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14 articles
Exhibition Review
Black Mountain College. Boston, Los Angeles and Columbus
09/2016 | 1362 | 158
Pages: 764-766
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related names
Reviewer:
Shales, Ezra (Shales, Ezra)
Subjects
artists:
Archer, Hazel Larsen, 1921-2001 / Albers, Anni / Albers, Josef / Cunningham, Merce / Cage, John / Rauschenberg, Robert / Johnson, Ray / Parreno, Philippe
dates:
2010-2019
museums and institutions:
Wexner Center for the Arts, Columbus, United States / Hammer Museum, Los Angeles, United States / Black Mountain College, Black Mountain, N.C., United States
places:
United States / Los Angeles / Columbus (Ohio) / Boston
subjects:
Reviews / Exhibitions / Black Mountain College, Black Mountain, N.C., United States
Illustrations
Attributed works:
66. Buckminster Fuller inside his Geodesic Dome, by Hazel Larsen Archer. 1949 (Black Mountain College Museum and Arts Center, Asheville; exh. Wexner Center for the Arts, Columbus)
Attributed works:
67. Knot 2, by Anni Albers. 1947 (Josef and Anni Albers Foundation, Bethany; exh. Wexner Center for the Arts, Columbus)
Attributed works:
68. Minutiae, by Robert Rauschenberg. 1954/1976 (Walker Art Center, Minneapolis; exh. Wexner Center for the Arts, Columbus, Columbus © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY)
Exhibition Review
Take It or Leave It
07/2014 | 1336 | 156
Pages: 493-494
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
2010-2019
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
United States / Los Angeles
subjects:
Reviews / Exhibitions / Art criticism / Critical Reception / Art theory
subjects:
Conceptual art
Illustrations
Attributed works:
97. Installation view of Take It or Leave It: Institution, Image, Ideology at the Hammer Museum, Los Angeles, 2014, showing, at left, Hanging man/sleeping man, by Robert Gober (Photograph by Brian Forrest; exh. Hammer Museum, Los Angeles)
Attributed works:
98. Installation view of Tate It or Leave It: Institution, Image, Ideology at the Hammer Museum, Los Angeles, 2014, showing, at left, Museum highlights: a gallery talk, by Andrea Fraser (Photograph by Brian Forrest; exh. Hammer Museum, Los Angeles)
Attributed works:
99. Detail of Post-partum document: introduction, by Mary Kelly (Collection of Eileen Harris Norton; image courtesy of the artist and Postmasters Gallery, New York; exh. Hammer Museum, Los Angeles)
Exhibition Review
Forrest Bess
07/2014 | 1336 | 156
Pages: 488-489
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related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Bess, Forrest
dates:
2010-2019
museums and institutions:
Neuberger Museum of Art, Purchase College, State University of New York, Purchase, United States / Menil Collection, Houston, United States
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
United States / Los Angeles / Houston
places:
Purchase
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
88. Untitled, by Forrest Bess (Museum of Contemporary Art, Chicago; exh. Neuberger Museum of Art, Purchase College, NY)
Attributed works:
89. Dedication to Van Gogh, by Forrest Bess (Museum of Contemporary Art, Chicago; exh. Neuberger Museum of Art, Purchase College, NY)
Exhibition Review
Art and Black Los Angeles 1960–1980. Los Angeles, New York and Williamstown
04/2013 | 1321 | 155
Pages: 293-294
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related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
2010-2019
dates:
1960-1979
museums and institutions:
Williams College Museum of Art, Williamstown, United States / Hammer Museum, Los Angeles, United States / MoMA PS1, New York, United States
places:
Williamstown / United States / New York / Los Angeles
subjects:
Reviews / Exhibitions / Modern Art / African American / Social history / Politics / Assemblages
Illustrations
Attributed works:
100. Untitled (Assemblage), by Noah Purifoy. 1967. Mixed media, 167.6 by 99.1 by 20.3 cm. (Corcoran Gallery of Art, Washington; exh MoMA PS1, New York).
Attributed works:
98. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. In foreground: Place for Nature, by Maren Hassinger. 2011. Mixed-media installation, dimensions variable. (Courtesy of the artist). In corner: Only love saves the day, by Senga Nengudi, 2011. Nylon and sand, dimensions variable. (Courtesy of the artist and Thomas Erben Gallery, New York). At right: The wine leading the wine, by David Hammons. c.1969. Body print on paper, 101.6 by 122.6 cm. (Hudgins Family Collection, New York; photograph by Matthew Septimus).
Attributed works:
99. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. Left to right: Lynch fragments, by Melvin Edwards (1963-66; welded steel, dimensions and collections variable); The lifted X, by Melvin Edwards (1965; steel, 165.1 by 114.3 by 55.9 cm.; Museum of Modern Art, New York); Birmingham totem, by Charles White (1964; ink and charcoal on paper, 181.5 by 101.8 cm.; High Museum of Art, Atlanta); and Black pope (Sandwich board man), by Charles White (1973; oil wash on board, 166.4 by 125.7 cm.; Museum of Modern Art, New York). (Photograph by Matthew Septimus).
