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June 2022

Vol. 164 | No. 1431

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Editorial

The Elizabeth II style

In the steeplechase to become the world's longest reigning monarch of a sovereign country, Queen Elizabeth II, who celebrates her Platinum Jubilee this month, is rapidly approaching the winner's enclosure. It is now nearly seven years since she overtook Queen Victoria, who previously held the record for a British monarch, and in a little over four months she will have surpassed the reign of her contemporary King Bhumibol Adulyadej, who died in 2016 after 70 years and 126 days on the throne of Thailand.

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The plaster cast collection of the Museum of Fine Arts, Budapest

After seventy years in storage, a major European collection of plaster casts has been researched, resurrected and conserved, and is now impressively displayed in an equally excitingly refurbished site with a problematic history. Deriving in part from earlier collections, the casts were assembled in the Museum of Fine Arts, Budapest, between 1904 and 1913.

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  • Looking at Masaccio: a rediscovered drawing by the young Michelangelo

    By Furio Rinaldi
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  • A set of ebony and ivory inlaid furniture for the Duke of Urbino

    By Mario Tavella
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  • Jan van Belcamp in London: new documents and perspectives

    By Justin Davies,James Innes-Mulraine
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  • The development of the still lifes of Frans Snijders up to 1615

    By Fred G. Meijer
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  • Frans Hals’s ‘Portrait of a young man holding a pair of gloves’

    By Frederik J. Duparc
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  • Caillebotte’s ‘Interior’: image and text

    By Ed Lilley
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  • Sickert’s coster girls: some American connections

    By Luke Farey
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  • Recent publications on Giovanni Bellini

    By Irene Brooke
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  • Everyday Rococo: Madame de Pompadour and Sèvres Porcelain

    By Aileen Dawson
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  • Painting as a Modern Art in Early Renaissance Italy

    By Giulio Dalvit
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  • Bruegel: The Complete Graphic Works

    By Larry Silver
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  • Rarities of These Lands: Art, Trade, and Diplomacy in the Dutch Republic

    By Gauvin Alexander Bailey
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  • Frans Hals: The Male Portrait

    By Quentin Buvelot
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  • Engaging the Ottoman Empire: Vexed Mediations, 1690–1815

    By Robert Born
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  • Designing Transformation: Jews and Cultural Identity in Central European Modernism

    By Daniel Herwitz
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  • E. McKnight Kauffer: The Artist in Advertising

    By Alan Powers
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  • Leon Kossoff: Catalogue Raisonn of the Oil Paintings

    By Beth Williamson
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  • The Dissolution of the Monasteries: A New History

    By Michael Carter
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  • Arti e lettere a Napoli tra Cinque e Seicento: studi su Matteo di Capua principe di Conca

    By Philippe Malgouyres
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  • The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914

    By Rachel Coombes
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  • Architecture: From Prehistory to Climate Emergency

    By Vaughan Hart
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  • Surrealism Beyond Borders

    By Michael Richardson
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  • The Cloister Gallery

    By Julia LaPlaca
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  • Superbarocco: Arte a Genova da Rubens a Magnasco

    By Davide Ferri
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  • Boilly (1761–1845): Parisian Chronicles

    By Yuriko Jackall
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  • The plaster cast collection of the Museum of Fine Arts, Budapest

    By Eckart Marchard
  • Josef Hoffmann: Progress Through Beauty

    By Jasna Galjer
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  • The Art of Wallpaper: Morris & Co.

    By Lesley Hoskins
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  • Sigurd Lewerentz: Architect of Death and Life

    By Catherine Croft
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  • Georgia O’Keeffe, Photographer

    By Nancy Scott
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  • Postwar Modern: New Art in Britain 1945–1965

    By Ben Cranfield
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