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09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
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07/2022 | 1432 | 164
Pages: i-viii
Subjects
Illustrations
Attributed works:
A boy playing a lute, by Giovanni Battista Piazzetta (1682/83– 1754). Black chalk heightened with white on brown paper, 35 by 24 cm. [STEPHEN ONGPIN FINE ART, W1K, LAW]
Attributed works:
A capriccio on the river Wye with the Pont du Gard, by Thomas Jones (1742–1803). c.1775. Oil on panel, 34.3 by 47 cm. [MILES WYNN CATO, SW7, LAW]
Attributed works:
A young woman playing a tambourine, by Pseudo-Caroselli (active 1600–25). Oil on canvas, 99.1 by 74.3 cm. [AGNEWS, W1S, LAW]
Attributed works:
Carved walnut wood frame with glass mirror, Italian, 16th century, by Isabel Agnes Cowper. c.1891. (Victoria and Albert Museum, London). [Burlington Magazine call for paper photography]
Attributed works:
George Clavering Cowper, 3rd Earl Cowper, by Hugh Douglas Hamilton (c.1740–1808). 1785. Pastel on paper, 94 by 69 cm. [LOWELL LIBSON AND JONNY YARKER LTD, W1S, LAW]
Attributed works:
GIOVANNI DOMENICO TIEPOLO (1727-1804) The Carpenter’s Shop Pen and brown ink and wash, over an underdrawing in black chalk. Signed Domo. Tiepolo f at the lower left and numbered 56 in the upper left margin. 350 x 468 mm. (133⁄4 x 183⁄6 in.) [Ongpin LAW]
Attributed works:
Head of an angel, by Antonio Giorgetti (1635–69). c.1663. Terracotta, height 40 cm. [TRINITY FINE ART AND WALTER PADOVANI, W1S, LAW]
Attributed works:
La Loge Anglais, by Jean-Pierre Dantan (1800–69). 1834. Patinated plaster, 23.5 by 35 by 15.5 cm. [DANIEL KATZ, W1J, LAW]
Attributed works:
Nesting swans, Chartwell, by William Nicholson (1872–1949). 1934. Oil on board, 56 by 63.5 cm. [CHARLES BEDDINGTON LTD, W1S, LAW]
Attributed works:
St Mary’s Church and the Radcliffe Camera from Oriel Lane, Oxford, by J.M.W. Turner (1775–1851). Watercolour, pencil and body colour on paper, 27 by 21.5 cm. [GUY PEPPIATT, SW1Y, LAW]
Attributed works:
Virgin and Child with a bishop saint, by Francesco Marmitta (c.1464–1505). 1500–05. Oil on panel, 187 by 106 cm. [BRUN FINE ART, W1S, LAW]
Attributed works:
Wild boar after the antique, by Giovanni Francesco Susini (1585– c.1653). c.1600–50. Bronze, 17.8 by 20.3 cm. [TOMASSO, SW1Y, LAW]
Western art unattributed:
Two leaves from an Italian choirbook depicting birds. Late 15th century. Ink and gold on vellum, 51.5 by 37 cm. [SAM FOGG, W1S, LAW]
Letter
Forerunners of ‘Heads of the People’
10/2021 | 1423 | 163
Pages: 884-885
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
Illustrations
Attributed works:
1. Little London bootblack, by Jules Bastien-Lepage. 1882. Oil on canvas, 132.5 by 89.5 cm. (Musée des Arts Décoratifs, Paris; Scala Archives).
Attributed works:
2. A field hand (a woman of the fields), by George Clausen. 1883. Oil on canvas, 54.5 by 40 cm. (Private collection; photographed prior to the completion of conservation work).
