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103 articles
Article
Phillipo: an Ottoman merchant painted by George Stubbs
04/2024 | 1453 | 166
Pages: 348–357
related names
Author:
Mould, Theodore (Mould, Theodore)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. The Duke of Ancaster’s grey Turkish horse with a Turkish groom at Creswell Crags, by George Stubbs. c.1763–64. Oil on canvas, 90.2 by 111.8 cm. (Trustees of the Grimsthorpe and Drummond Castle Trust Ltd).
Attributed works:
10. A view of the ruined city of Palmyra, by Giovanni Battista Borra after Robert Wood. 1753. Engraving. (From R. Wood: Ruins of Palmyra, London 1753; British Library, London).
Attributed works:
2. Philip an Armenian, circle of George Stubbs. Before 1794. Etching, 18.4 by 13.5 cm. (British Museum, London).
Attributed works:
3. Detail of Fig.1, showing the portrait, dress and red leather boots of Phillipo.
Attributed works:
4. View from Beaufort Buildings, looking north towards the Strand and the entrance to Denmark Court, by Thomas Sandby. 1723–98. Watercolour, with pen and grey ink on paper, 4.6 by 6.2 cm. (British Museum, London).
Attributed works:
5. The red-goatskin cover of A Register of the Premiums and Bounties Given by the Society, published by James Phillips, London 1778. (British Library, London).
Attributed works:
6. A Tartar, by Octavian Dalvimart. 1802. Engraving. (From A. Williams: The Costume of Turkey, London 1802, pl.XXXII; Wellcome Collection, London).
Attributed works:
7. Working drawing for The Anatomy of the Horse, by George Stubbs. 1758–66. Pencil, black and red chalk and red-brown ink on paper, 48 by 30 cm. (Royal Academy of Arts, London).
Attributed works:
8. Lord Grosvenor’s Arabian stallion with a groom, by George Stubbs. c.1765. Oil on canvas, 99.3 by 83.5 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
9. Portrait of an Armenian, by Richard Cosway. 1771. Oil on canvas, 92.4 by 71.1 cm. (Yale Center for British Art, New Haven).
Exhibition Review
George Stubbs: The Man, The Horse, The Obsession. Mauritshuis, The Hague
05/2020 | 1406 | 162
Pages: 443-445
related names
Reviewer:
Kidson, Alex (Kidson, Alex)
Subjects
artists:
dates:
Reviewed Items
subjects:
George Stubbs: The Man, The Horse, The Obsession Mauritshuis, The Hague 20th February–1st June | :
Illustrations
Attributed works:
13. Skeleton of Eclipse (1764– 89), 67 by 55 by 246 cm. (Royal Veterinary College, London; exh. Mauritshuis, The Hague).
Attributed works:
14. Two horses communing in a landscape, by George Stubbs. Before 1777. Oil on canvas, 124 by 123 cm. (Weston Park, Shropshire; exh. MK Gallery, Milton Keynes).
Attributed works:
15. Eclipse at Newmarket with groom and jockey, by George Stubbs. c.1794. Oil on canvas, 100.5 by 131.5 cm. (Jockey Club, Newmarket; exh. MK Gallery, Milton Keynes).
Exhibition Review
The Origins of British Landscape Bishop Trevor Gallery, Bishop Auckland
09/2019 | 1398 | 161
Pages: 762-765
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
patrons:
Illustrations
Attributed works:
14. Landscape with a millpond, by George Lambert. 1744. Oil on canvas, 63.5 by 77.5 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
Attributed works:
15. Bell Lloyd of Bodfach at a stag hunt, by George Stubbs. 1771. Oil on canvas, 102 by 127 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
Attributed works:
16. Coastal landscape with sailing boats, girls buying fish, fishermen with a rowing boat, and a shepherd and sheep on a cliff, by Thomas Gainsborough. 1781. Oil on canvas, 102 by 127 cm. (Private collection; exh. Bishop Trevor Gallery, Bishop Auckland).
