1. Self-Portrait, by G. F. Schmidt. 1752. Etching. (Herzog-Anton-Ulrich Museum, Brunswick).
Attributed works:
10. Death, by C. B. Rode. Etching Illustrating K. W. Ramler's Essay in the Monats-Schrift der Akademie der Künste und mechanischen Wissenschaften zu Berlin, 1788.
Attributed works:
11. Algarotti's Tomb, by J. W. Meil. Engraving. (Staatliche Museen, Kupferstichkabinett, West Berlin).
Attributed works:
2. Francesco Algarotti, by G. F. Schmidt. 1752. Etching. (Staatliche Museen, Kupferstichkabinett, West Berlin).
Attributed works:
3. Frederick the Great, by G. F. Schmidt. 1746. Engraving after Antoine Pesne. (Staatliche Museen, Kupferstichkabinett, West Berlin).
Attributed works:
4. Design for Algarotti's Tomb, by Mauro Tesi. Engraving from the Raccolta di disegni originali di Mauro Tesi. (Zentralinstitut für Kunstgeschichte, Munich).
Attributed works:
5. Presumed Copy of Carlo Bianconi's Drawing of Algarotti's Tomb. Working Drawing. (Staatliche Museen, Kunstbibliothek, West Berlin).
Attributed works:
6. Christian Bernhard Rode, by D. Berger. Engraving after a Drawing by Daniel Chodowiecki of 1772. (Archive of Baron von Diepenbroick, Tecklenburg).
Attributed works:
7. Algarotti's Tomb in the Camposanto of Pisa, by C. B. Rode. Canvas. (Galerie Cailleux, Paris).
Attributed works:
8. Algarotti's Tomb, Designed by Mauro Tesi and Carlo Bianconi. (Camposanto, Pisa).
Attributed works:
9. Titlepage to G. F. Lessing, Wie die Alten den Tod gebildet, Berlin, 1769.
Plate II. A-Frescoes by Benozzo Gozzoli at North East Angle. The Campo Santo of Pisa Now
Attributed works:
Plate II. B-Frescoes by Benozzo Gozzoli (North Range). Detail Showing Underlying Line-Drawing. The Campo Santo of Pisa Now
Attributed works:
Plate II. C-The Last Judgment. (South Range). Detail. The Campo Santo of Pisa Now
Attributed works:
Plate II. D-The Incredulity of St. Thomas. (North Range). Detail Showing the Wicker Basis Underlying the Whole Series of Frescoes at the South East Angle. The Campo Santo of Pisa Now
Attributed works:
Plate III. A-Life of San Ranieri. (South Range). The Campo Santo of Pisa Now
Attributed works:
Plate III. B-God Upholding the Universe. (North West Angle). The Campo Santo of Pisa Now
Attributed works:
Plate III. C-Restorer Working on Loosened Fresco-Plaster. (Note Wicker Basis). The Campo Santo of Pisa Now
Attributed works:
Plate III. D-Frescoes by Benozzo Gozzoli. (North Range). General View of Worst Damaged Section. The Campo Santo of Pisa Now
Western art unattributed:
A-South Range, General View
Western art unattributed:
B-Engineers Erect Temporary Canvas Roof to Shelter Frescoes