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February 2024

Vol. 166 | No. 1451

Sweden in London: the 1924 Royal Academy exhibition

Editorial

The end of reproduction fees?

This magazine is not usually thought of as a source for legal advice, but in the past month we have been contacted by several contributors asking us to explain how the law governing the reproduction of images of works of art has changed as a result of a recent judgment in the Court of Appeal in London. 

Editorial read more
Exhibition Review

Africa & Byzantium

Over recent decades the Metropolitan Museum of Art has presented a series of exhibitions that have addressed both Byzantium and its neighbouring cultures: The Glory of Byzantium (1997), Byzantium: Faith and Power (2004) and Byzantium and Islam: Age of Transition (2012). This exhibition, which has been developed in partnership with the Cleveland Museum of Art, adds an important dimension to this continuing conversation by inviting the visitor to look south and to contemplate the visual culture of the Africa that fell under the sway of first Roman and then Byzantine cultural practices. 

 (2012). This exhibition, which has been developed in partnership with the Cleveland Museum of Art, adds an important dimension to this continuing conversation by inviting the visitor to look south and to contemplate the visual culture of the Africa that fell under the sway of first Roman and then Byzantine cultural practices. 
Exhibition Review read more
  • Christ with Mary and Martha

    ‘Upon his visit to see my paintings’: sonnets by Artemisia Gentileschi and Pietro della Valle

    By Eric Bianchi,Sheila Barker
  • Orpheus charming the animals

    Concealing portraits in Renaissance Venice: Jacometto’s painted box

    By Alison Manges Nogueira
  • Gaspar Gevartius

    Early copies on panel after Anthony van Dyck: new findings

    By Justin Davies
  • Outskirts of the town

    Tailored to a conservative taste? The Swedish exhibition at the Royal Academy, 1924

    By Maryanne Stevens
  • Madonna della Misericordia with Sts Peter and Benedict

    A new document for Luca della Robbia and his Portuguese patron Afonso of Braganza, 1st Marquis of Valença

    Shorter notice by Francesca Aimi
  • Interior of St Bavo, Haarlem, looking west

    An anamorphic perspective box painting rediscovered: a work by Pieter Saenredam?

    Shorter notice by Jeremy Dupertuis Bangs
  • Henry Hyde

    A ‘legacy to Mr Peter Lilly’: new light on the collaboration between Peter Lely and Remigius van Leemput

    Shorter notice by James Innes-Mulraine
  • Unidentified man, perhaps George Cornwall

    Holbein in exhibitions in Frankfurt and London

  • The blind fiddler (1806)

    Reviving Delaroche

    By Stephen Bann