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225 articles
Book Review
Les Tiepolo: Invention et Virtuosité à Venise
11/2024 | 1460 | 166
Pages: 1176–1178
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Les Tiepolo: Invention et Virtuosité à Venise Edited by Hélène Gasnault with Giulia Longo and a contribution by Catherine Loisel. 137 pp. incl. numerous col. + b. & w. ills. (Beaux-Arts de Paris éditions, 2024), €25. ISBN 978–2–84056–878–0. | :
Illustrations
Attributed works:
20. Portrait of a young boy, attributed to Giovanni Battista Piazzetta. Black and white chalk on paper, 37.4 by 26.8 cm. (École des Beaux-Arts, Paris).
Attributed works:
21. Study of a foot, head and two jars, by Giambattista Tiepolo. Black, white and chalk on paper, 28.2 by 22.5 cm. (École des Beaux-Arts, Paris).
Attributed works:
22. Annunciation, by Domenico Tiepolo. Black chalk, pen, brown ink and black and brown wash on paper, 22.4 by 31 cm. (École des Beaux-Arts, Paris).
Article
The Manfrin Gallery
07/2019 | 1396 | 161
Pages: 572-577
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
sources:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
2. Virgin and Child with donor, by Nicolo di Pietro. c.1394. Panel, 107 by 65 cm. (Gallerie dell’ Accademia, Venice; Bridgeman Images).
Attributed works:
3. Marco Barbarigo, by a follower of Jan van Eyck. c.1449–50. Panel, 24.2 by 16 cm. (National Gallery, London).
Attributed works:
4. Adoration of the shepherds, by Vincenzo Catena. After 1520. Canvas, 125.7 by 207.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Self-portrait by Giorgione, by Antonio Canova. 1792. Panel, 72.5 by 64 cm. (Private collection).
Attributed works:
6. A lady at her toilette, by Natale Schiavoni. c.1840. Canvas. (Museo Bottacin, Palazzo Zuckermann, Musei Civici, Padua; Bridgeman Images).
Western art unattributed:
7. Triple portrait, by an imitator of Titian. Venetian, perhaps late sixteenth century. (Alnwick Castle, Northumberland; courtesy the Duke of Northumberland).
Book Review
Peintures italiennes du XVIIIe siècle du musée du Louvre. By Stéphane Loire
03/2019 | 1392 | 161
Pages: 259-260
related names
Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
museums and institutions:
Reviewed Items
subjects:
Peintures italiennes du XVIIIe siècle du musée du Louvre. By Stéphane Loire | :
Exhibition Review
Casanova. Fort Worth, San Francisco, Boston
03/2018 | 1380 | 160
Pages: 241-243
related names
Reviewer:
Robinson, Duncan (Robinson, Duncan)
Subjects
dates:
subjects:
Illustrations
Attributed works:
12. Juno asking Aeolus to release the winds, by François Boucher. 1769. Canvas, 278.2 by 203.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
13. Seesaw, by Jean-Honoré Fragonard. c.1750–52. Canvas, 120 by 94.5 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
14. St Mark’s basin, by Canaletto. c.1738. Canvas, 124.5 by 204.5 cm. (Museum of Fine Arts, Boston).
Exhibition Review
Eyewitness Views. Los Angeles, Minneapolis and Cleveland
10/2017 | 1375 | 159
Pages: 856-858
Subjects
Reviewed Items
subjects:
Eyewitness Vews: Making History in Eighteenth-Century Europe at J. Paul Getty Museum, Lose Angeles, Minneapolis Institute of Art and Cleveland Museum of Art. | :
Illustrations
Attributed works:
102. The courtyard of the Doge's Palace with the Papal Nuncio Giovani Francesco Stoppani and senators in procession, by Antonio Joli and Michele Marieschi. c. 1741-42 (National Gallery of Art, Washington; exh. Mineapolis Institute of Art).
Attributed works:
103. The procession on the feast day of St Roch, by Antonio Canaletto. c. 1730? (National Gallery, London; Minneapolis Institute of Art).
