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Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]
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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
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03/2005 | 1224 | 147
Pages: i-xxxvi
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. DANTE GABRIEL ROSSETTI (1828-1882). Elizabeth Siddal seated in a chair. Verso: Studies of THree Female Figures. Pencil, 8 x 15 1/2 in (20.5 x 14 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. Study of St. Joseph in Glory, by Giuseppe Passeri (1654-1714). Pen and brown ink over black chalk heightened with white on paper washed brown, 291 x 241 mm. Inscribed 'Passeri' and 'du Passeri' on the mount.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Albrecht Durer 1471-1528. St. Sebastian, bund to a column. Engraving c. 1498-9.]
Attributed works:
[Arturo Cuellar, Zurich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Homme buvant du café, by Vincent van Gogh (1853-1890). Pencil on paper, 310 x 240 mm. Signed: 'Vincent'. Circa 1882.]
Attributed works:
[Arturo Cuellar. Burglistrasse 18, 8002, Zurich. PABLO PICASSO (Malaga 1881-1973 Mougins) Two studies of heads (1931). Signed: Picasso lower right. Pencil, 25.5 x 33 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Claude Gellée, called Le Lorrain (1600-1682). Landscape with Large Tree 1640-45. Pen and brown ink with wash and white heightening over black chalk underrawing on blue paper, 21 x 31 cm. Signed at bottom center. Claudio fecit.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Landscape Plauen (Saxony), by Ernst Ferdinand Oehme (1797-1855). Watercolour, 130 x 215 mm. Circa 1830.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. GIOVANNI DOMENICO CERRINI (Perugia 1605-Rome 1681). Head of an Angel. Black, white and red chalk on blue paper, 270 x 222 mm. Inscription on the recto: Cerrino nel quadro dell'Assunta in sagrestia dell Chiesa nuova di Roma. Inscription on the verso: Cerrino da Perugia.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Gerrit Dou (Leiden 1613-1675). A sleeping dog beside a terracotta jug, a basket and a pile of kindling wood. Signed and dated 1650. Oil on panel. 7 x 9 in. (17.8 x 22.9 cm. $2,000,000-3,000,000 (£1,060,828-1,591,323)]
Attributed works:
[David Tunick, Inc., New York. Saint Jerome in the Wilderness, by Titian (1477-1576) Woodcut, 384 x 529 mm. Circa 1525-30.]
Attributed works:
[Day & Faber, London. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Face of a Native American, study for the decoration at Wuzburg, by Giovanni Battista Tiepolo (1696-1770) Black chalk, heightened with white, on blue Venetian paper, 293 x 202 mm.]
Attributed works:
[Day & Faber. 173 New Bond Street, London. François Boucher. Paris 1703-1770 Paris. Charlotta Sparre, aged twenty-one. Red, black and white chalk: 343 x 265 mm. Drawn in Paris 1740-41.]
Attributed works:
[Dickinson, London & New York. En marche, by Georges Seurat (1859-1891). Conté crayon on paper, 305 x 230 mm. With the red signature stamp Seurat (Lugt 282a) lower right.]
Attributed works:
[Dr. Jorn Gunther Rare Books Ltd., Hamburg. Missale Fratrum Minorum, manuscript on vellum written by the German scribe Henricus Haring for the convent of S. Francesco di Montone near Perugia. Miniatures by Bartolomeo Caporali, probably assisted by his Brother Giapeco. Vellum, 350 x 250 mm. Italy, Perugia, 1469.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of Baccio, by Bartolomeo Passarotti (1529-1592). Pen and brown ink, 420 x 275 mm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré, 75008, Paris. JEAN, DIT ALEXIS GRIMOU (Romont 1678 - Paris 1733) La marquise de La Salle dite l'Espagnolette. Three crayons on blue paper, H. 355 mm. L. 290 mm.]
Attributed works:
[Galerie Normand, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Le lavoir des capucins à Rome, by François-Marius Granet (1775-1849). Signed. Watercolour and ink, 120 x 150 mm.]