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
07/2021 | 1420 | 163
Pages: 586-593
related names
Author:
Shaw, Samuel (Shaw, Samuel)
Subjects
Illustrations
Attributed works:
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 20th November 1875; Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 26th June 1875; Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver. Wood engraving. (First published in the Graphic, 23rd June 1883; Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886. Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas, 46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas, 76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Short Notice
A newly discovered portrait by William Nicholson
04/2020 | 1405 | 162
Pages: 319-320
related names
Author:
McBurney, Henrietta (McBurney, Henrietta)
Author:
Sutherland, Gillian (Sutherland, Gillian)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
4. Blanche Athena Clough, by William Nicholson. 1924. Oil on canvas, 89 by 68.5 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Attributed works:
5. Blanche Athena Clough, by William Nicholson. 1924. Oil on canvas, 90.4 by 70.2 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Attributed works:
6. Letter from William Nicholson to Cathleen Mann. Undated [1924]. Pen on paper. (Private collection; repr. in P. Reed: William Nicholson Catalogue Raisonn  of the Oil Paintings, New Haven and London 2011, p.415, fig.149).
Attributed works:
7. Blanche Athena Clough, by William Rothenstein. 1928. Black and white chalk on buff paper, 28.8 by 19 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Book Review
William Nicholson: Catalogue Raisonné of the Oil Paintings
05/2012 | 1310 | 154
Pages: 356-357
related names
Reviewer:
Hallman, Lee (Hallman, Lee)
Subjects
dates:
Reviewed Items
subjects:
William Nicholson: Catalogue Raisonné of the Oil Paintings | author: Reed, Patricia
Illustrations
Attributed works:
62. Still life with sunfish, by William Nicholson. 1935. Canvas, 51 by 63.5 cm. (Arts Council Collection).
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10/2011 | 1303 | 153
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Subjects
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subjects:
Illustrations
Attributed works:
[August Laube, Zurich. Martincho makes a bull turn in the Madrid ring, by Francisco de Goya (1746-1828). Delteil 239. Harris 219 III. I. Etching and Aquatint, 20.3 by 31.3 cm]
Attributed works:
[C.G. Boerner, New York. The Palais de Justice in Paris, seen from the Pont Notre-Dame, by Auguste Lepère. 1889. Colour woodcut on thin Japan paper, 19.2 x 30.2 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Massimo Stanzione (Orta di Atella, Campania c.1585 - 1656 Naples). The Madonna and Child. Oil on canvas, 50 1/5 x 39 2/3 (127.4 x 100.8 cm)]
Attributed works:
[Charles Beddington, London. An inlet near Naples with a castle and fisherfolk, by Charles-Joseph Vernet (1714-89). Oil on canvas, 63.3 by 98.8 cm]
Attributed works:
[David Koetser, Zurich and Amsterdam. An extensive landscape with travellers on a road, by Jan Brueghel the Elder (1568-1625). Signed and dated 1608. Oil on copper, 17.8 by 27.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. Portrait of a young hunter, by Henri-Pierre Danloux (1753-1809). Signed and dated 1802. Oil on canvas, 75.5 by 63 cm]
Attributed works:
[Frederick Baker. 1230 W. Jackson Blvd. Chicago. Stow Wengenroth Manhattan Gateway]
Attributed works:
[Galerie Canesso, Paris. Vulcan in his forge, by Pompeo Batoni (1708-87). Monogrammed and dated 1750. Oil on canvas, 94.2 by 73.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. Bassano del Grappa, c. 1510 - 1592. Jacob'd Journey. Oil on canvas, 62.5 by 96 cm (24 5/8 x 37 13/16 in)]
Attributed works:
[Galerie Giovanni Sarti, Paris. Virgin and Child, by Andrea Di Nerio (c.1331-87). Tempera, gold and silver on panel, 80 by 62 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Vicente Lopez Portana (1772-1850). Apollo and the Muses, Oil on canvas (detail)]
Attributed works:
[Haboldt & Co., Amsterdam, Paris, New York. Flora, by Vincenzo Mannozzi (1600-58). Oil on marble, 81.5 by 66.5 cm]
Attributed works:
[Harris Schrank FIne Prints, New York. Bullfighting, by Francisco de Goya (1746-1828). 1814-16. First edition. The complete set of 33 etchings with aquatint, drypoint and engraving.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. William Nicholson. The Silver Casket, 1919]
Attributed works:
[Jean-François Heim, Paris. The Velino above the Cascade of Terni, by Jean-Baptste- Camille Corot (1796-1875). 1826. Oil on paper laid down on canvas, 32.5 by 39 cm]
Attributed works:
[Osborne Samuel, London. The Eight, by Cyril Power. 1930. Signed, titled and numbered within the image. From an edition of 50. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. Hockey, 1931. Linocut. From the edition of 50. 16.8 x 28.9 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Gerolamo Genga (Urbino, 1476 - La Valle, 1551). The Madonna and Child with the Infant Saint John the Baptist and a monk (oil on canvas, 108 x 92 cm).]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Rembrandt, the fourth oriental head]
Attributed works:
[R.E. Lewis & Daughter, San Rafael, California. Maisons à Bougival, Maurice de Vlaminck. 1913. Signed and numbered '7', in pencil. From an edition of 30. Woodcut, 16.3 by 24.3 cm]
Attributed works:
[R.S. Johnson FIne Art, Chicago. Lucky chances of the swing, by Nicolas de Launay after Jean-Honoré Fragonard. Etching, 54.9 by 43.3 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Sybil Andrews, 1898-1992. Market Day, 1936. Linocut, 28 x 33.6 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Pablo Picasso. Visage Brun-Blu Ceramic Plate, 1947]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Annibale Carracci. Bologna 1560 - 1609 Roma. The Prodigal Son. Pen and brown ink and brown wash. 382 x 256 mm (15 1/8 x 10 in)]
Attributed works:
[Sims Reed, London. Petite Aurore, by Henri Matisse. 1923. Edition of 50. Lithograph, 28 by 37.5 cm]
Attributed works:
[Stair Sainty, London. Young woman in her boudoir, by Louis-Rolland Trinquesse (1746-c.1800). Oil on canvas, 80 by 62 cm]
Attributed works:
[Talabardon & Gautier, Paris. The Transporting of the orange tree, by Hubert Robert (1733-1808). Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[The Old Print Shop, New York. Lily, by Arthur Wesley Dow. 1893. Woodcut, 20.3 by 5.1 cm]
Attributed works:
[The Weiss Gallery, London. The carrying of the cross, by Nicolas Tournier (1590-1639). c.1632-35. Oil on canvas, 220 by 121 cm]
Attributed works:
[The Weiss Gallery. 59 Jermyn Street. London. Antonio David (1684-1750). Prince James Edward Stuart, The Old Pretender (1688-1766). Oil on canvas: 31 1/2 x 25 in. (80 x 63.5 cm.). Painted c. 1718]
Attributed works:
[William Weston Gallery, London. Construction, by Laszlo Moholy-Nagy (1895-1946). 1922-23. Signed in pencil. Annotated by Moholy-Nagy as: 'Probe' or trial proof. Lithograph, 59.5 by 36.1 cm]
Western art unattributed:
[Dorotheum. Dorotheergasse 17. Vienna. Circle of Piero di Cosimo (1462-1521), The Madonna and CHild with three Angels, oil on panel, tondo, diam. 89 cm, framed]
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06/2011 | 1299 | 153
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Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
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advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
Exhibition Review
William Nicholson. London
02/2005 | 1223 | 147
Pages: 128-130
related names
Reviewer:
Lynton, Norbert (Lynton, Norbert)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
The Art of William Nicholson | institution: Royal Academy of Arts
Illustrations
Attributed works:
58. The Canadian Headquarters staff, by William Nicholson. 1917-19. 242 by 292 cm.(Beaverbrook Collection of War Art, Ottawa; exh. Royal Academy of Arts, London).
Attributed works:
59. A was an artist, by William Nicholson. 1898. Hand-coloured woodcut, 24 by 19.5 cm. (Private collection; exh. Royal Academy of Art, London).
Attributed works:
60. The silver casket, by William Nicholson. 1919. 32.5 by 40.5 cm. (Private collection; exh. Royal Academy of Arts, London).
Attributed works:
61. Sir Henry Maximilian (Max) Beerbohm, by William Nicholson. 1903. 50 by 40 cm. (National Portrait Gallery, London; exh. Royal Academy of Arts, London).
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