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40 articles
Exhibition Review
The Medici: Portraits and Politics, 1512–1570
09/2021 | 1422 | 163
Pages: 843-845
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
dates:
Reviewed Items
subjects:
The Medici: Portraits and Politics, 1512–1570 Metropolitan Museum of Art, New York 26th June–11th October | :
Illustrations
Attributed works:
10. Detail of Cosimo I de’ Medici, by Benvenuto Cellini. 1546–47. Bronze, height 110 cm. (Museo Nazionale del Bargello, Florence; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Installation view of The Medici: Portraits and Politics, 1512–1570 at the Metropolitan Museum of Art, New York, 2021, showing, left, Portrait of a man and, right, Ludovico Capponi, both by Bronzino (photograph Hyla Skopitz).
Attributed works:
9. Laura Battiferri, by Bronzino. c.1560. Oil on panel, 87.5 by 70 cm. (Museo di Palazzo Vecchio, Florence; exh. Metropolitan Museum of Art, New York).
Article
From Florence to Paris: new evidence for Giovanni Bastianini and his work
03/2021 | 1416 | 163
Pages: 222-235
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Girolamo Benivieni, by Giovanni Bastianini. c.1863–64. Terracotta, 53.8 by 54 cm. (Musée du Louvre, Paris).
Attributed works:
10. Virgin and Child (‘The Dudley Madonna’), attributed to Donatello or Desiderio da Settignano. Probably c.1460–60. Marble, 27.2 by 16.5 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Virgin and Child (‘The Dreyfus Madonna’), here attributed to Giovanni Bastianini, after a model attributed to Donatello or Desiderio da Settignano. c.1855–65. Marble, height 28.3 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Giovanna degli Albizzi, by Giovanni Bastianini. c.1860. Gesso and polychrome over wood and mixed media, height 53 cm. (National Gallery of Art, Washington).
Attributed works:
2. Girolamo Savonarola, by Giovanni Bastianini. 1863. Pigmented terracotta, height 60.3 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Giovanni delle Bande Nere, by Giovanni Bastianini. c.1867. Pigmented terracotta, height 45.8 cm. (The Wallace Collection, London; Bridgeman Images).
Attributed works:
4. ‘Piccarda Donati’, by Giovanni Bastianini. c.1855. Plaster, height 57 cm. (Galleria d’Arte Moderna, Palazzo Pitti, Florence).
Attributed works:
5. ‘Giovanna Tornabuoni’, here identified as Bust of Piccarda Donati, by Giovanni Bastianini. c.1855. Plaster, height 51 cm. (Galleria d’Arte Moderna, Palazzo Pitti, Florence).
Attributed works:
6. Cosimo I de’ Medici, by Benvenuto Cellini. 1545–46. Bronze, height 110 cm. (Museo Nazionale dell Bargello, Florence; photograph © Raffaello Bencini / Bridgeman Images).
Attributed works:
7. Cosimo I de’ Medici, here attributed to Giovanni Bastianini, after a model by Benvenuto Cellini. c.1855–65. Marble, 95.9 by 71.8 by 39.4 cm. (Fine Arts Museums of San Francisco).
Attributed works:
8. The bust illustrated in Fig.7, seen from behind.
Attributed works:
9. Portrait of a young woman, by Andrea della Robbia. c.1465–70. Tin-glazed terracotta, diameter 43 cm. (Museo Nazionale del Bargello, Florence; Scala).
Article
A tale of two fragments: a Sostratos cameo reconstructed
03/2020 | 1404 | 162
Pages: 181-187
related names
Author:
Gennaioli, Riccardo (Gennaioli, Riccardo)
Author:
Gradel, Ittai (Gradel, Ittai)
Subjects
media:
museums and institutions:
styles:
Illustrations
Attributed works:
1. Fragment of a cameo, by Sostratos. Hellenistic, mid- to late 1st century BC. Sardonyx, 3.1 by 2.1 cm. excluding the later setting. (Private collection, London).
Attributed works:
10. Dionysus (or Ariadne?) in a chariot pulled by two centaurs. Roman cameo in later, eighteenth-century setting. Sardonyx, 3.1 by 2.3 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
2. Fragment of a cameo, by Sostratos. Hellenistic, mid- to late 1st century BC. Sardonyx, width 5.5 cm maximum, excluding the later restoration. (Museo Archeologico Nazionale, Florence).
