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January 2011

Vol. 153 | No. 1294

Editorial

Scramble for China?

The recent sale at a modest auction house in West London of an eighteenth-century Chinese vase for a world record price for porcelain of £43 million (£51.6 million including buyer’s premium) is symbolic of the current booming inter­national market for Chinese artefacts. This has been fuelled by Chinese buyers and reflects the rise of wealthy collectors, signifying China’s resurgence as an economic, industrial and trading superpower, asserting itself as an influential player both regionally and globally.

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  • The Trivulzio candelabrum in the sixteenth century: documents and hypotheses

    By Silvio Leydi

    An examination of the Trivulzio candelabrum in Milan Cathedral, including new documentation on this vast object of French origin, which came to the Cathedral in 1562.

  • A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio

    By Patricia Wengraf

    A discussion of a bronze Bacchus wearing a Silenus mask made for Antonio Londonio.

  • ‘The young king’, a new portrait bust by Antico

    By Jeremy Warren

    The identification of a new portrait bust by Antico.

  • A painting of Tomyris by Georg Pencz in Zagreb

    By David Ekserdjian

    An attribution to Gorg Pencz of a painting of Tomyris in the Mimara Museum, Zagreb.

  • An unpublished letter from Salvator Rosa

    By Hugh Hudson

    An unpublished letter from Salvator Rosa in the Victoria State Archive in Melbourne.

  • The Persian rooms at Fawley Court

    By Henrietta McCall

    A reconstruction of the interior of the late eighteenth-century Persian Bedroom at Fawley Court, near Henley-on-Thames.

  • Art about art: Whistler’s portrait of Pablo de Sarasate

    By Arabella Teniswood-Harvey

    A discussion of James McNeill Whistler’s portrait of the violinist Sarasate (1884), his only life-size portrait of a professional musician.

  • Art History Reviewed XI: Hans Belting’s ‘Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst’, 1990

    By Jeffrey Hamburger

    A re-examination of Hans Belting’s Bild und Kult, 1990.