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24 articles
Exhibition Review
Constable. Brighton
08/2017 | 1373 | 159
Pages: 656-657
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
63. Sea off Brighton, by John Constable. 1824 (Daniel Katz Family Trust; exh. Brighton Museum and Art Gallery)
Attributed works:
64. Chain Pier, Brighton, by John Constable. 1826-27 (Tate, London; exh. Brighton Museum and Art Gallery)
Attributed works:
65. A sea beach, Brighton, by John Constable. c.1825-27 (Private collection, USA; exh. Brighton Museum and Art Gallery)
Publication Received
The Buildings of England. Sussex: East with Brighton and Hove. By Nicholas Antram and Nikolaus Pevsner.
05/2015 | 1346 | 157
Pages: 359
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
art literature:
places:
Article
John Constable’s house in Brighton
04/2013 | 1321 | 155
Pages: 250-251
related names
Author:
Harrap, Peter (Harrap, Peter)
Author:
Lancaster, Shan (Lancaster, Shan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
43. Photograph of 11 Sillwood Road, Brighton. Photographed by Roger Bamber, 18th January 2013.
Attributed works:
44. The Gothic House, Sillwood Place with Western Lodge, by John Constable. 1824. Oil on paper, 25.4 by 30.5 cm. (Private collection).
Western art unattributed:
42. Photograph of Western Road/Western Terrace, Brighton, showing the Gothic House.
Exhibition Review
Radical Bloomsbury. Brighton
07/2011 | 1300 | 153
Pages: 492-493
related names
Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
places:
print:
print:
Reviewed Items
subjects:
Radical Bloomsbury: The Art of Duncan Grant & Vanessa Bell, 1905–1925 | institution: Brighton Museum and Art Gallery
Illustrations
Attributed works:
61. Bathing, by Duncan Grant. 1911. Canvas, 228.6 by 306.1 cm. (Tate, London; exh. Brighton Museum and Art Gallery).
Attributed works:
62. Virginia Woolf, by Vanessa Bell. c.1911–12. Board, 40 by 34 cm. (National Portrait Gallery, London; exh. Brighton Museum and Art Gallery).
Exhibition Review
Chinoiserie in Britain
10/2008 | 1267 | 50
Pages: 704-705
related names
Reviewer:
Winterbottom, Matthew (Winterbottom, Matthew)
Subjects
places:
print:
subjects:
Reviewed Items
subjects:
Chinese Whispers: Chinoiserie in Britain 1630–1930 | institution: Brighton Museum and Art Gallery , institution: Royal Pavilion
Illustrations
Attributed works:
55. Cabinet on stand, by Ernest Gimson. c.1902. Veneered walnut and ebony with gilt gesso, 200 by 119 by 47 cm. (Victoria and Albert Museum, London; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Western art unattributed:
54. Cabinet on stand. English, c.1700. Pine and oak, japanned ivory ground, 203 by 119.5 by 60 cm. (Holburne Museum of Art, Bath; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Western art unattributed:
56. The ‘Kylin’ clock. Chinese porcelain, late 17th–18th century; French clock, c.1750; mounts and base, London, 1821–23. Hard paste porcelain, with gilt bronze mounts, 111.7 by 81.3 by 36.9 cm. (Royal Collection, London; exh. Brighton Museum and Art Gallery and the Royal Pavilion, Brighton).
Exhibition Review
American prints 1910–60
09/2008 | 1266 | 150
Pages: 626-627
related names
Reviewer:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
places:
print:
print:
Reviewed Items
subjects:
The American Scene. Prints from Hopper to Pollock | institution: Brighton Museum and Art Gallery , institution: British Museum , institution: Djanogly Art Gallery , institution: Whitworth Art Gallery
Illustrations
Attributed works:
57. Hell Gate Bridge, by Werner Drewes. 1931. Woodcut, 40.5 by 29.3 cm. (British Museum, London).
Attributed works:
58. Share croppers, by Robert Gwathmey. 1944. Colour screenprint, 36.9 by 30.2 cm. (British Museum, London).
Attributed works:
59. Panic, by John Ward McClellan. 1937. Lithograph, 37.6 by 49.6 cm. (British Museum, London).
Exhibition Review
American Abstract Painters. Cambridge, Brighton and London
11/1998 | 1148 | 140
Pages: 771-772
related names
Reviewer:
Newman, Geoffrey (Newman, Geoffrey)
Subjects
dates:
subjects:
Illustrations
Attributed works:
61. Visit, by Kenneth Noland. 1975. 212 by 106.7 cm. (Private Collection; Exh. Fitzwilliam Museum, Cambridge).
Attributed works:
62. Untitled, from the Exotic Bird Series, by Frank Stella. 1981. 84 by 73 cm. (Brighton Museum and Art Gallery, Brighton).
Attributed works:
63. Friedrich Wilhelm Kurfürst von Brandenburg, by Frank Stella. 1998. Mixed Media, 300 by 330 by 300 cm. (Exh. Bernard Jacobson Gallery, London).
Exhibition Review
Fetishism. Brighton and Nottingham
09/1995 | 1110 | 137
Pages: 638-639
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
dates:
Illustrations
Attributed works:
62. Sweetening Wendy, by Carlos Pazos. 1986. Mixed Media, Including Horn, Fur, Metal Straps, Feathers, Metal Cloth and Forged Iron, 90 by 35 by 43 cm. (Galería Ciento, Barcelona; Exh. Brighton Museum and Art Gallery).
Western art unattributed:
61. Power Figure (Nkisi). Congo. Wood, Iron and Vegetable Fibre, 82 by 30 by 26 cm. (British Museum, London; Exh. Brighton Museum and Art Gallery).
Exhibition Review
Angelica Kauffman. York and Brighton
02/1993 | 1079 | 135
Pages: 161-163
related names
Reviewer:
Lloyd, Stephen (Lloyd, Stephen)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
111. Self-Portrait Hesitating between Music and Poetry, by Angelica Kauffman. 1794. 147.5 by 218.5. cm. (Nostell Priory, Collection of the Winn Family and the National Trust; Exh. York City Art Gallery).
Attributed works:
112. Bacchus Teaching the Nymphs to Make Verses, by Angelica Kauffman. 1788. 77.5 by 91.5 cm. (Private Collection; Exh. York City Art Gallery).
Exhibition Review
The Art Workers Guild; W. R. Lethaby. Brighton and Cheltenham
03/1985 | 984 | 127
Pages: 182+184-185
related names
Reviewer:
Amery, Colin (Amery, Colin)
Subjects
artists:
dates:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
66. Tobacco Jar, by Henry G. Murphy. 1938. Silver, with Applied Silver Decoration and Turned Ivory Knop, Height 14.6 cm. (The Keightley Trust; Exh. Brighton Museum and Art Gallery).
Attributed works:
67. Dresser for Melsetter House, Hoy, Orkney Islands., Designed by W. R. Lethaby. 1900. Unpolished Oak, Inlaid with Ebony, Sycamore and Bleached Mahogany. (Victoria and Albert Museum).
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