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13 articles
Article
Lucchese patronage in Papal Avignon: the chapel of Carlo Spiafame in Notre-Dame-des-Doms
02/2025 | 1463 | 167
Pages: 96–114
related names
Author:
Nuttall, Geoffrey (Nuttall, Geoffrey)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Vaults of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1412–18. (Courtesy the diocèse d’Avignon).
Attributed works:
11. Interior of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
12. Detail of a column and the Spiafame eagle, carved by Guillaume de Lonay(?). c.1418. (Notre-Dame-des-Doms, Avignon; with the kind permission of the diocèse d’Avignon).
Attributed works:
14. Tomb of the Spiafame family, by Guillaume de Lonay (?), Notre-Damedes- Doms, Avignon. 1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
15. Baptism of Christ with saints and members of the Landi family, by a follower of Giovannino dei Grassi. c.1400–05. Fresco. (Museo del Palazzo Farnese, Piacenza; Photo Scala, Florence).
Attributed works:
17. Road to Calvary, from the Grandes Heures of Jean de Berry, attributed to Jacquemart de Hesdin. c.1400. Illumination on vellum, 37.9 by 28.3 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
18. Detail of Baptism of Christ, by Thomas Patch after Spinello Aretino. 1772. Engraving. (British Museum, London).
Attributed works:
19. Detail of Baptism of Christ, from the Belles Heures of Jean de Berry, by the Limbourg Brothers. 1405–1408/1409. Illumination on vellum, 23.8 by 17 cm. (Met Cloisters, New York, object no.fol.211v).
Attributed works:
2. Detail of ground-plan of Notre-Dame-des-Doms, Avignon, showing the Spiafame Chapel (A), the narthex (B) and the porch (C). (From Plan de la cathédrale d’Avignon et ses dépendances, by E. Danjoy, Paris 1890; Archives Nationales, Paris).
Attributed works:
20. Entombment (Sielern Triptych), attributed to Robert Campin. c.1425. Oil on panel, 60 by 48.9 cm. (Courtauld Gallery, London).
Attributed works:
23. Virgin and Child with St Stephen and St Lucy, by Jacques Yverni. c.1425. Tempera and gold on panel and canvas, 163 by 200 cm. (Galleria Sabauda, Musei Reali di Torino; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
24. Crucifixion with the Virgin, Mary Magdalene, St Michael and donor presented by St Anthony Abbot, by Robin Favier and Jacques Yverni(?). 1415–25. Fresco. S. Antoine de Vienne. (© Yann Forget; Wikimedia Commons).
Attributed works:
25. Virgin of mercy with saints and scenes from the resurrection of Christ, by Jean Mirailhet. 1425. Face of the Virgin and the figures of St Cosmos and St Damien repainted by Ludovico Brea(?). c.1515. Tempera on panel, 260 by 219 cm. (Chapel of the Confraternity of the Pénitents Noirs, Nice).
Attributed works:
3. Spiafame Chapel with the porch of the cathedral to the right, north side of Notre-Dame-des-Doms, Avignon. 1412–23. (Photograph the author).
Attributed works:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Attributed works:
9. Map of Avignon, showing Notre-Dame-des-Doms (top circle), Livreé Albano (centre circle) and le Petit Paradis (bottom circle). (From Atlas van Loon, Amsterdam 1663, X).
Western art unattributed:
1. Baptism (the Spiafame Baptism). c.1422–28. Fresco. (Notre-Damedes- Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
13. The blocked north window of the Spiafame Chapel, Notre-Dame-des- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
16. Detail of the Spiafame Baptism, showing Margarita di Cacherano della Rocca with her daughters, Agnes and Catherine, Notre-Damedes- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
21. Detail of the Spiafame Baptism, showing the family at prayer, Notre-Dame-des-Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
22. Arms of the Caetani dell’ Aquila. c.1340. (Livrée Ceccano-Bibliothèque municipal, Avignon).
Western art unattributed:
4. Interior of Notre-Dame-des-Doms, Avignon, with the Spiafame Chapel on the left, looking towards the nave. (Courtesy the diocèse d’Avignon).