Attributed works:
3. The cameo shown in Fig.2, photographed with transmitted light.
Attributed works:
4. Reverse of the cameo shown in Fig.2.
Attributed works:
5. Reverse of the cameo shown in Fig.1.
Attributed works:
6. Scans of the fragments shown in Figs.1 and 2 combined, showing the outline of the original cameo, presuming an oval shape. The resulting original size would have been approx. 6.4 by 4.6 cm.
Western art unattributed:
11. Dionysus and Ariadne in a chariot pulled by two centaurs. Roman cameo in later setting. Sardonyx, 3 by 2.5 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
7. Fragment of a cameo, with the roughly original outline of the complete cameo restored, presuming a regular oval shape. Hellenistic, mid- to late 1st century BC. Sardonyx, 2.6 by 2 cm. (Museo Archeologico Nazionale, Naples).
Western art unattributed:
8. Triumph of Dionysus and Ariadne. Roman cameo in later setting. Sardonyx, 6 by 5.5 cm. (Bibliotheque Nationale de France, Paris).
Western art unattributed:
9. Dionysus (or Ariadne?) in a chariot pulled by two centaurs. Roman cameo in later, eighteenth-century setting. Sardonyx, 4.2 by 2.7 cm. (State Hermitage Museum, St Petersburg).
Advertisements
Advertisements April 2010 (front)
04/2010 | 1285 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
Article
A rediscovered portrait of Benvenuto Cellini attributed to Francesco Ferrucci del Tadda and Cellini
12/2007 | 1257 | 149
Pages: 820-830
related names
Author:
Waldman, Louis Alexander (Waldman, Louis Alexander; Waldman, Louis; Waldman, Louis A.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Benvenuto Cellini dictating his Autobiography, by Giuseppe Mazza. 1835. Canvas, 74.5 by 86 cm. (Galleria Nazionale d’Arte Moderna, Milan, on deposit at the Palazzo di Giustizia, Milan).
Attributed works:
10. Portrait of Benvenuto Cellini, by Francesco Salviati. c.1540–45. Oil on slate, 68 by 51 cm. (Musée Fabre, Montpellier).
Attributed works:
11. Detail of the Crucifix, by Benvenuto Cellini. 1556–62. Carrara marble on black marble, 185 cm. high. (San Lorenzo el Real, El Escorial).
Attributed works:
12. Ganymede, by Benvenuto Cellini and Willem van Tetrode. c.1546. Marble (including antique torso), 105.5 cm. high. (Museo Nazionale del Bargello, Florence).
Attributed works:
13. Maquette for the self-portrait for his own tomb, by Francesco Ferrucci del Tadda. Before 1576. Terracotta, 43.5 by 32.1 cm. (Victoria and Albert Museum, London).
Attributed works:
14. Lorenzo de’ Medici, Duke of Urbino, by Antonio di Gino Lorenzi. c.1556–59. Marble, life-sized. (Sala di Leone X, Palazzo Vecchio, Florence).
Attributed works:
15. Head of Christ, by Francesco Ferrucci del Tadda. Marble on serpentine backing, photographed before the backing was removed in 1945, 48 by 36 cm. (Staatliche Museen, Berlin).
Attributed works:
16. Detail of Fig.2
Attributed works:
17. Medal of Pietro Bembo, by Danese Cattaneo(?), after Benvenuto Cellini. Modelled 1537. Silver, diameter 5.6 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
18. Medal of Francis I, by Benvenuto Cellini. 1537. Lead, diameter 4.2 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Medal of Clement VII, by Benvenuto Cellini. 1534. Silver, diameter 4.1 cm. (British Museum, London).
Attributed works:
2. Portrait of Benvenuto Cellini, here attributed to Francesco Ferrucci del Tadda, probably after a design by Benvenuto Cellini. c.1555–70. Marble, 57 by 38 by 4 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
20. Detail of the Portrait of Bindo Altoviti, seen from behind, by Benvenuto Cellini. c.1550. Bronze, 105.5 cm. high. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
21. Comparison between the eyes of Cellini’s Bindo Altoviti (see Fig.20) and the Bargello relief (see Fig.2).
Attributed works:
21. Comparison between the eyes of Cellini’s Bindo Altoviti (see Fig.20) and the Bargello relief (see Fig.2).
Attributed works:
3. Self-portrait, by Francesco Ferrucci del Tadda; formerly above the artist’s tomb in S. Girolamo, Florence. Before 1576. Porphyry, serpentine and marble, approx. 50 cm. high. (Cathedral, Fiesole).