Attributed works:
[Galerie Normand. 35 rue de Lille, 75007 Paris. Théodore ROUSSEAU 1812-1867. La mare aux fées, foret de Fontainebleau, circa 1848. Initial 'THR' on lower left. Oil on canvas, 59 x 114 cm (23 1/4 x 44 3/4 inches)]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Attributed to Valentin Sonneenschein. (Stuttgart, 1749-Berne, 1828) A meeting of men of letters. Sculpture in Lorrain stone, 25 by 56.6 cm. Tablet in white marble, 39 by 51.5 cm. Dated 1777.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-BAPTISTE OUDRY. (1686-1755) A Hare looking back to the left. Black and white chalk on blue paper, 27.8 x 42.2 cm (11 x 16 3/4 in)]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Book of Hours, by Jean Dreux (?= Master of the Sachsenheim-prayerbook). Illuminated manuscript on vellum, with 12 large miniatures and one historiated inital. Calligraphy with superb cadels on every text page by Nicolas Spierinc.]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG. Bibermuhle 1, CH 8262, Ramsen. THE ROSSI MISSAL. Missal for the major feasts. Parma or Pavia, c. 1530-1540. Illuminated manuscript on vellum, with 3 miniatures (one full page) by Guernerius Beretta, who signed the crucifixion - a renowned and highly praised artist (nella miniatura pittore singolare) but not all defined until the discovery of the signature here. Made for a member of the Rossi family, viz. Giovan Girolamo de' Rossi, bishop of Pavia from 1530. Still in its original binding with the Rossi coats of arms: Folio (350 x 245 mm).]
Attributed works:
[Kunsthandlung Helmut H. Rumbler. Frankfurt. Portrait of Emperor Maximilian I, by Lucav von Leyden. 1520. Etching with engraving, 257 x 193 mm. Watermark: crowned coat of arms with sun (Hollstein 4, 1520).]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. FRANCIS COTES, R.A. 1726-1770. Lieutenant-colonel the Hon. Edmund Craggs Nugent, Wearing van Dyck costume. Pastel on paper laid on canvas. 23 1/4 x 17 inches; 590 x 437 mm. In its original frame. Signed and dated 1748.]
Attributed works:
[Maggs Brothers. 50 Berkeley Square, London, W.C. Workshop of Jean Pucelle. Illuminated leaf from a Pontifical. Paris. Circa 1330.]
Attributed works:
[Museo Thyssen-Bornemisza. Ernst Ludwig Kirchner. Franzi in front of carved chair. 1910.]
Attributed works:
[Museo Thyssen-Bornemisza. Hans Memling. Portrait of a Young Man at Prayer, c. 1485.]
Attributed works:
[Noortman, Maastricht. Les repasseuses, by Edgar Degas (1834-1917). Charcoal and pastel on three pieces of paper joined and laid down on heavy cardboard, 600 x 760 cm. Signed in charcoal upper left; Degas.]
Attributed works:
[Pandora, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of a Bishop, by Giovanni Mannozzi, called Giovanni da San Giovanni (1592-1636). Pastel, black and red chalk on blue paper, 304 x 202 mm.]
Attributed works:
[Pandora. P.O. Box 1761, New York. Detail of LUIGI SABATELLI (Florence 1772-1850 Milan), Study of a Lion, pen and brown ink, 299 x 418 mm.]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Jacques Louis DAVID. Paris 1748 - Bruxelles 1825. A naked woman with left arm raised (recto). Figure of Love crying, sitting with a bow (verso). Pencil, 229 x 149 mm, squared.]
Attributed works:
[Paul Proute, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study for a portrait of a seated man, writing, seen in left profile, by François de Troy (1645-1730). Red, Black and white chalk on chamois paper, 243 x 210 mm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Gregorio di Lorenzo. Maestro delle Madomme di Marmo. Firenze, 1470/80. S. Giovanni Battista Fauciullo. Marmo. 38 x 22 x 15 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON. 1767 Montargis, Loiret - Paris 1824. Armin Witnessing the Death of his Children. Pen and ink and gray wash, over charcoal, with white heightening. 219 x 254 mm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. The death of Lucretia, by Etienne-Barthélemy Garnier (1759-1849). Black pen and blue brush with white heightening on beige paper, 525 x 770 mm.]
