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October 2020

Vol. 162 | No. 1411

Editorial

Terence Conran, marchand-mercier

Was life in 1950s Britain so very awful? Every assessment of the legacy of Terence Conran, who died last month at the age of eighty-eight, has insisted that it was. In an amusing overview of Conran’s impact on British culture, the Guardian journalist Suzanne Moore recalled ‘the drabness of the postwar years, the grey houses, the Spam fritters, the

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Free review

Derek Jarman: My Garden’s Boundaries are the Horizon

Earlier this year Derek Jarman’s aptly named Prospect Cottage, Dungeness, perched on a bleak shingle headland on the Kent coast, was saved for the nation. The fate of the artist, filmmaker and activist’s pitchblackened and Naples yellow cottage and its more celebrated garden is now secure (Fig.20). The ensemble has been described as ‘an inspiring example 

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    A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass

    By Christopher L. Maxwell,Shelly Xue
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    Picturing Mount Yandang: the travel paintings and landscape aesthetics of Yu Jianhua

    By Pedith Chan
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    In search of Hanako: fifty portraits by Rodin

    By Chloé Ariot,Agnès Cascio,Guylaine Mary
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    Turbans in the Strozzi Chapel: Filippino Lippi and the Mamluk embassies to Florence

    By Antonia Cevizli Gatward
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    Three eminent art historians: a Chinese encounter

    By Yiqiang Cao,Nicholas Penny
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    The origins of Edward Hopper’s earliest oil paintings

    By Louis Shadwick
  • obit

    William H. Gerdts (1929–2020)

    By Kenneth McConkey
  • John Heartfield: Photography Plus Dynamite

    By Sabine Kriebel
  • Stories of Painted Pages: Manuscripts and Illuminations Recovered by the Florentine Cultural Heritage Protection Unit

    By Nicholas Herman
  • Orazio Borgianni: A Restless Genius in Caravaggio’s Rome

    By John Gash
  • Sights of Wonder

    By Lisa Stein
  • August Sander: Sardinia 1927

    By Helene Roth
  • Berenice Abbott: Portraits of Modernity

    By Carina Dauven
  • Derek Jarman: My Garden’s Boundaries are the Horizon

    By Todd Longstaffe-Gowan