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03/2020 | 1404 | 162
Pages: i-xl
Subjects
advertisements:
Brun Fine Art, London / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Tomasso Brothers Fine Art, Leeds, Great Britain / Lullo Pampoulides (dealer), London, Great Britain / Kunstkammer Georg Laue, Munich, Germany / Walter Padovani (dealer), Milan, Italy / São Roque-antiguidades E Galeria De Arte, Lisbon, Portugal / Sydney L. Moss Ltd., London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Aguttes (auction house), Neuilly-sur-Seine, France / Burzio, London, Great Britain / London Original Print Fair / Kunsthaus Zürich, Zürich, Switzerland / Venator & Hanstein KG (auction house), Cologne, Germany / Artcurial, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / Paul Prouté S.A. (gallery), Paris, France / Salon du dessin, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Marty de Cambiaire, Paris / Jean-Luc Baroni, London, Great Britain / Galerie Alexis Bordes, Paris, France / Minerva Magazine / Tate Britain, London, Great Britain / Peter Finer (antique arms), London, Great Britain / Irish Arts Review / Daguerre (auction house), Paris, France / Galerie Koller (auctioneers), Zurich, Switzerland / Simon Dickinson, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Didier Aaron, Inc, New York, United States / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / The-saleroom.com / Dorotheum (auction house), Vienna, Austria / Frits Lugt Collection, Fondation Custodia, Paris, France / Andrew Clayton-Payne, London, Great Britain / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
A Greek horseman fighting a lion, by Antoine-Charles- Horace Vernet, called Carle Vernet (1758–1836). 1789. Black pencil, grey wash with stumping and chalk highlights on prepared paper, 38 by 33 cm. [DIDIER AARON & CIE, PARIS]
Attributed works:
Allegory of touch, by Michiel Sweerts (1618–64). Oil on canvas, 75 by 60 cm. [ROBILANT + VOENA, LONDON]
Attributed works:
An artichoke, by Jacques le Moyne de Morgues (1533–88). Watercolour and gouache on paper, 14 by 10.1 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish Qing dynasty, Qianlong period (1736–1795) Dimensions: 15 cm. (6 in.) diameter Provenance: A private American collection. [Littleton and Hennessy Asian Art]
Attributed works:
Antoine Coypel (1661-1722) Study for an Allegory to the Glory of Louis XIV Black chalk, red chalk and white chalk 11,8 x 16,7 in.[Aguttes]
Attributed works:
Anton Raphaël MENGS The Judgment of Paris Pen and brown ink, brown wash and white highlights Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Antonio Gai (Venice 1686- c. 1769) Bust of A Bailo (Giovanni Emo), c. 1730. White Carrara Marble, 96 x 65 x 32 cm. (Brun Fine Art]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail) Royal Collection Trust /   Her Majesty Queen Elizabeth II 2019. [Tate Britain British Baroque exhibition]
Attributed works:
Bust of Georges-Louis Leclerc, Comte de Buffon and Bust of Jean-Jacques Rousseau, by Jean Antoine Houdon (1741–1828). 1789 and 1788 respectively. Marble, height 29 cm and 26.7 cm. [DANIEL KATZ GALLERY, LONDON]
Attributed works:
Christ resurrected, by Alessandro Algardi (1598–1654). Terracotta, height 52 cm. [WALTER PADOVANI, MILAN]
Attributed works:
CLAUDE GELLÉE called LE LORRAIN Chamagne 1600 or 164/1605 – Rome 1682 Moses and the Burning Bush Black chalk and brown wash. Framing lines in brown ink. Autograph inscription on the verso: ‘Claudio Gillee Dito il lorenses 1663 fecit’ and by a later hand at the bottom under the framing line ‘F. PRODIGO’. 195 x 255 mm (711 ̸16 x 10 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Composition with two women, by Charles Edouard Jeanneret, called Le Corbusier (1887–1955). 1937. Ink and gouache on paper, 20.5 by 30.5 cm. [BRAME & LORENCEAU, PARIS]
Attributed works:
Domenico Cresti, known as il Passignano (1556–1638) Jesus among the Doctors, Black chalk 290 x 216 mm. Provenance: ignazio Hugford (Florence 1703–1778), his mount in green and grey [Stanza del Borgo]
Attributed works:
DOMENICO PIERATTI (Florence 1600 – Rome 1656) Bust of Young Marcus Aurelius Marble; overall height 90 cm [WALTER PADOVANI]
Attributed works:
DOMENICO PULIGO Florence 1492–1527 Portrait of Agnolo di Taddeo di Agnolo Gaddi Oil on panel Inscribed (on the upper edge): ‘GNOLO DI TADDEO DI AGN: GADDI’ (the family seal in red wax on the back of the panel) 37.6 x 48 cm (143 ̸4 x 187 ̸8 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Edgar Degas (Paris 1834 – 1917 Paris) Buste de danseuse, c. 1896 Black chalk, 40 x 59 cm Atelier stamp, lower left: ‘Degas’ (Lugt 658) Study for Lemoisne 1246 [Galerie Arnoldi-Livie]
Attributed works:
Edificio universal, by Joaqu n Torres-Garc a (1874–1949). 1931. Oil on canvas, 72 by 65 cm. [GALERIA SUR, LA BARRA, PUNTA DEL ESTE]
Attributed works:
Federico Barocci (1528–1612) Tête d’un homme barbu, le regard tourné  vers le bas, et  étude de main Pierre noire, sanguine et craie blanche sur papier beige. – 407 x 269 mm [Fondation Custodia, Collection Frits Lugt, Paris]
Attributed works:
Fernand Léger / Blaise Cendrars La fin du monde filmée par l’Ange N.-D. Paris 1919 [Venator and Hanstein]
Attributed works:
Francesco FURINI (1603 - 1646) Study of a nude man holding a stick black and red chalk, 210 x 136 mm [Galerie Paul Prouté]
Attributed works:
Giuseppe Cesari, called Cavaliere d’Arpino, A Sabine woman defends herself against an attacking Roman, 1635/36 [Kunsthaus Zürich]
Attributed works:
Giuseppe Cesari, called the Cavaliere d’Arpino (Arpino 1558 –Rome 1640) [Hazlitt]
Attributed works:
HANNS ULRICH FRANCK (Kaufbeuren 1603 –1680 Augsburg) Hercules, Nessus and Deianira Black and white chalk on beige paper; 212 mm (diam.) [Martin Grässle and Florian Härb]
Attributed works:
Ignaz Stern. The Nativity with the Adoration of the Shepherds. Oil on canvas. 102.2   141.5 cm [Koller]
Attributed works:
Jan Brueghel II, An Allegory of Tulipmania, (detail) 25.5 x 35.5 cm, €250,000 – 350,000. [Dorotheum]
Attributed works:
Jean-Antoine WATTEAU Studies of women seated (recto) Red chalk Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Joseph Vivien (1657-1734) Portrait of Madeleine-Geneviève Guillieaumon, n e Dupuis c. 1722 Pastel on paper laid down on canvas 79 x 64 cm. (31 1/8 x 25 3/16 in.)[Galerie Alexis Bordes]
Attributed works:
Judith and Holofernes, by Francesco Furini (1604–46). c.1642. Oil on canvas, 129 by 93 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA]
Attributed works:
Jusepe de RIBERA (J tiva 1591 - Naples 1652) The Mathematician Canvas. 100   75,5 cm. Estimate: 200 000 / 300 000 €. [Daguerre]
Attributed works:
Memento mori relief, by Christoph Daniel Schenck (1633–91). c.1685. Ivory, height 6 cm. [KUNSTKAMMER GEORG LAUE, MUNICH AND LONDON]
Attributed works:
MICHELANGELO ANSELMI (Lucca 1491 – Parma 1554) The coronation of the Virgin black and white chalks on blue paper, 22.5 x 28.3 cm. [CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
Peasant woman in front of a farmhouse, by Vincent van Gogh (1853–90). 1885. Oil on canvas, 62.9 by 112.4 cm. [DICKINSON GALLERY, LONDON AND NEW YORK]
Attributed works:
Pyramids, by Victor Hugo (1802–85). Pen and brush with brown ink and wash, 23 by 37.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Rain, by Georges Seurat (1859–91). Conté pencil on Ingres paper, 23.8 by 30.2 cm. [W.M. BRADY, NEW YORK]
Attributed works:
Reclining male nude, by Egon Schiele (1890–1918). 1910. Watercolour and pencil on paper, 31 by 43 cm. [W&K-WIENERROITHER & KOHLBACHER, VIENNA]
Attributed works:
Rest on the flight into Egypt, by Pompeo Batoni (1708–87). Oil on canvas, 63 by 48 cm. [TRINITY FINE ART, LONDON]
Attributed works:
Saddled horse, seen in profile, by Bénigne Gagneraux (1756–95). Oil on canvas, 62 by 75 cm. [JEAN-LUCBARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Attributed works:
Sebastiano Ricci The battle of the Lapiths and the Centaurs (detail)[Trinity Fine Art]
Attributed works:
Shepherd and his sheep, by Charles-Emile Jacque (1813–94). Charcoal and white chalk, 43.9 by 36.3 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
St Sebastian, by Claude Dejoux Vadans (1732–1816). c.1778–79. Terracotta, height 35.2 cm. [LULLO PAMPOULIDES, LONDON]
Attributed works:
Study of a male nude seated on a plinth, by Taddeo Zuccari (1529–66). Red chalk on ivory laid paper, 39.6 by 26.5 cm. [ROMANO FINE ART, FLORENCE]
Attributed works:
The Alessandri pietre dure table, attributed to Dernadino Buontalenti (1531–1608), Grand Ducal workshops, Florence. c.1600. Hard stones and giltwood (base), length 107 cm. [BURZIO, LONDON]
Attributed works:
The Bonzanigo self-portrait, G.M Bonzanigo, 'Microscultura' relief in carved lime wood, walnut, tulipwood, ebony and fruitwood, Turin, 1786-7. The Alessandrini Table. Another Florentine 'pietre dure and pietre tenere inlaid marble table top, probably to a design of Bernardino Buontalenti, Florence, c. 1600.[Burzio]
Attributed works:
The fallen roofer, François Bonvin (1817–87). 1876. Black and red chalk on paper, 36.5 by 17.5 cm. [MARTIN GRÄSSLE & FLORIAN HÄRB, MUNICH]
Attributed works:
The glutton, by Henri de Toulouse-Lautrec (1864– 1901). 1892. Graphite on paper with artist’s stamp, 16.3 by 10 cm. [GALERIE AB, PARIS]
Attributed works:
Théodore GÉRICAULT Double sided sheet of male nude studies Pen and brown ink Estimate: 25 000 – 35 000 € [Artcurial]
Attributed works:
Weapon handling: ‘drop the pike against your right foot and draw the sword’ , by Jacques de Gheyn II (1565–1629). Black pencil, pen and black ink and gray wash. Incised for transfer. [HABOLDT PICTURA, PARIS]
Attributed works:
Woman combing her hair, the letter, by Edgar Degas (1834–1917). Charcoal on paper, laid down on board, 56.3 by 62.2 cm. [JEAN-LUC BARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Non-western art unattributed:
Head of a smiling immortal. China, late Ming dynasty (16th– 17th century). Red sandstone, height 25 cm. [SYDNEY L. MOSS LTD, LONDON]
Non-western art unattributed:
J B Ceylon (Sri Lanka), 17th century – first half Prov.: S.P. collection, Oporto [Sao Roque]
Non-western art unattributed:
Namban Into Nippo-Portuguese, Momoyama period (1573 – 1603) Height: 10.0 cm [Sao Roque]
Non-western art unattributed:
Reliquary figure. Kota people, Obamba group, Gabon (19th century). Wood, copper, brass and iron, height 56.5 cm. [GALERIE BERNARD DULON]
Non-western art unattributed:
Shawabti of Tchahorpate, son of Tefnout. Egypt, late period, Dynasty XXX, reign of Nectanebo II (360–342 BC). Faience, height 26 cm. [THE MERRIN GALLERY, INC., NEW YORK]
Non-western art unattributed:
Yakushi Norai, 11th to 12th century, Heian period (794-1185). Height (figure): 141 cm. [Sidney L. Moss Ltd]
Western art unattributed:
An Exceptionally Fine, Important, and Unusually Large German Three-Quarter Field Armour Probably Made for Heinrich I Duke of Brunswick-Wolfenbüttel, Brunswick, c. 1560. [Peter Finer]
Western art unattributed:
Crucifixion with the Virgin and Saint John the Evangelist Late 16th/ early 17th century, bronze, on an ebonized wood and pietre dure base, 123 x 51 x 21 cm.[Robilant and Voena]
Western art unattributed:
Head of the young Lucius Verus (after the antique). North Italian, first quarter of the 16th century. Bronze, height (including socle) 64 cm. [TOMASSO FINE ART, LONDON AND LEEDS]
Western art unattributed:
Renaissance cutlery in its case in the form of a trout, Italian, c. 1570. Length 34 cm [Kunstkammer Georg Laue]
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Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
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Subjects
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Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]