Attributed works:
[Thomas Williams Fine Art, London. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. View of Lahnstein on the River Rhine, by Wenceslaus Hollar (1607-1677). Pen and brown ink over black and red chalk, 98 x 238 mm. Inscribed by the artist, Lahnstein (verso).]
Attributed works:
[Thomas Williams, fine art Ltd. 22 Old Bond Street, London. W1S 4PY. WENCESLAUS HOLLAR. Prague 1607-1677 London. A View of Tangier from the South-East. Watercolour and pen and brown ink over black chalk, 157 x 623 mm; 6 1/8 x 24 1/2 in.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. François Bonvin. Paris 1827-1887 Saint-Germain-en-Layne. A man seated at a Table Reading a Newspaper, 1852. Watercolour and black chalk. Signed and dated, lower left, f. Bonvin. 52. 11 3/4 x 9 1/4 inches (300 x 235 mm). Exhibiting at the SALON DU DESSIN, March 16-21, 2005, Stand no.5]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait studies of a girl and an older woman, by Adolph von Menzel (1815-1905). Graphite with stumping, 133 x 199 mm. Signed with initials and dated: 'A.M/1886'.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study of fingers on the march, by François Boucher (1703-1770) Signed or inscribed lower right, F. Boucher. Black and white chalk on buff-coloured paper, 306 x 413.]
Western art unattributed:
[Charles Edwin Puckett. 3867 West Market Street, #253. Akron, Ohio 44333. DAVID IN PREYER. Tempera and gold on vellum, 160 x 115 mm. From a book of Hours. France (Use of Rouen), circa 1490.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. The Hourse of Guyot II Le Peley of Troyes, manuscript on vellum illuminated by Jean Colombe and atelier. c. 1485. 128mm x 95mm. £250,000-350,000.]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Biblia Sacra, by Mainz, Johannes Fust & Peter Schoffer, 14 August 1462. Two volumes, complete. Printed on vellum and illuminated throughout by the Fust-Master, 400 x 300 mm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Circle of Giovanni Bellini. Head and Shoulders portrait of a young man. Black chalk. 291 by 272 mm. Sold for $800,000, Sotheby's New York 26 January 2005.]
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Advertisements January 1993 (Front)
01/1993 | 1078 | 135
Pages: i-xxiv
Subjects
advertisements:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] The Annunciation to the Shepherds. Jacopo da Ponte Called Jacopo Bassano (c. 1517/8-1592). Oil on Canvas 127.5 × 118.8 cm. (50¼ × 46¾ Inches)
Attributed works:
[Claude Kuhn, Blumenrain 12, Basel] The Master of the Berlin Sketchbook Probably Active in Amsterdam around 1520/30. 'St. Christopher Carrying the Infant Christ'. Verso: Studies of Figures, Pen and Brown Ink, 21 × 14.2 cms
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Antonio Pellegrini 1675 - Venice - 1741. The Penitent Magdalen. Oil on Canvas: 118.7 × 94 cms (46¾ x 37 ins).
Attributed works:
[David Jones, 8 Rue Rossini, Paris] Bartolomeo Neroni Called Il Riccio. (Siena 1500-1571). Recto: Two Standing Male Nudes, One Holding a Flaming Torch. Faint Study of a Third Female Figure in Profile. Pen, Brown Ink and Black Chalk. Verso: Standing Male with Outstretched Arm; Acanthus Leaf Studies. Pen and Brown Ink over Black Chalk; Decorative Studies in Red Chalk. 233 × 150 mm.
Attributed works:
[David Jones, 8 Rue Rossini, Paris] Lorenzo Sabbattini (Bologna 1530-Rome 1576). Coronation of the Virgin. Pen and Brown Ink with Brown Wash over Traces of Black Chalk, with Extensive White Highlighting on Blue Paper; Squared for Transfer. 185 × 205 mm.