Western art unattributed:
5. Inscription above the entrance to the Spiafame Chapel flanked by the family’s coats of arms. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
6. Exterior wall of the Spiafame Chapel, looking towards the porch. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
8. Detail of the Spiafame Baptism, showing the family at prayer before the baptism of Christ. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Book Review
The Funeral Achievements of Henry V at Westminster Abbey: The Arms and Armour of Death
10/2024 | 1459 | 166
Pages: 1083–5
related names
Reviewer:
Marcoux, Robert (Marcoux, Robert)
Subjects
art literature:
Reviewed Items
subjects:
The Funeral Achievements of Henry V at Westminster Abbey: The Arms and Armour of Death Edited by Anne Curry and Susan Jenkins. 294 pp. incl. 175 col. and 33 b. & w. ills. (Boydell Press, Woodbridge, 2022), £80. ISBN 978–17–8327–717–9. | :
Illustrations
Attributed works:
3. Henry V’s funeral achievements. (Westminster Abbey, London).
Article
Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’
05/2020 | 1406 | 162
Pages: 372-387
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Rome.
Attributed works:
10. Calvary with a Carthusian monk, by Jean de Beaumetz. 1389–95. Oil on panel, 60 by 48.5 cm. (Mus e du Louvre, Paris).
Attributed works:
11. Map of Jerusalem. Twelfth century. Pen on parchment, 32.5 by 22.5 cm. (British Library, London; MS Cotton Tiberius E IV., fol.143r; Bridgeman Images).
Attributed works:
12. Map of Jerusalem, from Peregrinatio in Terram Sanctam by Bernhard von Breydenbach, by Erhard Reuwich. 1486. Handcoloured woodcut on vellum, 27 by 127 cm. (British Library, London; Bridgeman Images).
Attributed works:
13. Rome, from the Très Riches Heures de Duc de Berry, by the Limbourg brothers. Before 1416. Illumination on parchment, folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65, fol.141v).
Attributed works:
14. Detail of Rome, from Cosmographia by Claudius Ptolomaeus, by Pietro del Massaio. c.1470–c.1480. Painting on parchment, folio 61 by 45 cm. (Bibliothèque nationale de France, Paris; MS Latin 4802, fol.133r.
Attributed works:
2. Detail of Fig.3, showing Jerusalem.
Attributed works:
3. Coronation of the Virgin, by Enguerrrand Quarton. 1453–54. Oil(?) and tempera on panel, 183 by 220 cm. (Musée Pierre de Luxembourg, Villeneuve-lès-Avignon).
Attributed works:
4. Detail of the Virgin of Chancellor Rolin, by Jan van Eyck. c.1435. Oil on panel, 66 by 62 cm. (Musée du Louvre, Paris).
Attributed works:
5. Detail of Fig.3, showing a square outside St Peter’s, Rome.
Attributed works:
6. Detail of Fig.3, showing S. Croce in Gerusalemme, Rome.
Attributed works:
7. Detail of Fig. 3, showing Jean de Montagnac and Antoine de Montagny at the tomb of the Virgin.
Attributed works:
8. Detail of Fig.3, showing the Crucifixion.
Attributed works:
9. Detail of Fig.9. showing Guillaume de Montjoie, Bishop of Bézier, at the tomb of Christ.
Article
Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation
12/2015 | 1353 | 157
Pages: 832-835
related names
Author:
Russo, Antonio (Russo, Antonio)
Subjects
dates:
Illustrations
Attributed works:
13. Design for the vault and side walls of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.49 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
14. Design for the back wall of the chapel of the Dukes of Urbino, by Federico Brandani. After 1570. Fol.48 of the Largest Talman Album (Ashmolean Museum, Oxford)
Attributed works:
16. Annunciation, by Federico Barocci. 1572-74 (Pinacoteca Vaticana, Vatican City)
Attributed works:
17. Annunciation, by Federico Barocci and workshop. 1596 (S. Maria degli Angeli, Assisi)
Attributed works:
18. Project of the altar for the chapel of the Dukes of Urbino at Loreto, by Federico Zuccari. 1582-83 (Gabinetto Nazionale dei Disegni e delle Stampe degli Uffizi, Florence)
Attributed works:
19. Reconstruction of the chapel of the Dukes of Urbino on the design of Federico Zuccari with Barocci's altarpiece of the Annunciation inserted
Western art unattributed:
15. Chapel of the Dukes of Urbino, or of the Annunciation, basilica of the Holy House of Loreto
Book Review
King Sigismund Chapel at Cracow Cathedral (1515–1533), S. Mossakowski
03/2014 | 1332 | 156
Pages: 172
related names
Reviewer:
Crossley, Paul (Crossley, Paul)
Subjects
subjects:
Article
The elk antler from the funerary chapel of Louis the Pious in Metz
06/2013 | 1323 | 155
Pages: 372-380
related names
Author:
Hond, Jan de (Hond, Jan de)
Author:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Prince Alexander Petrovich Basilevsky among his collection, by V.P. Veretshchaghin (State Hermitage Museum, St Petersburg; inv. no.45878)
Attributed works:
17. The 1552 funeral monument of Louis the Pious, by Dom Sébastien Dieudonné (Lost since 1945; from an old photograph; Musée de la Cour d'Or, Metz; inv. no.12335)
Attributed works:
18. 'Grosser Kaiserleuchter', by Hans Witten (Town Hall, Goslar; photographed by Raymond Faure)
Attributed works:
2. Elk antler, heliogravure by E. Baldus in A. Darcel and A.P. Basilewsky: Collection Basilewsky. Catalogue raisonné, Paris 1874, no.52, pl.II (Rijksmuseum, Amsterdam)
Attributed works:
5. Design for a 'Leuchterweibchen' with elk antlers, by Albrecht Dürer (Kunsthistorisches Museum, Vienna)
Western art unattributed:
10. Detail of the antler in Fig. 3 showing tine with entwined serpents
Western art unattributed:
11. Detail of the antler in Fig. 3 showing stem with lion's head
Western art unattributed:
12. Detail with lion's head from the Nonnberger faldistorium. Northern France(?) (Benediktinerinnenstift Nonnberg, Schatzkammer, Salzburg)
Western art unattributed:
13. Crosier of Bishop Ivo of Chartres, from the treasury of Beauvais Cathedral. Northern France. (Museo Nazionale del Bargello, Florence)
Western art unattributed:
14. Lintel from a house in rue des Trinitaires, Metz (Musée de la Cour d'Or, Metz; inv. no.1293)
Western art unattributed:
15. Lintel in the north façade of the parish church of Méy (near Metz) (Photographed by F. Scholten)
Western art unattributed:
16. Pieces of the sarcophagus of Emperor Louis the Pious (Musée de la Cour d'Or, Metz; inv. no.12335)
Western art unattributed:
19. St Arnulf's oliphant, or 'cor de Charlemagne', from the funerary chapel of Louis the Pious at Metz. Southern Italy. (Musée national du Moyen Age, Paris; inv. no.Cl 13065)
Western art unattributed:
3. Elk antler from the funerary chapel of Emperor Louis the Pious. North-Eastern France (Lorraine, Metz?) (Rijksmuseum, Amsterdam)
Western art unattributed:
4. Interior of Fritz Mannheimer's house in Amsterdam with the elk antler. (Photographed by C. Vierveijzer, 1939); Rijksmuseum, Amsterdam)
Western art unattributed:
6. Detail of the antler in Fig. 3 showing the frieze of birds and lions
Western art unattributed:
7. Detail of the antler in Fig. 3 showing tine with entwined serpents
Western art unattributed:
8. Detail of the antler in Fig. 3 showing tine with dragon
Western art unattributed:
9. Detail of the antler in Fig. 3 showing tine with dragon
Article
The tomb of Enrico Scrovegni in the Arena Chapel, Padua
06/2012 | 1311 | 154
Pages: 403-409
related names
Author:
Jacobus, Laura (Jacobus, Laura)
Subjects
subjects:
subjects:
Illustrations
Attributed works:
29. Virgin and Child and two Angels, by Giovanni Pisano. c.1303–18. Marble. (Arena Chapel, Padua).
Western art unattributed:
28. View into chancel of the Arena Chapel, Padua. Frescos by Giotto, c.1300–05.
Western art unattributed:
30. Tomb of Enrico Scrovegni. 1336. Marble. (Arena Chapel, Padua).
Western art unattributed:
31. View of apse of the Arena Chapel, Padua, showing outline of earlier tomb.
Western art unattributed:
32. Detail of the tomb of Enrico Scrovegni showing the console, tri­angular endpiece and depth of block from which the angel is carved.