Attributed works:
4. Self-portrait, by Francesco da Sangallo. 1542. Marble, 64.4 by 42.5 cm. (S. Maria Primerana, Fiesole).
Attributed works:
5. Detail showing Benvenuto Cellini from Cosimo I among his artists, by Giorgio Vasari and workshop. c.1556–59. Fresco. (Sala di Cosimo I, Palazzo Vecchio, Florence).
Attributed works:
6. Self-portrait, by Baccio Bandinelli. 1550. Marble, 54.2 by 42 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
7. Self-portrait, by Baccio Bandinelli; a detail of the artist’s tomb. c.1559–60. Marble, life-sized. (Cappella Bandinelli, SS. Annunziata, Florence).
Attributed works:
8. Portrait of a man, by Baccio Bandinelli. c.1555. Red chalk, 22.6 by 17.1 cm. (Musée du Louvre, Paris).
Western art unattributed:
9. Portrait of Benvenuto Cellini, by an anonymous Florentine painter. c.1545–50. Oil on porphyry, diameter (excluding frame) 83 cm. (Musée d’Ecouen, Paris).
Article
Cellini's other Satyr for the Porte Dorée at Fontainbleau
08/2003 | 1205 | 145
Pages: 552-563
related names
Author:
Bassett, Jane (Bassett, Jane)
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
places:
Illustrations
Attributed works:
Detail of Fig.2.
Attributed works:
Detail of Fig.2. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3; additional marks in red.
Attributed works:
Detail of Fig.3; additional marks in red.
Attributed works:
Detail of the Victory of Heraclius over Chosroes, by Piero della Francesca. c.1454-58. Fresco. (S. Francesco Arezzo). The detail shows a weapon corresponding to Cellini's description of a 'sferza con tre palle accommodata con certe catene'.
Attributed works:
Pair of Victories, after Benvenuto Cellini. c.1798. Plaster, 137 by 139 cm. (Musée du Louvre, Paris).
Attributed works:
Photograph of the Getty Satyr from the Windsor Castle Inventory of Bronzes, 1875-76.
Attributed works:
Photomontage of the Getty and Royal Collection bronzes with the full scale lunette of the Nymph (composite prepared by Michael Smith of the J. Paul Getty Museum).
Attributed works:
Porte Dorée, Château de Fontainbleau. (© Centre des monuments nationaux, Paris).
Attributed works:
Porte Dorée, Château de Fontainbleau. Lithograph from R. Pfnor: Monographie de Palais du Fontainbleau, Paris 1873, I, pl.XIV (© Centre des monuments nationaux, paris).
Attributed works:
Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.5 cm. high. (Royal Collection, London).
Attributed works:
Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Satyr, by Benvenuto Cellini. c.1542. Pen and brown ink with brown was over black chalk, 41.6 by 20.3 cm. (National Gallery of Art, Washington).
Attributed works:
The Getty Satyr (Fig 2) seen from the back.
Attributed works:
The Getty Satyr (Fig.2) seen from above.
Attributed works:
The Royal Collection Satyr (Fig 3) seen from the back.
Attributed works:
The Royal Collection Satyr (Fig.3) seen from above.
Attributed works:
The salle de Bal, Château de Fontainbleau. The chimney-piece incorporated bronze figures cast by Primaticcio in 1540 from the pair of ancient Roman marble satyrs then in the Della Valle collection in Rome (now in the Capitoline Museum, Rome). Primaticcio's casts were destroyed in 1792 but have since been replaced.
Attributed works:
X-radiograph of the Getty Satyr (Fig.2).
Attributed works:
X-radiograph of the Royal Collection Satyr (Fig.3).
Article
Benvenuto Cellini's Designs for His Tomb
12/1998 | 1149 | 140
Pages: 798-803
related names
Author:
Cole, Michael (Cole, Michael)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Studies for a Sarcophagus, by Benvenuto Cellini. Pen and Brown Ink, 21 by 28 cm. (Biblioteca Riccardiana, Florence).
