Figuring Faith and Female Power in the
Art of Rubens
By J. Vanessa Lyon. 256 pp. incl. 9 col. + 58 b. &
w. ills. (Amsterdam University Press, 2020), £99.
ISBN 978–94–6298–551–3. |
:
47. Frances Abington as Miss Prue in ‘Love for Love’, by Joshua Reynolds. 1771. Canvas, 76.8 by 63.8 cm. (Yale Center for British Art, New Haven; exh. National Portrait Gallery, London).
Attributed works:
48. Eleanor (‘Nell’) Gwyn, by Simon Verelst. c.1680–85. Canvas, 93.5 by 74 cm. (Private collection; exh. National Portrait Gallery, London).
Attributed works:
49. Sarah Siddons as the Tragic Muse, from the studio of Joshua Reynolds. 1784. Canvas, 238 by 146 cm. (Cobbe Collection, Hatchlands Park; exh. National Portrait Gallery, London).
Publication Received
Lived in London: Blue Plaques and the Stories Behind them
Plate I. "The History of Artemisia." French Tapestries of the 17th Century (The Lord Somers). (A) Decorative Group, 4.11 × 3.12 m. (B) Decorative Group, 4.11 × 3.16 m. Tapestries at Eastnor-I
Short Notice
Notes on the Inventory of Paintings Belonging to John, Lord Lumley, in 1590, and on the Painter Using the Monogram He, Usually Assigned to Lucas D'Heere
The Revenge of Tomyris. Fifteenth Century Copy of a Composition Attributed to the Master of Flémalle. in the Royal Gallery, Berlin. The Revenge of Tomyris
Attributed works:
The Revenge of Tomyris. Late Sixteenth Century Copy of the Same Composition. In the Academy of Fine Arts, Vienna. The Revenge of Tomyris