Western art unattributed:
33. Tomb of Bishop Castellone Salomone (d.1322), possibly altered in 1361. Marble. (Treviso Cathedral; reproduced by kind permission of Studio Bohm).
Western art unattributed:
34. Tomb of Enrico Scrovegni, seen from above, illustrated in Fig.30.
Western art unattributed:
35. Detail of left-hand angel, during the restoration of the tomb illustrated in Fig.30.
Western art unattributed:
36. Detail of right-hand angel, prior to the restoration of the tomb illustrated in Fig.30.
Western art unattributed:
37. Detail of Fig.30 showing left-hand angel.
Western art unattributed:
38. Detail of Fig.30 showing right-hand angel.
Western art unattributed:
39. Detail of Fig.30 showing the face of Enrico Scrovegni.
Western art unattributed:
40. Detail of the tomb of Bishop Castellone Salomone illustrated in Fig.33.
Article
Diego Fernández Cabrera y Bobadilla and the Capilla Mayor at Chinchón
12/2008 | 1269 | 150
Pages: 804-812
related names
Author:
Helmstutler di Dio, Kelley (Helmstutler di Dio, Kelley)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
3. High altar retable, by Leone Leoni, Pompeo Leoni, Jacomo Trezzo and others. 1579–98. (Basilica of S. Lorenzo, El Escorial).
Attributed works:
4. Philip II and his family, by Leone and Pompeo Leoni. 1579–98. (High altar chapel, basilica of S. Lorenzo, El Escorial).
Attributed works:
5. Letter from Pompeo Leoni enclosed in a letter from Francesco Lenzoni to Ferdinando de’ Medici (Archivio di Stato, Florence, Mediceo del Principato).
Attributed works:
6. Tomb of Cardinal Luis de Borbón, Archbishop of Toledo, by Valeriano Salvatierra y Barriales. c.1825. (Sacristy, Toledo Cathedral).
Western art unattributed:
1. Exterior of Nuestra Señora de la Asunción (originally the Iglesia de la Piedad), Chinchón.
Western art unattributed:
2. View of the high altar chapel, Nuestra Señora de la Asunción (originally the Capilla Mayor in the Iglesia de la Piedad), Chinchón.
Western art unattributed:
7. Gate to crypt under the right-hand side of the high altar chapel in Fig.2.
Western art unattributed:
8. Inscription on the tribune of the high altar chapel in Fig.2.
Western art unattributed:
9. Right-hand side of the high altar chapel in Fig.2.
Article
Donatello’s ‘Nunziata del Sasso’: the Cavalcanti chapel at S. Croce and its patrons
03/2008 | 1260 | 150
Pages: 152-165
related names
Author:
Preyer, Brenda (Preyer, Brenda)
Author:
Zervas, Diane Finiello (Zervas, Diane Finiello; Finiello Zervas, Diane; Zervas, Diane)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
1. The Annunciation, the Cavalcanti tabernacle, by Donatello, after the 1994–95 restoration. c.1436-40. Pietra serena, terracotta and gilding, 420 by 274 cm. (S. Croce, Florence)
Attributed works:
10. Detail of Fig.9
Attributed works:
11. Youthful St John the Baptist, by Michelozzo. c.1440s. Terracotta, 69 cm. high. (Museo Nazionale del Bargello, Florence)
Attributed works:
12. Sts John the Baptist and Francis, by Domenico Veneziano. 1450s. Fresco, approx. 194 by 108 cm. (Museo dell’Opera di S. Croce, Florence)
Attributed works:
13. Fig.1 photographed before 1954
Attributed works:
14. Predella with scenes from the life of St Nicholas of Bari, by Giovanni di Francesco. 1450s. Tempera on wood, 23 by 158 cm. (Casa Buonarroti, Florence)
Attributed works:
6. Left side of Fig.1, set diagonally into the church wall, before restoration
Attributed works:
7. Left capital of Fig.1, before restoration
Attributed works:
8. Left pair of standing putti in Fig.1, here attributed to Donatello. c.1439. Terracotta, pigmented stucco, gilding and traces of white pigment, approx. 76 cm. high
Attributed works:
9. Right pair of standing putti in Fig.1, here attributed to Michelozzo. c.1440. Terracotta, gilding and traces of white pigment, approx. 76 cm. high
Western art unattributed:
2. Genealogical tree of members of the Cavalcanti family who created the chapel. Not included are Giovanni di Lorenzo and Francesco di Matteo, who were distantly related.
