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2 articles
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
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06/2011 | 1299 | 153
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Subjects
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collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]