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2 articles
Exhibition Review
Bruce Nauman. Berkeley, Turin and Houston
05/2007 | 1250 | 149
Pages: 357-358
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
A Rose Has No Teeth: Bruce Nauman in the 1960s | institution: Castello di Rivoli Museo d'Arte Contemporanea , institution: Menil Collection , institution: University of California, Berkeley Art Museum
Illustrations
Attributed works:
67. Cup merging with its saucer, by Bruce Nauman. 1965. Unglazed ceramic and graphite, 5.1 by 14 by 14 cm. (Fine Art Collection, University of California, Davis; exh. Berkeley Art Museum).
Attributed works:
68. The true artist helps the world by revealing mystic truths (window or wall sign), by Bruce Nauman. 1967. Neon and glass tubing, 149.9 by 139.7 by 5.1 cm. (The artist and Sperone Westwater, New York; exh. Berkeley Art Museum).
Exhibition Review
Faces in the crowd. London and Turin
03/2005 | 1224 | 147
Pages: 198-200
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
places:
Reviewed Items
subjects:
Faces in the Crowd: Picturing Modern Life from Manet to Today | institution: Castello di Rivoli Museo d'Arte Contemporanea , institution: Whitechapel Art Gallery
Illustrations
Attributed works:
55. The day after, by Edvard Munch. 1894-95. 115 by 152 cm. (National Gallery, Oslo; exh. Whitechapel Art Gallery, London).
Attributed works:
56. Stills from Crumpling Shanghai, by Song Dong. 2000. Video. (The artist; exh. Whitechapel Art Gallery, London).
Attributed works:
57. The dry cleaning store, by George Segal. 1964. Plaster, wood, metal, neon and paper, 213 by 213 by 244 cm. (Moderna Museet, Stockholm; exh. Whitechapel Art Gallery, London).
Attributed works:
Le Bal masqué à l'Opéra, by Edouard Manet. 1873. 59.1 by 72.5 cm. (National Gallery of Art, Washington; exh. Whitechapel Art Gallery, London).