Western art unattributed:
3. Plan of S. Croce with the tramezzo. (Reproduced by permission of Marcia Hall)
Western art unattributed:
4. Reconstruction of the area around the Cavalcanti chapel, S. Croce, Florence, 1440–42: 1) Nobili tomb; 1a) Nobili holy water stoup; 2) Mannelli tomb; 3) Cocchi tomb; 4) Cerchi tomb; 5) messer Benedetto Cavalcanti tomb; 6) messer Amerigo Cavalcanti tomb; 7) female relatives of messer Amerigo Cavalcanti tomb; 8) messer Amerigo and descendents tomb; 10) Boscoli tomb; 11) Bernardo di Bernardo Cavalcanti tomb. (Diane Finiello Zervas)
Western art unattributed:
5. Reconstruction in elevation and plan of the Cavalcanti chapel and surrounding area, c.1450: ABC) elevation; ABD) ground plan; 1) Nobili tomb; 2) Nobili holy water stoup; 3) Mannelli tomb; 4) Cerchi tomb; 5) messer Benedetto Cavalcanti tomb; 6) messer Amerigo Cavalcanti and descendents; 7) female relatives of messer Amerigo; 8) Bernardo Cavalcanti’s tomb; 9) Cavalcanti altar; 10) altar steps; 11) Domenico Veneziano fresco; 12) tramezzo. (Diane Finiello Zervas)
Article
Bellini and the bankers: the Priuli altarpiece for S. Michele in Isola, Venice
01/2005 | 1222 | 147
Pages: 5-15
related names
Author:
Fletcher, Jennifer (Fletcher, Jennifer; Fletcher, J. M.; Fletcher, Jennifer M.)
Author:
Mueller, Reinhold C. (Mueller, Reinhold C.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
Ground plan of S. Michele in Isola, Venice, showing the Cappella della Croce (marked D). After P. Paoletti: L’architettura e la scultura del Rinascimento in Venezia, Venice 1893, p.164
Attributed works:
Madonna and Child with four saints and Pietro Priuli, by Giovanni Bellini and assistants. 1511–13. Three wood panels mounted in a modern frame, central panel 131.5 by 55.2 cm.; left panel 131.9 by 55.2 cm.; right panel 131.2 by 55.2 cm. (Staatliche Kunstakademie Düsseldorf, on permanent loan to the Museum Kunst Palast, Düsseldorf).
Attributed works:
St (?)Mark and a Camaldolese saint, by Vittore Belliniano. c.1511. Grey oil paint and white bodycolour applied with brush on prepared white paper, 28.4 by 15.4 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
Sts Jerome, Christopher and Louis, by Giovanni Bellini. 1513. Panel, 300 by 185 cm. (S. Giovanni Crisostomo, Venice).
Attributed works:
Virgin and Child enthroned with Sts Peter, (?)Mark and three procurators, by Giovanni Bellini and assistants. 1510. 91.8 by 150 cm. (Walters Art Gallery, Baltimore).
Western art unattributed:
Interior of the Cappella della Croce, S. Michele in Isola, Venice.
Western art unattributed:
Reliquary of the True Cross with St Helena and Constantine. c.1100–1200. Silver and copper gilt and niello, 48 by 20 cm. (Abbazia della Croce di Fonte Avellana, Serra S. Abondio, Pesaro; photo: Galleria Nazionale delle Marche, Urbino).
Western art unattributed:
Tomb slab of Pietro Priuli, S. Michele in Isola, Venice.
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