Attributed works:
18. Verso of Fig.17. [Studies for a Sarcophagus, by Benvenuto Cellini. Pen and Brown Ink, 21 by 28 cm. (Biblioteca Riccardiana, Florence).]
Attributed works:
19. Nude Figure Studies, by Benvenuto Cellini. Pen and Brown Ink, 10.9 by 17.9 cm. (Staatliche Museen Preussischer Kulturbesitz, Berlin).
Attributed works:
20. Crucifix, by Benvenuto Cellini. White and Black Marble, 185 cm. High (Monastero di S. Lorenzo el Real, Escorial).
Advertisements
Advertisements December 1989 (front)
12/1989 | 1041 | 131
Pages: i-xxxii
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, 5-8 Lower John Street Golden Square, London] Benvenuto Cellini (1500-1571) Autograph Letter Signed, Rome 2nd June 1526 The Earliest Known Surviving Letter of Cellini. Published in Art Bulletin XLI 3, Sept 1959
Attributed works:
[C.G. Boerner, 61 East 77th Street, New York/ Kasernenstrasse 13, Dusseldorf] E. L. Kirchner. Mountain Path with Weatherbeaten Fir Trees. Etching. (1921) Different Shades of Grey Wash Applied in Broad Brush-Work. Schiefler 310. Dube 362 I (of II).
Attributed works:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris] Embroidery from an Altar Worked with Silver and Gold Threads French 13th Century Dim: 21 × 48 cm Each
Attributed works:
[Christie's, 502 Park Avenue, New York] Juan Van Der Hamen y Leon: Pears and Grapes in an Ornate Bowl, with Pomegranates and Marigolds on a Ledge, Flanked by Bunches of Grapes, Signed and Dated 1622, Oil on Canvas. 22½ × 36 in. (57.2 × 94 cm.). Estimate: $400,000-600,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London/21 East 67th Street New York] Giuseppe Maria Crespi 1665 - Bologna - 1747. The Holy Family. Oil on Canvas: 63.5 × 50.3cms (25 × 19½ins)
Attributed works:
[des Lyons - Samson, 9 Rue de Beaune, Paris] D'Espagnat Georges - Paris 1870-1950 "Jeux D'Enfants" S. B. G. Huile sur toile 0,73 × 0,92.
Attributed works:
[Front cover]Two Lovers, by Giulio Romano. Transferred from Panel to Canvas, 163 by 337 cm. (Hermitage, Leningrad; Exh. Palazzo Te, Mantua and Neue Bur, Vienna.)
Attributed works:
[Galerie Charles &Andre Bailly] Andre Maire Éléphants Sacrés à Madura Menson & Partner's
Attributed works:
[Galerie Enrico Navarra, 75 rue du Fbg St Honore, Paris] Jean Michel Basquiat Water Worshipper, 1984 Acrylic on Canvas 82,6 × 108 Inch
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street, St James, London] Joseph Ball (1862-1921) Les Reflets de Cuivre on Canvas: 162 × 120 cm Fully Signed
Attributed works:
[Guy Monegier du Sorbier, 18 Rue de Beaune, Paris] Albert Lebourg - 1849-1928 "Quai de Seine à ROUEN" Huile sur toile 50 × 73,5 - S. B. D.
Attributed works:
[Habsburg, Feldman, 36 East 75 Street, New York]The Artes Master, Spanish School, c. 1500, "Christ as the Man of Sorrows", Oil on Panel, from a Swiss Private Collection, Estimate: $150,000-$250,000
Attributed works:
[John H. Schlichte Bergen, Velazquezstraat 8, Amsterdam] Jan van Bijlert Utrecht 1597/98-1671. The Adoration of the Magi. Panel 64,5 × 53 cm. Signed J v Bijlert: fe Acquired by the Centraal Museum, Utrecht
Attributed works:
[Katrin Bellinger, Rauchstrasse 2, Munich] Donato Creti (1672-1749) 'Figure Studies' Pen and Brown Ink; 21,3 × 35,9 cm
Attributed works:
[Marlboorough 6 Albemarle Street, London] Back to Venice 1988. Bronze, 76 × 100 × 60 in./193 × 276.9 × 152.4 cm. Edition of 9
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Abraham van Diepenbeeck 1596-1675. A Modelletto for the Engraving of 1643 by Hendrik Snyers after the Altarpiece of the Dispute of the Church Fathers by Rubens in St. Paul's, Antwerp. Oil on Panel: 59.3cms by 44.5 cms.
