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2 articles
Article
Collage logic in Max Ernst’s ‘Woman, old man and flower’ (1923–24)
03/2021 | 1416 | 163
Pages: 261-263
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related names
Author:
Davis, Ellen (Davis, Ellen)
Author:
Kwartler, Talia (Kwartler, Talia)
Author:
Martins, Ana (Martins, Ana)
Subjects
artists:
Ernst, Max
museums and institutions:
Museum of Modern Art, New York, United States
styles:
Surrealism / Dada
subjects:
Technical analysis / Composition (artistic arrangement) / Collage (technique) / Techniques / Scientific analysis
Illustrations
Attributed works:
16. Woman, old man and flower (Weib, greis und blume), by Max Ernst. 1923–24. Oil on canvas, 96.5 by 130.2 cm. (Museum of Modern Art, New York; © ADAGP, Paris and DACS, London 2021).
Attributed works:
17. Reflected infra-red image of Fig.16, showing evidence of Fig.23 and one state that postdates Fig.23. (© 2017 MoMA, New York).
Attributed works:
18. X-ray image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
19. Transmitted infra-red image of Fig.16, showing evidence of one state that predates Fig.23. (© 2017 MoMA, New York).
Attributed works:
20. Map of zinc distribution in Fig.16, obtained by MA-XRF scanning, showing evidence of one state that post-dates Fig.23. (© 2017 MoMA, New York).
Attributed works:
21. Ubu Imperator, by Max Ernst. 1923. Oil on canvas, 81 by 65 cm. (Centre Pompidou, Musée national d’art moderne, Paris; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
22. A rendezvous of friends, by Max Ernst. 1922. Oil on canvas, 130 by 95 cm. (Museum Ludwig, Cologne; Bridgeman Images; © ADAGP, Paris and DACS, London 2021).
Attributed works:
23. Weib, greis und blume I, by Max Ernst. 1923. Reproduced as a ‘tableau détruit’ (‘destroyed painting’) in Dictionnaire abrégé du surréalisme (1938).
Article
The Modigliani Technical Research Study. Modigliani’s Paris portraits 1915–17
04/2018 | 1381 | 160
Pages: 311-318
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related names
Author:
Buckley, Barbara (Buckley, Barbara)
Author:
Duffy, Michael (Duffy, Michael)
Author:
Langley, Allison (Langley, Allison)
Author:
Porell, Mina (Porell, Mina)
Subjects
art literature:
Fry, Roger (R. F.; R. E. F.)
artists:
Modigliani, Amedeo
dates:
1910-1919
media:
Paintings
museums and institutions:
Art Institute of Chicago, Chicago, United States / Barnes Foundation, Philadelphia, United States / Museum of Modern Art, New York, United States
places:
France / Paris
subjects:
Italian painting / Portraits / Double portraits / Technical analysis / Scientific analysis / Radiographs / Techniques / Pigments / Style / Cubist / Collage (technique) / Sitters / Lipchitz, Jacques
Illustrations
Attributed works:
1. Madam Pompadour, by Amedeo Modigliani. 1915. Canvas, 61.1 by 50.2 cm. (Art Institute of Chicago).
Attributed works:
10. Anna Zborowska, by Amedeo Modigliani. 1917. Canvas, 130.2 by 81.3 cm. (Museum of Modern Art, New York).
Attributed works:
11. X-radiograph of Fig.10.
Attributed works:
12. Chromium (left) and calcium (right) XRF mapping images for Fig.10.
Attributed works:
2. Béatrice (Portrait of Beatrice Hastings), by Amedeo Modigliani. 1916. Canvas, 55.2 by 38.2 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
3. Early black-and-white photograph of Fig.2 (Paul Guillaume Archives; © Institut Restellini, Paris).
Attributed works:
4. The pretty housewife, by Amedeo Modigliani. 1915. Canvas, 110.5 by 49.8 cm. (The Barnes Foundation, Philadelphia).
Attributed works:
5. X-radiograph of Fig.4.
Attributed works:
6. Composite of inscription details from (from the top): Fig.4, Fig.9, Fig.2 and Fig.1.
Attributed works:
7. Details of Fig.4 (clockwise from top left): a) green and grey-green peeking through the corners of the proper left eye; b) hairline with underlying warm green tone; c) dark green-black paint tamped or sponged to texture the collar; d) scraping through the background.
Attributed works:
8. X-radiograph of Fig.9.
Attributed works:
9. Jacques and Berthe Lipchitz, by Amedeo Modigliani. 1916. Canvas, 81.3 by 54.3 cm. (Art Institute of Chicago).