Article
Thomas Villiers, 2nd Earl of Clarendon, as a patron of George Stubbs
08/2016 | 1361 | 158
Pages: 616-627
related names
Author:
Campbell, Colin (Campbell, Colin)
Subjects
artists:
Illustrations
Attributed works:
17. Thomas Villiers, 2nd Earl of Clarendon, by William Bond after Robert Trewick Bone. Published 1825 (National Portrait Gallery, London)
Attributed works:
21. Ballarina, a bay mare belonging to the 2nd Earl of Clarendon, by George Stubbs. 1800 (Private collection, USA)
Attributed works:
22. Thomas Freeman, the Earl of Clarendon's game-keeper, by George Stubbs. 1800 (Paul Mellon Collection, Yale Center for British Art, New Haven)
Attributed works:
23. Fowl, by George Stubbs. Table X in part II of A Comparative Anatomical Exposition, large folio, 1804 (Yale Center for British Art, New Haven)
Attributed works:
24. The Lincolnshire Ox, by George Townley Stubbs after George Stubbs. Published 20th January 1791 (British Museum, London)
Attributed works:
25. Black and white spaniel following a scent, by George Stubbs. 1773 (Virginia Museum of Fine Arts, Richmond VA)
Attributed works:
26. Moose deer, by Peter Mazell after George Stubbs. Published 1784 (Blacker-Wood Collection, Rare Books and Special Collections, McGill University Library, Quebec)
Attributed works:
27. The lion and stag, by Benjamin Green after George Stubbs. Published 1st October 1770 (Paul Mellon Collection, Yale Center for British Art, New Haven)
Attributed works:
28. The yak of Tartary, by an anonymous engraver after George Stubbs. Published 25th March 1800 (British Museum, London)
Western art unattributed:
18. The Grove, near Watford, Hertfordshire, by an unknown photographer. c.1925 (Private collection)
Western art unattributed:
19. The inner library at The Grove, by an unidentified artist. c.1900 (Present whereabouts unknown)
Western art unattributed:
20. Lodge at Grove Park, by an unidentified artist. Early 19th century (Hertfordshire Archives and Local Studies; DE/C1/Z7/113)
Advertisements
Advertisements April 2012 (front)
04/2012 | 1309 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Brimo de Laroussilhe. 7 Quai Voltaire. Paris. Agnolo Gaddi. Florentine (1356-1396). Virgin of Humility with six Angels. Circa 1380-1390. Tempera on panel, gold ground, 93.2 x 58.5 cm.]
Attributed works:
[Andrew Edmunds Gallery, London. The Royal Academy of Arts, by Richard Earlom after Zoffany. 1773. Mezzotint, 50 by 71 cm]
Attributed works:
[Austin/Desmond Fine Art, London. Flags, by Denis Mitchell. 1951. Signed and dated in pencil. Woodcut, 27 by 25 cm]
Attributed works:
[Austin/Desmond Fine Arts, London. Topsail, by John Wells, 1950. Signed and dated lower right, inscribed: Trial proof /25 lower left: Engraving, 14 by 12 cm]
Attributed works:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London Jean del Cour. 1631 - Liège - 1707. Saint James Minor. Circa 1690. Terracotta. Height: 43 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, grande arabesque, premier temps]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Eve (B., M., Holl. 1). Engraving, 1504. A fine Meder II a impression, 251 x 194 mm]
Attributed works:
[Christopher Mendez, London. St. Jerome in his cell, by Albrecht Durer (1471-1528). 1514. Engraving, 24.6 by 18.5 cm]
Attributed works:
[Frederick Mulder Limited, London. Visage, by Pablo Picasso. 1928. Signed and numbered in pencil. From the edition of 200 printed on Japan paper. Lithograph, 20.3 by 14.3 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Denys Calvaert. Antwerp ?, c. 1540 - Bologna, 1619. Cleopatra, Oil on panel, 145 x 109 cm (19 1/16 x 16 15/16 in)]
Attributed works:
[Hart Gallery, London. Cell 16, by Jo Ganter, Digital Photograph and etching, 93.5 by 98 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Esaias van de Velde. Amsterdam 1587 - 1630 The Hague. Farms to left of a path. Etching and engraving, 1614. Hollstein 41, Almost surely the second state of two. An extremely fine impression in excellent, fresh condition, trimmed to the borderline all around.]
