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3 articles
Book Review
Radical Women: Jessica Dismorr and her Contemporaries
07/2020 | 1408 | 162
Pages: 640
related names
Reviewer:
Portlock, Jonathan (Portlock, Jonathan)
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Reviewed Items
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Radical Women: Jessica Dismorr and her Contemporaries By Alicia Foster. 128 pp. incl. numerous col. + b. & w. ills. (Pallant House Gallery, Chichester, and Lund Humphries, London, 2019), £35. ISBN 978–1–869827–79–3. | :
Publication Received
Jessica Dismorr & Catherine Giles
05/2001 | 1178 | 143
Pages: 309
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Reviewed Items
artists:
Jessica Dismorr & Catherine Giles | author: Stevenson, Quentin
Supplement
Acquisitions of Modern Art by Museums: Supplement
05/1970 | 806 | 112
Pages: 337-340
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Illustrations
Attributed works:
100. Forgotton Horizon, by Salvator Dali. Inscribed 'Gala Salvator Dali 1936'. Oil on Mahogany, 22 by 26.5. (Tate Gallery.)
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101. Nudes, by Arthur B. Davies. Tempera on Plaster on a Wood Panel, 17.8 by 40.6 cm. (Museum of Art, Carnegie Institute, Pittsburgh.)
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102. Henry Moore, by Marino Marini. 1962. Bronze; Height, 31.1 cm. (National Portrait Gallery.)
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103. Another View of the Bust Reproduced in Fig.102. [Henry Moore, by Marino Marini. 1962. Bronze; Height, 31.1 cm. (National Portrait Gallery.)]
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104. Igor Stravinsky, by Marino Marini. 1951. Bronze; Height, 33 cm. (Minneapolis Institute of Arts.)
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105, 106. Photographs of Marino Marini at Work on the Bust of Henry Moore, 1962.
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92. Leaving the Factory, by Bart van der Leck. c.1916-17. Pencil, Charcoal and Conté Crayon on Paper, 96.5 by 150 cm. (Tate Gallery.)
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93. The Eldorado, Paris, by Walter Richard Sickert. c.1906. Canvas, 48.4 by 59.5 cm. (Barber Institute of Fine Arts, Birmingham.)
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94. Le Violoncelle, by Georges Braque. Late 1913 or Early 1914. Collage on Chipboard, 71.5 by 51.6 cm. (Cleveland Museum of Art.)
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95. Elvira Resting at a Table, by Amedeo Modigliani. Probably 1919. Canvas, 91.5 by 51.5 cm. (City Art Museum of St Louis.)
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96. Portrait of Mademoiselle Bourgoint, by Christopher Wood. Probably 1925. Pen Drawing. (City Art Gallery, Bristol.)
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97. Linear Construction No.2, by Naum Gabo. Winter 1968-69. Plastic, 115 by 83.5 by 82.5 cm. (Tate Gallery.)
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98. Abstract Composition, by Jessie Dismorr. c.1915. Oil on Composition board, 41.5 by 50.5 cm. (Tate Gallery.)
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99. Train de Bainlieue (sic) arrivant à Paris, by Gino Severini. Signed and Dated 1915. Canvas, 89 by 116 cm. (Tate Gallery.)