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4 articles
Book Review
Russian Art: From Neoclassicism to the Avant-Garde: Painting, Sculpture, Architecture [and: Women Artists of Russia's New Age: 1900-1935; Liubov Popova; Street art of the Revolution: Festivals and celebrations in Russia 1918-1933; Pavel Kuznetsov, His Life and Art; Revolutionary Ceramics: Soviet Porcelain; Le Futurisme russe (1907-1917)
03/1992 | 1068 | 134
Pages: 194-196
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
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Reviewed Items
subjects:
Russian Art: From Neoclassicism to the Avant-Garde: Painting, Sculpture, Architecture; Women Artists of Russia's New Age: 1900-1935; Liubov Popova; Street art of the Revolution: Festivals and celebrations in Russia 1918-1933; Pavel Kuznetsov, His Life and Art; Revolutionary Ceramics: Soviet Porcelain; Le Futurisme russe (1907-1917 | author: Adaskina, Natalia L. , author: Bibikova, Irina , author: Cooke, Catherine , author: Lobanov-Rostovsky, Nina , author: Marcadé, Jean-Claude , author: Parton, Anthony , author: Sarabianov, Dmitri V. , author: Sarabianov, Dmitri V. , author: Stupples, Peter , author: Tolstoy, Vladimir , author: Yablonskaya, M. N.
Obituary
Yury Ivanovitch Kuznetsov
01/1985 | 982 | 127
Pages: 38-39
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Author:
Slive, Seymour (Slive, Seymour)
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Article
The Blue Rose: Russian Symbolism in Art
08/1976 | 881 | 118
Pages: 566-575
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Author:
Bowlt, John E. (Bowlt, John E.)
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Illustrations
Attributed works:
27. Nude, by Vladimir Tatlin. 1910. Cardboard on Canvas, 43 by 34 cm. (Private Collection, France).
Attributed works:
28. Cover to Exhibition Catalogue, The Blue Rose. Moscow, 1907. Cover Designed by Nikolai Sapunov.
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29. Gobelin, by Viktor Borisov-Musatov. 1901. Tempera on Canvas, 103 by 141.2 cm. (Tretyakov Gallery, Moscow).
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30. Cover to Exhibition Catalogue, The Crimson Rose. Saratov, 1904. Cover Designed by Sergei Sudeikin.
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31. Interior of the Villa 'The Black Swan' Belonging to Nikolai Pavlovich Ryabushinsky (1876-1951), Moscow. The Frieze and Paintings by Pavel Kuznetsov.
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32. Love, by Sergei Yurievich Sudeikin. 1907. (Private Collection, Moscow).
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33. Night of the Consumptives (Also Called Island of the Consumptives), by Pavel Varfolomeevich Kuznetsov. 1907. (Private Collection, Moscow).
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34. Costume Design for Gozzi's Princess Turandot, by N. N. Sapunov, Produced Moscow 1912 - (Private Collection, New York).
Attributed works:
35. Early Spring, by N. P. Krymov. 1907. (Private Collection, Moscow).
Article
Neo-Primitivism and Russian Painting
03/1974 | 852 | 116
Pages: 132-140
related names
Author:
Bowlt, John E. (Bowlt, John E.)
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Illustrations
Attributed works:
14. Gypsy in Tiraspol, by Mikhail Larionov. Signed. 1907(?). Canvas, 95 × 81 cm. (Collection Mme A. Larionov, Paris.)
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15. Ea Haere la Oe (Où vas-tu?), by Paul Gauguin. Signed and Dated 1893 (Second Version). (Hermitage, Leningrad; Formerly Morozov Collection, Moscow.)
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16. Bathing Horses, by Natalya Goncharova. 1911. Canvas, 117.2 by 102 cm. (Tretyakov Gallery, Moscow.)
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17. Officer at the Hairdresser's, by Mikhail Larionov. Signed and Dated '1907'. 1909. (Collection Mme A. Larionov, Paris.)
Attributed works:
19. Bread, by Mikhail Larionov. Signed and Dated '1907'. 1910. Canvas, 102 by 84 cm. (Collection Mme A. Larionov, Paris.)
Attributed works:
20. Signboard Advertising Tea, Beer, Seltzer Lemonade and Various Strong Drinks, by Niko Pirosmanashvili. 1907. Oil on Tin, 140 by 72 cm. (Private Collection, Moscow.)
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21. Portrait of the Artist Yakulov, by Petr Konchalovsky. 1910. Canvas, 178 by 143 cm. (Tretyakov Gallery, Moscow.)
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22. Costume for Peasant Woman in Le Coq d'Or, by Natalya Goncharova. Signed. 1914. Pencil and Gouache, 38.1 by 26.7 cm. (Grosvenor Gallery, London.)
Attributed works:
24. Morning in the Village after a Snowstorm, by Kazimir Malevich. 1912. Canvas, 80 by 79.7 cm. (The Solomon R. Guggenheim Museum, New York.)
Attributed works:
25. Untitled, by Sergei Sudeikin. Signed and Dated 1912. Crayon on Paper. (Private Collection, Moscow.)
Attributed works:
26. Slackers, by A. Semykin. 1931. Oil on Canvas.
Western art unattributed:
18. Example of a Russian Lubok. Barber Cutting off the Beard of an Old Believer. Early Eighteenth Century.
Western art unattributed:
23. The Entry into Jerusalem. Russian Icon, School of Moscow, Late Fifteenth Century. (Tretyakov Gallery, Moscow.)