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5 articles
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05/2025 | 1466 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Animal farm no.27, TH332, by Chou Ching-hui (b.1965). 2014. Inkjet print, 108 by 148 cm. [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
B is for Barney, by Alexander Calder (1898–1976). 1973. Steel stabile with red base, two white elements and two black elements, 30.5 by 35.6 by 15.2 cm. [BEN BROWN FINE ARTS, LONDON/TEFAF New York]
Attributed works:
Carl Reininghaus, by Egon Schiele (1890–1914). 1910. Watercolour, gouache and black crayon on paper, 44.5 by 31.8 cm. [RICHARD NAGY, LONDON/Tefaf New York]
Attributed works:
Carlo Grubacs, Venice: The Volta di Canal at Night with the Festivities in Honour of Emperor Ferdinand I of Austria, 7th October, 1838. [Charles Beddington Ltd. Classic Art London]
Attributed works:
Charles Edward Peruginin Presumed portrait of Katherine Dickens, c. 1880 Tessier - Sarrou, Auction on 20 June 2025
Attributed works:
Charleston, South Carolina, by Baldwin Lee (b.1951). 1984. Gelatin silver print, 50.8 by 40.6 cm. [DAVID HILL GALLERY, LONDON/Photo London]
Attributed works:
Ecriture No.31–75, by Park Seo-Bo (1931–2023). 1975. Pencil and oil on canvas, 129.9 by 193.4 cm. [TINA KIM GALLERY, NEW YORK/TEFAF New York]
Attributed works:
Joseph-Siffred Duplessis Portrait of Louis Dussieux. [Drouot}
Attributed works:
Kaapa Tjampitjinpa c.1926–1989 Budgerigar Dreaming 1972. [D.Lan Contemporary]
Attributed works:
Pablo Picasso at Hotel Vaste Horizon, by Dora Maar (1907–97). 1937. Original contact print, 5.5 by 5.4 cm. [AMAR GALLERY, LONDON/Photo London]
Attributed works:
Rural retreat, Virginia, by O. Winston Link (1914– 2001). 1955. Gelatin silver print, 39.4 by 49 cm. [PETER FETTERMAN GALLERY, SANTA MONICA/Photo London]
Attributed works:
Silent Anchor V, by Otobong Nkanga (b.1974). 2024. Rope, glass, ceramic, blue chamomile oil, 129 by 82 by 67 cm. [LISSON GALLERY, LONDON AND NEW YORK/Tefaf New York]
Attributed works:
Spatial concept, by Lucio Fontana (1899–1968). 1964–65. Aluminium with gashes, holes and graffi to, 65 by 98 cm. [ROBILANT + VOENA, LONDON, ROME, NEW YORK/TEFAF New York]
Attributed works:
Statues of the plain, Thebes, by Francis Frith (1822–98). 1858. Albumen print from glass negative, 38 by 48 cm. [ROBERT HERSKOWITZ LTD, LINDFIELD/Photo London] [CHINI GALLERY, TAIPEI/Photo London]
Attributed works:
The flood at Billancourt, by Charles-François Daubigny (1817–78). 1866. Oil on canvas, 49.5 by 64.8 cm. [DAVID TUNICK, NEW YORK/TEFAF New York]
Attributed works:
Untitled (S.506, hanging open form with six extensions), by Ruth Asawa (1926–2013). c.1950–59. Copper wire, 57.1 by 61 by 62.2 cm. DAVID ZWIRNER, NEW YORK, LONDON AND PARIS/TEFAF New York]
Attributed works:
Untitled, by Waldemar Cordeiro (1925–73). 1952. Enamel on plywood, 23.5 by 30.5 cm. [THE MAYOR GALLERY, LONDON/Tefaf New York]
Attributed works:
Young girl with a bouquet, by Marie Laurencin (1883– 1956). c.1925. Oil on canvas, 45.9 by 37.5 cm. [ALMINE RECH, PARIS, LONDON, NEW YORK, BRUSSELS/TEFAF New York]
Western art unattributed:
Head of a bearded god. Roman, c.2nd century CE. Marble, 20 cm. [CHARLES EDE, LONDON. TEFAF New York]
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04/2025 | 1465 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Anna Tonelli (c.1763-1846) Portrait of Honor Edgeworth, nee Sneyd (Guy Peppiatt Fine Art and the Limner Company)
Attributed works:
Henry Parsons Riviere, The Girandola at the Castel Sant'Angelo, Rome (Nonesuch Gallery)
Attributed works:
JMW Turner, Inverary Pier, Loch Fyne, Morning, c. 1845 (detail). Oil on canvas, (Yale Center for British Art, Paul Mellon Collection)
Attributed works:
JMW Turner, The Lauerzersee with the Ruins of Schwanau and the Mythens. watercolour over an underdrawing in pencil 227 x 287 mm. (Stephen Ongpin)
Attributed works:
John Smart (1741-1811) Portrait miniature of a lady. (Guy Peppiatt Fine Art & the Limner Company)
Attributed works:
Luca Cambiaso, Diana and Callisto, oil on canvas, 230 x 185.5 cm (Dorotheum)
Article
A 1550 ‘double Jubilee’ medal by Alessandro Cesati
11/2023 | 1448 | 165
Pages: 1190-1195
related names
Author:
Daniele, Giulia (Daniele, Giulia)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Jubilee medal of Pope Julius III (reverse), by Alessandro Cesati. 1550. Silver plated thin uniface lead striking, diameter 47.1 mm. (Museo Nazionale del Bargello, Florence; inv. no.6275).
