• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
4 articles
Exhibition Review
Alice in Wonderland. Liverpool, Rovereto and Hamburg
02/2012 | 1307 | 154
Pages: 136-137
Subscribe to read
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Carroll, Lewis
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy / Hamburger Kunsthalle, Hamburg, Germany
places:
England / Germany / Hamburg / Italy / Liverpool / Rovereto / Trento
print:
Carroll, Lewis
subjects:
Reviews / Exhibitions / Literature in art / Literature / Iconography
subjects:
Visual sources
Reviewed Items
subjects:
Alice in Wonderland Through the Visual Arts | institution: Hamburger Kunsthalle , institution: MART , institution: Tate Liverpool
Illustrations
Attributed works:
53. Alice 1941, by Max Ernst. 1941. Oil on paper mounted on canvas, 40 by 32.3 cm. (Museum of Modern Art, New York; exh. Tate Liverpool).
Attributed works:
54. Nyima 438, by Annelies Strba. 2009. Archival pigment print on canvas, 110 by 165 cm. (Courtesy of the artist and Frith Street Gallery, London; exh. Tate Liverpool).
Attributed works:
55. Alice Pleasance Liddell, Summer 1858, by Charles Lutwidge Dodgson. 1858. Photograph, 15.7 by 12.7 cm. (National Portrait Gallery, London; exh. Tate Liverpool).
Exhibition Review
Postmodernism. London and Rovereto
12/2011 | 1305 | 153
Pages: 834-835
Subscribe to read
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
dates:
2010-2019
museums and institutions:
Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy / Victoria and Albert Museum, London, Great Britain
places:
Rovereto / London / Italy / England
print:
Post-Modern
subjects:
Reviews / Exhibitions / Post-Modern / Conceptual art / Design / Architecture / Art market
Reviewed Items
subjects:
Postmodernism: Style and Subversion 1970–1990 | institution: MART , institution: Victoria and Albert Museum
Illustrations
Attributed works:
61. Photograph of One off shop, design and production studio, by Ron Arad. 1984. Mixed media, dimensions variable. (Exh. Victoria and Albert Museum, London).
Attributed works:
62. The Titanic, by Stanley Tigerman. 1978. Photo­montage on paper, 28 by 35.7 cm. (Art Institute of Chicago; exh. Victoria and Albert Museum, London).
Attributed works:
63. Casablanca sideboard, by Ettore Sottsass. 1981. Plastic laminate over fibreboard, 230 by 161 by 39 cm. (Victoria and Albert Museum, London).
Exhibition Review
Gino Severini. Paris and Rovereto
10/2011 | 1303 | 153
Pages: 696-697
Subscribe to read
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
Severini, Gino
dates:
2010-2019
museums and institutions:
Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy / Musée de l'Orangerie, Paris, France
places:
Trento / Paris / France / Italy
print:
Severini, Gino
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Gino Severini futuriste et néoclassique 1883–1966 | institution: MART , institution: Musée de l'Orangerie
Illustrations
Attributed works:
74. Odalisque at the mirror (Woman reading), by Gino Severini. c.1942. Canvas, 60 by 50 cm. (Private collection; exh. Museo d’Arte Moderna e Contem­poranea di Trento e Rovereto).
Attributed works:
75. Portrait of Paul Fort, by Gino Severini. 1915. Collage on canvas, 81 by 65 cm. (Centre Georges Pompidou, Paris; exh. Museo d’Arte Moderna e Contemporanea di Trento e Rovereto).
Attributed works:
76. Portrait of Gina Severini (My daughter), by Gino Severini. 1934. Canvas, 100 by 73.5 cm. (Galleria Civica d’Arte Moderna e Contemporanea, Turin; exh. Museo d’Arte Moderna e Contemporanea di Trento e Rovereto).
Attributed works:
7­3. Self-portrait, by Gino Severini. 1913. Charcoal and pastel on paper, 74 by 50 cm. (Private collection; exh. Museo d’Arte Moderna e Contemporanea di Trento e Rovereto).
Exhibition Review
Painting and the stage. Rovereto
05/2010 | 1286 | 152
Pages: 347-349
Subscribe to read
related names
Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
dates:
2010-2019
museums and institutions:
Musée Cantini, Marseille, France / Art Gallery of Ontario, Toronto, Canada / Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
places:
Rovereto / Italy / Toronto / Canada / Marseille / France
print:
Italian art
subjects:
Reviews / Exhibitions / Paintings / Theatres / Composition (artistic arrangement) / History paintings
Reviewed Items
subjects:
Dalla scena al dipinto. La magia del teatro nella pittura dell’Ottocento | institution: MART
Illustrations
Attributed works:
60. Lear banishing Cordelia, by Johann Heinrich Fuseli. 1784–90. Canvas, 267.3 by 364.5 cm. (Art Gallery of Ontario, Toronto; exh. MART, Rovereto).
Attributed works:
61. St John Chrysostom and the Empress Eudoxia, by Jean-Paul Laurens. 1893. Canvas, 131 by 163.5 cm. (Musée des Augustins, Toulouse; exh. MART, Rovereto).
Attributed works:
62. The princes in the Tower, by Paul Delaroche. After 1831. Canvas, 88.9 by 106.7 cm. (Stair Sainty Gallery, London; exh. MART, Rovereto).