Attributed works:
[Moatti, 77 rue des Saints-Peres, Paris] Hendrick Bloemaert (1601-Utrecht-1672) "Diana and Callisto". Oil on Canvas 123 cm. × 155 cm. Signed. To be Included in Professeur Roethlisberger's Monograph on the Bloemaert.
Attributed works:
[Musee des Beaux - Arts de Lille] Pontormo: Study for the Figure of St. John in the Pucci Altar-Piece
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James London/ 113 East 79th Street, New York] Karel van Mander, Adoration of the Shepherds, 1598 Oil on Panel, $30frac{1}{8}$ by 24½ Inches (77.5 by 62.2 cm) Signed and Dated, Lower Centre: "KV. M/1598"
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Federico Zuccaro (1540 - 1609), Taddeo in the House of Giovanni Piero Calabrese, Pen and Brown Wash, Traces of Red Chalk Underdrawing, 275 by 266 mm.
Attributed works:
[Sotheyby's 34- 35 New Bond Street, London] Giovanni Antonio Canale (II Canaletto), View of the Church of Il Redentore, Oil on Canvas, 18½ by 29½ in (47 by 75 cm). Property from the Collection of John T. Dorrance, Jr. Estimate: $600,000 - 800,000 (£380,000 - 510,000)
Attributed works:
[Stoppenbach & Delestre 25 Cork Street, London] Stanislas Victor Edouard Lepine (1835-1892) La Seine à Bercy. 5½ × 9½ in (14 × 24 cm) Oil on Board. Signed Lower Left. Ancienne Collection de M. Hazard
Attributed works:
[The Burlington Magazine advertisement ]Pompeo Batoni Lucca 1708 Rome 1787 Oil Painting on Canvas 73.5 cm × 59 cm
Attributed works:
[The Burlington Magazine advertisement] David Teniers 1610-1690 Interior of a Flemish Tavern Oil Painting on Panel 57 cm × 78 cm
Attributed works:
[The London Original Print Fair] Horst Janssen b. 1929 Autoportrait. Style Classique. Etching, 1973 265 × 190 mm
Attributed works:
[The London Original Print Fair] Rembrandt Harmensz. van Rijn 1606-1669. Beggar Seated on a Bank. Etching, 1630. 115 × 70 mm.
Attributed works:
[Trafalgar Galleries, 35 Bury Street St James, London] Benjamin West. His Majesty King George III Resuming Royal Power in 1789 Oil on Canvas 20.25 × 30.75 Inches (51.3 × 77 cm)
Attributed works:
[Wartski, 14 Grafton Street, London]Top left: Gold snuff box by Francis Harrache the cover embossed and engraved with Mars before Venus. London: 1751-56. Centre left: Gold-mounted rock crystal boîte a bonbons the cover encrusted with flowers, fruit and a butterfly, in diamonds, emeralds, rubies and carved semi-precious stones. Dresden: circa 1760. Front left: Gold and enamelled boîte à mouches. By Joseph Bouillerot. Paris: 1783. Top right: Circular chased gold box set with striated agates top and bottom, decorated with flowers in relief enamels over a granulated field. English: mid eighteenth century. Centre right: Oval gold patch box enamelled translucent royal blue, opaque white and cerulean blue, the cover applied with a diamond mount. Looking glass within. By James Morriset. London: circa 1770. Front right: Gold-mounted Louis XV box set en cage with 17th century Japanese lacquer panels. Paris: 1743. Photograph shows boxes reduced in size. Actual length of box by Morriset: $3frac{3}{8}$ inches.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Ferrarese Master" XIV cent. Initial "R" Resurrezione di Cristo Tempera Illuminated on Vellum 270 × 230 mm. Cut to Shape in Excellent Conditions
Book Review
Cellini
12/1988 | 1029 | 130
Pages: 929-932
related names
Reviewer:
Radcliffe, Anthony (Radcliffe, Anthony)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Cellini | author: Pope-Hennessy, John
Illustrations
Attributed works:
61. Neptune, Bronze, by Benvenuto Cellini. (North Carolina Museum of Art).
Attributed works:
62. Neptune, Bronze, Possibly by Vincenzo Danti. (Victoria and Albert Museum).
Advertisements
Advertisements March 1987 (front)
03/1987 | 1008 | 129
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[ Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London ] Giuseppe Piattoli Worked Florence 1785-1807. Coriolanus in the Camp of the Volsci. Bistre Pen and Indian Ink Wash 380 by 510 mm
Attributed works:
[ Arno Winterberg, Blumenstr. 15, Heidelberg ] Henri de Toulouse-Lautrec, Mlle. Marcelle Lender, en buste. Lithograph in Eight Colours, 1895, Edition "Pan, I.3″. Delteil 102, III. Adriani/Wittrock 118, IV, 6.
Attributed works:
[ Athenaeum, Avenue Princesse Alice 5, Monte Carlo ] Vittore Ghislandi, Called "Fra Galgario" 1655/1743. Oil on Canvas: 77 × 63 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] "Sacra Conversazione" Vincenzo Catena (Venedig ca. 1470-1531). Öl auf Holz, 90,5×65,5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 23 rue de Beaune, Paris ] Marbre - Florence XVIe siècle Haut.: 43 cm
Attributed works:
[ Cohen Brothers, Τrafalgar Galleries, 35 Βury Street, St James, London ] Guercino (Cento 1591-1666). Oil on Canvas 47 × 37 Inches (119.5 × 94cm.) St. Agnes
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26East 80th Street, New York ] Martin de Vos 1532 - Antwerp - 1603. The Virgin and Child in an Interior with Angels Presenting the Cross. Panel: 112 × 88.5 cms. Signed: F. Mertino D. Vos.
Attributed works:
[ Cover] St John Evangelist, by Donatello. 215 cm Diameter. Old Sacristy, S. Lorenzo, Florence.
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Balthasar van der Ast (Middelburg 1590-1657 Delft). Oil on Copper: 11 × 18 cm, Signed in Full
Attributed works:
[ Enrico Gamberucci, Fortunagasse 20, Zurich ] Ercole Procaccini the Younger (Milan 1596-1676). Red Chalk, 165 × 145 mm
Attributed works:
[ Gebr. Douwes Fine Art, 38 Duke Street, St. James, London / Kunsthandel Gebr. Douwes, Rokin 46, Amsterdam ] Dominico Tintoretto (1560-1635). Adoration of the Shepherds. Sketch for the "Madonna dell' Orte" in Venice. Oil on Paper. 40 × 21 cm.
Attributed works:
[ Harari & Johns Ltd, 12 Duke Street, St James, London ] Annibale Caracci Bologna 1560-1609. Oil on Canvas 50 × 40 cms.
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St. James, London ] Matteo Civitali (Lucca 1436-1501). Youthful Female Saint. One from a Set of Three Figures. Marble: H. 113 cm
Attributed works:
[ Jill Newhouse, 12 East 86th Street, New York ] Seated Cavalier. Pencil Drawing 10½ × $9frac{7}{8}$in., 26.7 × 25.1 cm. Signed in Monogram
Attributed works:
[ Lawrence of Crewkerne, South street, Crewkerne, Somerset ] Attributed to Agostino Carracci. Portrait of an Artist, Quarter-Length Holding a Brush and Palette 23½ in. × 18 in.
Attributed works:
[ Manhattan Art & Antiques Center, 1050 Second Ave, New York ] Large Original 19th Century Bronze Sculpture of an Indian Boy by J. Frere.
Attributed works:
[ Marcello Aldega Margot Gordon ] Gian Domenico Tiepolo. Venice 1727-1804. Black Ink - Grey Wash 284 × 205 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Ida (Study for Curled Up Nude) 1985 Charcoal on Paper 15½ × $29frac{3}{4}text{in}/39.4$ × 75.6cm.
Attributed works:
[ Michel Boscher, 3 rue d'Amboise, Paris ] Alfred Sisley "Le Loing à St Mammès". Oil on Canvas 46 × 55. Photographic Records from Durand Ruel No. 1673 - Document Durand Ruel No. 5209. It Will Be Represented in the Supplement of the Catalogue Raisonné by F. Daulte of the Works of Sisley.