Attributed works:
104. Detail of Fig. 103.
Attributed works:
105. Regatta in hoour of Prince Freidrich Christian of Savoy, by Michele Marieschi, with figures by Antonio Guardi and (?) Francesco Simonini. c. 1740 (Private collection; exh. Minneapolis Institute of Art).
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Advertisements March 2017 (front)
03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
Exhibition Review
Guardi and Canaletto. Venice and Paris
02/2013 | 1319 | 155
Pages: 123-125
related names
Reviewer:
Aikema, Bernard (Aikema, Bernard)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
62. Man operating a camera ottica, by Francesco Guardi (Van Regteren Altena collection, Amsterdam)
Attributed works:
63. Canale della Giudecca and the Punta di Santa Maria, by Francesco Guardi (Museum Foundation Calouste Gulbenkian, Lisbon; exh. Museo Correr, Venice)
Attributed works:
64. Piazza San Marco towards the East, by Francesco Guardi (Henry Morrison Flagler Museum, Palm Beach; exh. Musée Jacquemart-André, Paris)
Attributed works:
65. Capriccio of a Venetian campiello, by Francesco Guardi (Musée Jacquemart-André, Paris)
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Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subjects
advertisements:
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collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
Article
Views of Dolo by Canaletto, Bellotto, Cimaroli and Guardi
10/2004 | 1219 | 146
Pages: 675-682
related names
Author:
Derstine, Andria (Derstine, Andria)
Subjects
artists:
dates:
places:
print:
Illustrations
Attributed works:
26. Dolo on the Brenta, by Giovanni Antonio Canal, il Canaletto. Here dated c.1741-44. 62.9 by 96.5 cm. (Ashmolean Museum, London).
Attributed works:
27. Dolo on the Brenta, by Giovan Battista Cimaroli. 1740s. 80.5 by 95.3 cm. (Staatsgalerie, Stuttgart).
Attributed works:
28. Dolo on the Brenta, by Bernardo Bellotto. c.1742-43. 60.5 by 94.7 cm. (Private collection, England).
Attributed works:
29. Dolo on the Brenta, by Giovanni Antonio Canal, il Canaletto. c.1755-60. 30.5 by 44.5 cm. (Fondation Bemberg, Toulouse; photograph courtesy of Richard Green Gallery, London).
Attributed works:
30. Dolo on the Brenta, by Giovanni Antonio Canal, il Canaletto. c.1740–4. Pen and brown ink over pencil with red chalk, 27.5 by 41.5 cm. (Victoria and Albert Museum, London)
Attributed works:
31. Al Dolo, by Giovanni Antonio Canal, il Canaletto. c.1741-44. Etching, 29.5 by 42.4 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
32. Ale Porte del Dolo, by Giovanni Antonio Canal, il Canaletto. c.1741-44. Etching, 29.3 by 42.3 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
33. Fig.26 photographed after its restoration in 1930-31.
Attributed works:
34. Le Porte del Dolo, by Giovanni Antonio Canal, il Canaletto. c.1741-44. Etching, 29.6 by 42.6 cm. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
35. Dolo on the Brenta, by Giovan Battista Cimaroli. 1740s. 72.4 by 99.6 cm. (Sold Sotheby's, New York, 27th May 2004, lot 116).
Attributed works:
36. A view on the Brenta Canal, by Giovan Battista Cimaroli. 1740s. 72.4 by 99.6 cm. (Sold Sotheby's, New York, 27th May 2004, lot 116).
Attributed works:
37. Dolo on the Brenta, by Francesco Guardi. Here dated 1774-76. 67.5 by 104 cm. (Private collection, Paris).
Attributed works:
38. Dolo on the Brenta, by Francesco Guardi. Here dated 1774-76. 34 by 55 cm. (Museu Calouste Gulbenkian, Lisbon).
Attributed works:
39. Dolo on the Brenta, by Francesco Guardi. Here dated 1774-76. 47 by 66 cm. (The Detroit Institute of Arts).
Attributed works:
40. Dolo on the Brenta, by Francesco Guardi. Here dated 1774. Pen with pencil and white highlights on grey paper, 26.5 by 41.5 cm. (Lindsay Fine Art Ltd., London).
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