Attributed works:
1. Boni Coat of Arms, Design Here Attributed to Donatello, the Execution to Desiderio da Settignano and Workshop. Pietra serena with Traces of Polychromy, 215.9 by 74.3 cm. (Detroit Institute of Arts).
Attributed works:
10. Detail of a Putto from the Cavalcanti Altar, by Donatello. Terracotta with Polychromy and Gilding (S. Croce, Florence).
Attributed works:
11. Martelli St John the Baptist, by Desiderio da Settignano. Marble, 170 cm. High (Museo Nazionale del Bargello, Florence).
Attributed works:
12. Mary Magdalen, by Desiderio da Settignano. Wood with Traces of Polychromy, 183 cm. High (S. Trinita, Florence).
Attributed works:
13. Boni Chimneypiece, Workshop of Desiderio da Settignano, Here Attributed to Geri da Settignano. Pietra serena, 259.5 by 365.8 cm. (Victoria and Albert Museum, London).
Attributed works:
14. Detail of Fig.13, Left Console. [Boni Chimneypiece, Workshop of Desiderio da Settignano, Here Attributed to Geri da Settignano. Pietra serena, 259.5 by 365.8 cm. (Victoria and Albert Museum, London).]
Attributed works:
15. Detail of Fig.13, with the Boni stemma. [Boni Chimneypiece, Workshop of Desiderio da Settignano, Here Attributed to Geri da Settignano. Pietra serena, 259.5 by 365.8 cm. (Victoria and Albert Museum, London).]
Attributed works:
17. Serzelli Coat of Arms, Here Attributed to Geri da Settignano. Pietra serena, 45 by 35 by 8 cm. (Museo Civico Domenico Mambrini, Galatea).
Attributed works:
18. Profile of a Young Woman, Here Attributed to Geri da Settignano. Pietra serena with Traces of Polychromy, 51.4 by 33 cm. (Detroit Institute of Arts).
Attributed works:
2. Detail of Fig.1, Showing the Putto. [Boni Coat of Arms, Design Here Attributed to Donatello, the Execution to Desiderio da Settignano and Workshop. Pietra serena with Traces of Polychromy, 215.9 by 74.3 cm. (Detroit Institute of Arts).]
Attributed works:
3. Detail of Fig.1, Showing the Lion. [Boni Coat of Arms, Design Here Attributed to Donatello, the Execution to Desiderio da Settignano and Workshop. Pietra serena with Traces of Polychromy, 215.9 by 74.3 cm. (Detroit Institute of Arts).]
Attributed works:
4. Detail of Fig.3, Showing the scudetto with Traces of Angevin Lily and Minerbetti Swords.
Attributed works:
7. Façade of the Pazzi palace, Florence, by Giuliano da Maiano. c.1465.
Attributed works:
8. Digitised Computer-Enhanced Photograph of Fig.1, Showing the Location of the Remaining Fragments of Red and Blue Pigments on the Relief. [Boni Coat of Arms, Design Here Attributed to Donatello, the Execution to Desiderio da Settignano and Workshop. Pietra serena with Traces of Polychromy, 215.9 by 74.3 cm. (Detroit Institute of Arts).]
Attributed works:
9. Martelli Coat of Arms, Design Here Attributed to Donatello, the Execution to Desiderio da Settignano and Workshop. Pietra serena with Later Polychromy, 193 by 177 cm. (Ex-Palazzo Martelli, Florence).
Western art unattributed:
16. Drawing Showing Houses on the Lungarno Corsini (Left) and on the via Tornabuoni (Right). c.1716. The Two Gianfigliazzi Palaces Discussed in the Article Are at Extreme Left and Right (Archivio dei Buonuomini di S. Martino, Florence 'Processi dal 1707 al 1736').
Western art unattributed:
5. Plan of the Area around the Ghetto, Florence, Showing the Site of the Boni-Minerbetti Palace (Top Right); North Is to the Right. 1792. (Archivio di Stato, Florence).
Western art unattributed:
6. Print Advertising an Architectural Competition for the Orlandini Garden. North Is at the Bottom. 1807. 33 by 40 cm. (Uffizi, Florence).
