32. Adoration of the shepherds, by Tommaso Manzuoli, called Maso da San Friano. c.1565. Pen and brown ink and wash over black chalk, heightened with white, on blue paper, 26.5 by 19.5 cm. (Exh. Florian Härb, London).
Attributed works:
33. La Passionnée, by François Boucher. 1745–50. Black, white and red chalks with black pastel and stump, 25 by 17 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
34. Allegorical funerary monument to Leonardo da Vinci, by Luis Paret y Alcázar. c.1784. Pen and sepia ink and wash, 27.8 by 14.5 cm. (Exh. José de la Mano Galería de Arte at Mackinnon, London).
Attributed works:
36. Detail of A view from the Palatine Hill, Rome, the Alban Hills in the distance, by Carlo Labruzzi. c.1765–75. Watercolour over graphite, 37.2 by 53 cm. (Exh. Dickinson, London).
Attributed works:
37. La Scuola di Virgilio, by Michael Wentzel. 22nd June 1829. Watercolour over pen and ink with traces of graphite on Canson paper, 30.5 by 47.3 cm. (Exh. C.G. Boerner at Trinity Fine Art, London).
Attributed works:
38. The Fountain of the Four Rivers, Piazza Navona, Rome, by Charles-François-Pierre de La Traverse. 1751–59. Pen and black ink with brown wash, heightened with white, 78 by 57 cm. (Exh. Didier Aaron, London).
Attributed works:
39. Parental affection, or The Meeting of a Family in Heaven, by William Blake. c.1785–90. Pen and watercolour over graphite, 14.3 by 9.2 cm. (Exh. Lowell Libson, London).
Western art unattributed:
35. The sky at sunset, by an unidentified French(?) artist. 4th May 1821. Oil on paper laid on canvas, 24 by 30 cm. (Exh. Ben Elwes Fine Art, London).
61. The meeting of Christ and Zacchaeus, by Giovanni Domenico Tiepolo. 1775–80. Brown ink and wash over black chalk on paper, 45.8 by 35.6 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
62. James Byres (1734–1817), by Anton von Maron. c.1768. Canvas, 73.4 by 60.6 cm. (Exh. Colnaghi, London).
Attributed works:
63. Card players, by Gerard ter Borch. c.1659. Canvas laid down on panel, 46.7 by 36.8 cm. (Exh. Johnny Van Haeften, London).
Attributed works:
64. Blackcock, by Edwin Landseer. 1848. Ink wash heightened with blue and red chalks on paper, 22.8 by 28 cm. (Exh. Lowell Libson, London).
Attributed works:
65. Jacob’s dream, by John Constable after Aert de Gelder. c.1832. Ink and wash on paper, 17.5 by 15 cm. (Exh. W.S. Fine Art Andrew Wyld, London).
45. Trompe l’œil of hawking equipment, by Christoffel Pierson. c.1660. Canvas, 49.5 by 66 cm. (Exh. Rafael Valls, London).
Attributed works:
46. A man in profile reading a book, by Claude Vignon. 1620s. Canvas, 94.5 by 76 cm. (Exh. Whitfield Fine Art, London).
Attributed works:
47. Holy Family with St John the Baptist, by Nicolas Poussin. c.1626. Canvas, 51 by 68 cm. (Exh. Agnew’s, London).
Attributed works:
48. Aristotle and Eudoxus, by James Nasmyth. c.1848–50. Black and white chalk on grey paper,
40.6 by 30.4 cm. (Exh. Lowell Libson, London).
Attributed works:
49. Interior of the dormitory of the Ipswich Blackfriars, by John Sell Cotman. c.1838–42. Watercolour, 43.7 by 60.3 cm. (Exh. W.S Fine Art Andrew Wyld, London).
Peter de Wint 1784–1849: Colourist and Countryman |
institution: Andrew Wyld Gallery
subjects:
The Spooner Collection of British Watercolours at the Courtauld Institute Gallery |
institution: Courtauld Gallery
subjects:
Watercolours and Drawings: 18th and 19th centuries |
institution: Colnaghi
, institution: Lowell Libson
Illustrations
Attributed works:
62. Near the Devil's Bridge, Cambridgeshire, by Francis Towne. 1810. Watercolour with pen and ink, 17.5 by 25.5 cm. (Exh. John Spink at Colnaghi, London).
Attributed works:
63. A view across parkland, by John 'Warwick' Smith. c.1790. Watercolour over traces of pencil, 24.5 by 34.4 cm. (Exh. Lowell Libson, London).
Attributed works:
64. Trees in Peamore Park, Exeter, by John White Abbott. 1801. Watercolour and pen and dark grey ink over traces of pencil, 33.8 by 33.7 cm. (Courtauld Institute of Art, London; exh. Hermitage Rooms, Somerset House, London).
Attributed works:
65. Somerset House from the Thames, by Edward Dayes. 1788. Watercolour, pen and grey-brown wash, and pen and ink over traces of pencil, 42.8 by 57.8 cm. (Courtauld Institute of Art, London; exh. Hermitage Rooms, Somerset House, London).
Attributed works:
66. Two boys with a donkey, by Peter de Wint. c.1818. Watercolour, 16.3 by 15 cm. (Exh. W/S Fine Art/Andrew Wyld, London).