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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
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Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
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artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.