Attributed works:
[Didier Aaron Inc., 32 East 67th Street, New York/ 21 Ryder Street, London] Nicolas Lejeune. The Feast of Absalom. Gouache, Pen and Black Ink: 710 × 865 mm. Executed in Rome in 1771
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Pompeo Batoni. Study for an Angel. Red Chalk. 215 × 140 mm.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Master of the Greenville Tondo (Active in Tuscany Late 15th Century, Early 16th Century). Madonna with Child, St. John the Baptist and Two Angels Panel, Diameter 82 cms
Attributed works:
[Katrin Bellinger Kunsthandel, Rauchstrasse 2, Munich] Francesco Mazzola, Il Parmigianino. Parma 1503-1540 Casal Maggiore. Saint Jerome. Pen and Grey-Brown Ink, Wash, Heightened with White, on Blue Paper. 173 × 124 mm
Attributed works:
[Mia Weiner, 8 East 77th Street, New York] Attributed to Simon Vouet, Early Roman Period, ca. 1617. Oil on Linen. 387 × 310 mm. Provenance: Dr. John Maxon, Chicago.
Attributed works:
[Minet Insurance, 66 Prescot Street, London] "La Pietà degli Albizi" an "affresco staccato" by Pietro Perugino (1483-1523). Reproduced by Courtesy of Cassa di Risparmio di Firenze
Attributed works:
[Newhouse Galleries Inc., 16 East 66th Street, New York] Allegorical Tomb of Archbishop Tillotson. Giovanni Antonio Canal, Called Canaletto (1697-1768). Giovanni Battista Pittoni (1687-1767). Gianbattista Cimaroli (c. 1700-1735). Oil on Canvas: 218 × 138.5 cm
Attributed works:
[Paul Drey Gallery, 11 East 57th Street, New York] Anton Domenico Gabbiani, Florence 1652-1726. Elijah and the Angel. Pen and Brown Ink, Brown Wash. 230 × 245 mm.
Attributed works:
[Paul Prouté S. A., 74 rue de Seine, Paris] Jules Cheret (Paris 1836 - 1933). Loïe Fuller in the Fire Dance at the Folies-Bergères. Watercolour and Gouache, 1140 × 785 mm.
Attributed works:
[Richard Green, 39 Dover Street, London] Louis-Leopold Boilly. Portrait of Madame Saint-Ange Chevrier. Oil on Canvas 71.5 × 58 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London/49 East 68th Street, New York] Domenico Puligo, Madonna and Child with the Young St. John the Baptist, Circa 1515. Oil on Panel, 34¾ by 26 Inches (88.3 by 66 cm.)
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53, 1071 BN Amsterdam] Bernhardt Keil (Helsingo̵r 1624-1678 Rome). The Concert. Oil on Canvas 112 × 138 cm.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Joos van Cleve, "Christ on the Cross with Mary, Mary Magdalen and Saint John the Evangelist". The Central Panel of an Altarpiece, Oil on Panel, 87.6 × 60.3 cm. Estimate: $350,000-550,000.
Attributed works:
[The world of watercolours and drawings at the Park Lane Hotel, London] John Melhuish Strudwick (1849-1937). Portrait of a Young Lady. Courtesy Christopher Wood Gallery
Attributed works:
[University of Missouri Press, 3 Henrietta Street, London] Dance Around the Golden Calf (Detail), Courtesy of Rijksmuseum, Amsterdam
Western art unattributed:
[Alexander George Ley & Sons, 13 Brecknock Road, London] George II Kent Style Frame with Carved Top Shell, Running Egg and Dart Outset Corners, with Hush Drops and Pierced Chain to Centre
Western art unattributed:
[C. G. Boerner, Kasernenstrasse 13, Düsseldorf/61 East 77th Street, New York] German, Second Quarter of 16th Century. Das Narrenschneiden. Satirical Design for a Stained Glass Roundel. Pen with Dark Brown Ink, and Grey-Brown, Yellow and Rose Washes. Diam. 235 mm. On Paper with Watermark Briquet 1241 ff.
Western art unattributed:
[Charles Ratton & Guy Ladrière, 14 rue de Marignon, 11 quai Voltaire, Paris] Gothic Ivory Box, Fitted for a Scale and Weights France - XIV Century. Height: 9.8 cm.; Length: 5.4 cm.