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July 2022

Vol. 164 | No. 1432

Art in Britain

Editorial

Ukraine’s cultural casualties

The Russian aggression against Ukraine is now in its fifth month. From the first days of the invasion, Russian troops have been destroying the country’s cultural heritage. A common question has been: is this destruction deliberate? Some Ukrainian officials have accused Russia of ‘cultural genocide’.

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Free review

Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child

Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.

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  • Venice Biennale

    By Kathryn Lloyd
  • I Farnese: Architettura, Arte, Potere

    By Raffaella Morselli
  • Annibale Carracci: The frescos from the Herrera Chapel

    By Catherine R. Puglisi
  • Boldini: Pleasures and Days

    By Rosalind McKever
  • Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child

    By Verity Mackenzie
  • Louis Chéron (Paris, 1655–Londres, 1725): L’ambition du dessin parfait

    By Tessa Murdoch
  • Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800–1500

    By William Diebold
  • Magische Spiegelungen: Johann Erdmann Hummel

    By Lorenz van der Meij
  • Manet and Astruc: Friendship and Inspiration Manet to Bracquemond: Newly Discovered Letters to an Artist and Friend

    By Richard Thomson
  • Frank Duveneck: American Master

    By John Wilson
  • Friedl Dicker-Brandeis: Bauhaus- Schülerin, Avantgarde-Malerin, Kunstp dagogin / Bauhaus Student, Avant-Garde Painter, Art Teacher

    By Elana Shapira