Attributed works:
[ Michel Boscher, 3 rue d'Amboise, Paris ] Claude Monet "Les Chrysanthèmes". Oil on Canvas 54 × 62. This Painting Bought from Monet by Moïse Dreyfus Remained up to Now in the Purchaser's Family. It Will Be Represented in the Supplement of the Catalogue Raisonné by Daniel Wildenstein of the Works of Cl. Monet.
Attributed works:
[ Paul Rosenberg & Co, 20 East 79th Street, New York ] Benvenuto Cellini (1500-1571). Model for the Head of a Satyr Intended for the Door of the Palace at Fantainebleau, c. 1544. Bronze, 95 mm High
Attributed works:
[ Philippe Couque, 42 rue de l' Universite, Paris ] One of a Pair of Five Kakiemon Tureens. Meissen, Circa 1735
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Edwin Long R. A., Portrait of a Young Man, Head and Shoulders in Middle-Eastern Costume, Signed with Monogram and Inscribed 'Tangiers '73', a Sketch on Canvas, 17¼ ins × 13 ins (44 cm × 33 cm). Estimate: £1,500 - £2,000.
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Max Beckmann, "The Wooden Bridge," 1945. Oil on Canvas, 60.2 by 95.1 cm, Signed and Dated Lower Centre: "Beckmann A 45".
Attributed works:
[ Rossella Gilli, Via Gesù 17, Milan ] Jacques Callot (Nancy 1592-1635). View of a Harbour with Galleons. Pen, Brown Ink, Brown Wash. 247 × 188 mm. Top Left, in Lanier's Handwriting: Une idée griffonnée...
Attributed works:
[ Saddey & Ellenes Fine Art Ltd, 7 Redford Avenue, London / Freiestrasse 110, Zurich ] Johann Rottenhammer Munich 1564 - Augsburg 1625. The Rest on the Flight. Oil on Copper. 17.5 × 14 cm.
Attributed works:
[ Schuster Gallery, 14 Maddox Street, London ] "Wild Turkey" J. J. Audubon, Birds of America
Attributed works:
[ Somerville & Simpson Ltd, 11 Savile Row, London ] E. R. Hughes 1851-1914. Portia. Red Chalk $20frac{3}{4}prime prime $ × 28½″
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Pompeo Girolamo Batoni, Portrait of The Rt. Rev. The Hon. Frederick Augustus Hervey, Bishop of Derry and 4th Earl of Bristol. Signed and Dated 1778, Oil on Canvas, 137 by 101 cm. Estimate: £120,000/150,000.
Attributed works:
[ Spencer A. Samuels & Company. Ltd., 13East 76th Street New York ] Francesco Bassano (Bassano 1549-1592 Venice). The Holy Family. Oil on Canvas. 65½ × 80 Inches (166 × 203 cm). Signed "Franc Bass"
Attributed works:
[ Stanza del Borgo, Via G. Puccini 5, Milan ] Francesco Curradi Firenze 1570-1661. A Kneeling Monk. 327 × 200mm. Black and White Chalk on Blue Paper
Attributed works:
[Bukowski's, Wahrendorffsgatan 8, Stockholm ] Portrait of the Famous Matthiew Bulton. By Carl Fredrik von Breda, Signed 1792
Attributed works:
[Bukowski's, Wahrendorffsgatan 8, Stockholm ] Portrait of the Famous James Watt. By Carl Fredrik von Breda, Signed 1792
Western art unattributed:
[ Chevalier, 157 East 64th Street, New York ] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Western art unattributed:
[ Edward R. Lubin, 3 East 75 Street, New York ] Silver Gilt Belt Buckle with Putti Musicians, North Italian (Probably Mantuan), Second Half 15th Century, H. 13.8 cm., Ex. Coll: Thewalt, Cologne, 1903.
Western art unattributed:
[ Nella Longari,Via Bigli 15, Milan ] Large Miniated Initial "Annunciation" Venetian Miniaturist, XV Cent. Size: 17 × 15 cm.
Western art unattributed:
[ Paul Mitchell, 99 New Bond Street, London ] Italian 16th Century, Sight 40″×32½″, Width $6frac{3}{4}prime prime $.
Western art unattributed:
[ Sotheby's, 34-35 New Bond Street, London ] An Italian Glazed Terracotta Bust of Chirst, Faenza, Circa 1480, 22$frac{7}{8}$ in High (58cm). Estimate: On Request.
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