Attributed works:
11. Martyrdom of St John the Evangelist, by the circle of Daniele da Volterra. c.1550–60. Oil on panel, 62.5 by 37 cm. (Musée de la Chartreuse, Douai; Bridgeman Images).
Attributed works:
2 and 3. Jubilee medal of Pope Julius III, by Alessandro Cesati. 1550. Gilded thin uniface lead strikings, diameter 47.7 mm. (obverse) and 46.9 mm. (reverse). (Museo Nazionale del Bargello, Florence; inv. no.6269).
Attributed works:
4 and 5. Jubilee medal of Pope Julius III, by Alessandro Cesati. 1550. Gilded thin uniface lead strikings, diameter with frame 60.2 mm. (Museo Nazionale del Bargello, Florence; inv. no.6270).
Attributed works:
6. Enlargement of Fig.1, showing three standing male figures.
Attributed works:
7 and 8. Jubilee medal of Pope Julius III, by Alessandro Cesati. 1550. Silver-plated thin uniface lead strikings, diameter with frame 63 mm. (Private collection).
Attributed works:
9 and 10. Stater from Metaponto, Italy. 510–480 BC. Silver. (British Museum, London; inv. no.1924,1110.2)
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04/2023 | 1441 | 165
Pages: i-viii
Subjects
artists:
Illustrations
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm. [Regts Delft Tiles]
Attributed works:
Fede Galizia (1578–1630) Judith with the head of Holofernes signed, oil on canvas, 127 x 95.5 cm, Auction: 3 May 2023 [Dorotheum]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena].
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu [TEFAF]
Article
Intaglios and Cameos in the Jewellery Collection of the V & A
06/1976 | 879 | 118
Pages: 366-376
related names
Author:
Cocks, Anna Somers (Cocks, Anna Somers; Koks, Anna Somers; Cocks, A. Somers)
Subjects
artists:
artists:
dates:
dates:
dates:
subjects:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
20. Top row, left to right: A. Cameo, first century B. C. B. Cameo, last quarter of sixteenth century. C. Cameo, third quarter of sixteenth century. Middle row, left to right: D. Cameo, eighteenth century. E. Cameo, third quarter of sixteenth century. F. Cameo, third quarter of sixteenth century. G. Cameo, last third of sixteenth century. Bottom row, left to right: H. Cameo, second half of sixteenth century. J. Cameo, early seventeenth century. K. Cameo, c.1570. L. Cameo, sixteenth century. M. Cameo, second third of sixteenth century.
Western art unattributed:
21. Top row, left to right: A. Cameo, first century B. C. B. Engraving of cameo (No.21C) in The Marlborough Gems. C. Cameo, first century A. D. Second row, left to right: D. Cameo, first century B. C. E. Cameo, early seventeenth century?. F. Glass paste cameo on silk, probably c.1727. G. Cameo, between 1721 and 1765. H. Cameo, eighteenth century. Third row. J. Intaglio, with impression, first century B. C. Bottom row, left to right: K. Intaglio, with impression, second half of seventeenth century. L. Intaglio, with impression, second-third century A. D. M. Intaglio, with impression, early eighteenth century.
Western art unattributed:
22. Top row. A. Intaglio, with impression, probably c.1744. Second row, left to right: B. Seal, French, after 1763. C. Impression of eighteenth-century intaglio set in a seal. D. Etching of similar impression in Stosch's collection from Mariette's Recueil (1732). Third row, left to right: E. Hardstone seal, third quarter of eighteenth century. F. Impression of intaglio, second century A. D., set in it. G. Tassie impression No.7282 of Mars, by Charles Brown, c.1781. Bottom row, left to right: H. Impression of intaglio after the Mars by Brown, and the seal in which it is set. J. Impression of intaglio probably by C. Brown, 1771, and the deal in which it is set. K. Intaglio, and impression, mid-eighteenth century.
Western art unattributed:
23. Top row, left to right: A. Intaglio, with impression, probably first half of eighteenth century. B. Engraving of intaglio (No.23A) in The Marlborough Gems. Second row. C. Intaglio, with impression, c.1820. Third row, left to right: D. Intaglio, with impression, by Parry, after 1815. E. Intaglio, with impression, from Poniatowski Collection, early nineteenth century. Bottom row, left to right: F. Impression of an intaglio, by Luigi Pichler. G. Impression of intaglio from the Poniatowski Collection.