Exhibition Review
Richard Artschwager. New York and Los Angeles
02/2013 | 1319 | 155
Pages: 131-132
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Artschwager, Richard
dates:
2010-2019
museums and institutions:
Whitney Museum of American Art, New York, United States / Hammer Museum, Los Angeles, United States
places:
United States / New York / Los Angeles
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
79. Installation view of Richard Artschwager! showing, at right, Baby and Portrait zero (Photograph by Bill Orcutt; exh. Whitney Museum of American Art, New York)
Attributed works:
80. Natural selection, by Richard Artschwager (Private collection; photography by Robert McKeever; exh. Whitney Museum of American Art, New York)
Attributed works:
81. Four approximate objects, by Richard Artschwater. Edition of 30 (Private collection, New York; exh. Whitney Museum of American Art, New York)
Exhibition Review
Hammer Invitational. Los Angeles
04/2011 | 1297 | 153
Pages: 285-286
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
2010-2019
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
Los Angeles / United States
print:
Hammer Invitational
subjects:
Reviews / Exhibitions / American painting (United States of America) / American sculpture (United States of America) / American (United States of America) / Conceptual art / Visual sources / Sources
Reviewed Items
subjects:
All of this and nothing | institution: Hammer Museum
Illustrations
Attributed works:
92. Conscious changes (1961), by Charles Gaines. 2008. Graphite on paper, 179.1 by 113 cm. (Courtesy of the artist and Kent Fine Art, New York; exh. Hammer Museum, Los Angeles).
Attributed works:
93. Tiempo real (real time), by Jorge Macchi. 2007. Silent colour video, 24 hrs. (Courtesy of the artist and Ruth Benzacar Galeria De Arte, Buenos Aires; exh. Hammer Museum, Los Angeles).
Western art unattributed:
91. Installation view of All of this and nothing at the Hammer Museum, Los Angeles, showing (from left to right) Emperor ideal (2010), by Evan Holloway; Black panther (1966) (2008), by Charles Gaines; and Untitled (2010), by Dianna Molzan. (Hammer Museum, Los Angeles).
Exhibition Review
Rachel Whiteread Drawings. Los Angeles, Dallas and London
09/2010 | 1290 | 152
Pages: 626-627
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related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
artists:
Whiteread, Rachel
dates:
2010-2019
museums and institutions:
Tate Britain, London, Great Britain / Hammer Museum, Los Angeles, United States / Nasher Sculpture Center, Dallas, United States
places:
London / England / Dallas / Los Angeles / United States
print:
Whiteread, Rachel
subjects:
Reviews / Exhibitions / Drawings
Reviewed Items
subjects:
Rachel Whiteread Drawings | institution: Hammer Museum , institution: Nasher Sculpture Center , institution: Tate Britain
Illustrations
Attributed works:
66. Untitled (Double mattress yellow), by Rachel Whiteread. 1991. Pencil, ink, acrylic and watercolour on graph paper, 29.5 by 42 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
67. Stairs, by Rachel Whiteread. 1995. Correction fluid on black paper, 29.5 by 21 cm. (Private collection; exh. Tate Britain, London).
Publication Received
Rembrandt in Southern California
02/2010 | 1283 | 152
Pages: 116
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related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
Subjects
artists:
Rembrandt van Rijn
museums and institutions:
Hammer Museum, Los Angeles, United States / J. Paul Getty Museum, Los Angeles, United States / Los Angeles County Museum of Art, Los Angeles, United States / Norton Simon Museum, Pasadena, United States / Timken Museum of Art, San Diego, California, United States
print:
Rembrandt van Rijn
subjects:
Collections, Public
Reviewed Items
subjects:
Rembrandt in Southern California | author: Woollett, Anne T.
Exhibition Review
Abstract painting. Los Angeles
03/2009 | 1272 | 151
Pages: 196-197
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related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
dates:
2000-2009
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
United States / Los Angeles
print:
Abstract art
subjects:
Reviews / Exhibitions / Abstract art
Reviewed Items
subjects:
Oranges and Sardines: Conversations on Abstract Painting | institution: Hammer Museum
Illustrations
Attributed works:
77. Installation view of Oranges and Sardines, with works by Robert Morris and Dan Flavin. 2008. (Hammer Museum, Los Angeles).
Attributed works:
78. Installation view of Oranges and Sardines, with works by Willem de Kooning, John Chamberlain and Howard Hodgkin. 2008. (Hammer Museum, Los Angeles).
Attributed works:
79. Untitled, by Wade Guyton. 2008. Ultrachrome inkjet print on linen, 139.7 by 236.2 cm. (Friedrich Petzel Gallery, New York; exh. Hammer Museum, Los Angeles).
Exhibition Review
Francis Alÿs. Los Angeles
12/2007 | 1257 | 149
Pages: 888-889
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related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
Subjects
artists:
Alÿs, Francis
dates:
2000-2009
museums and institutions:
Hammer Museum, Los Angeles, United States
places:
Los Angeles / United States
print:
Alÿs, Francis
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Francis Alÿs: Politics of Rehearsal | institution: Hammer Museum
Illustrations
Attributed works:
100. Still from When faith moves mountains, by Francis Alÿs, in collaboration with Cuauhtémoc Medina and Raphael Ortega. 2002. Film transferred to video. (David Zwirner, New York; exh. Hammer Museum, Los Angeles).
Attributed works:
101. Still from Rehearsal 1, by Francis Alÿs, in collaboration with Rafael Ortega. 1999–2004. Video. (David Zwirner, New York; exh. Hammer Museum, Los Angeles).
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