Attributed works:
[Hill-Stone, New York. War, by Henri Rousseau, called Le Douanier (1855-1910). Pen Lithograph on dark orange paper, 22.2 by 33.1 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Seated Girl with Head Thrown Back. Black crayon, 46 x 29.5 cm. Signed & dated at the lower right. "Egon Schiele 1918".]
Attributed works:
[Mark Murray Fine Paintings. 39 East 72nd Street. New York. Sir Lawrence Alma-Tadema, OM, RA (1836-1912). The Roman Architect. Signed and inscribed L. Alma Tadema OP CXLII. Oil on panel, 11 1/2 x 8 3/4 inches (29.2 x 22.3 cm)]
Attributed works:
[Osborne Samuel Gallery, London. The eight, by Cyril Power. 1930. Edition of 50. Signed, titled and numbered within the image. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Paul Stolper Gallery, London. Union Jack, by Peter Blake, 2011. Signed and numbered. Edition of 50. Inkjet on paper, 46.7 by 63.5 cm]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. "The False Start," Collection Yale University Museum]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. The False Start. c. 1875. (Cheval au Galop Tournant la Tete à droite). 11.4 Inches High. Numbered 32 / J. stamped cire Perdue A.A. Herbrard.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Mel Ramos. Y from the Hollywood Suite. Oil on canvas.]
Attributed works:
[Schiller & Bodo. 120 East 65th Street. New York. Henri Le Sidaner, French. 1862-1939. L'Ecluse, Montreuil-Bellay, 1909. Signed lower right. Oil on canvas, 32 x 39 1/2 inches (81 x 100 cm)]
Attributed works:
[The London Original Print Fair. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen - edition of 40. Sims Reed Gallery.]
Attributed works:
[The Old Print Shop, Inc., New York. American pattern - barn, by Benton Murdoch Spruance. 1940. Edition of 45. Lithograph printed in two colours, 19.2 by 35.2 cm.]
Attributed works:
[The Old Prints Shop, New York. The red scow, by Blanche Lazzell. 1931. Signed, dated and titled in ink. White-line colour woodcut, 30.7 by 35.4 cm]
Advertisements
Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
Exhibition Review
George Stubbs. Welbeck
02/2009 | 1271 | 151
Pages: 115-116
related names
Reviewer:
Belsey, Hugh (Belsey, Hugh)
Subjects
artists:
dates:
places:
places:
Reviewed Items
subjects:
Horses and Landscape: George Stubbs at Welbeck | institution: Harley Gallery
Illustrations
Attributed works:
41. Five manege horses owned by William Cavendish, by a. Sijmon. c.1665. Canvas, 76.2 by 89.5 cm. (Private Collection; exh. Harley Gallery, Welbeck)
Attributed works:
43. William Henry, 3rd Duke of Portland, riding out beside the Riding House at Welbeck Abbey, by George Stubbs. Exh.1767. Canvas, 99 by 124 cm. (Private Collection; exh. Harley Gallery, Welbeck)
Western art unattributed:
42. Manege horse in a craggy landscape, British, c.1625. Canvas, 160 by 183 cm. (Private Collection; exh. Harley Gallery, Welbeck)
Book Review
George Stubbs, Painter. Catalogue Raisonné
12/2008 | 1269 | 150
Pages: 835-836
related names
Reviewer:
Kidson, Alex (Kidson, Alex)
Subjects
artists:
Reviewed Items
subjects:
George Stubbs, Painter. Catalogue Raisonné | author: Egerton, Judy
Illustrations
Attributed works:
32. Two Shafto Mares and a Foal, by George Stubbs. 1774. Canvas, 80 by 100.3 cm. (Private ollection).
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