Friesen Collection at the Putney Library, London, as part of an exhibition by the Putney group for London Independent Photography. The prints shows abstracted watercolours that transcend the original twentieth century photographs by Baroness Friesen, which was rescued from a flooded watermill in Mallorca.

Closing soon

London, UK

Putney Library

Opened 26 Feb 2024

Until 29 Mar 2024

Paloma Proudfoot: The Voice of the Play

With a background in textiles, Paloma Proudfoot’s artistic process mirrors flat pattern-cutting, initially working with paper templates before realising the work in a three-dimensional format. Throughout her practice, she has been led by an enduring interest in how corporeality is both registered and articulated.

Closing soon

London, UK

The Annexe

Until 30 Mar 2024

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