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Exhibition Review
Modern Pre-Raphaelite Visionaries: British Art 1880–1930
09/2022 | 1434 | 164
Pages: 922-924
related names
Reviewer:
White, Rosalind (White, Rosalind)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Modern Pre-Raphaelite Visionaries: British Art 1880–1930 Leamington Spa Art Gallery and Museum 13th May–18th September | :
Illustrations
Attributed works:
20. The close of the day, by Frederick Cayley Robinson. 1896. Oil on canvas, 120 by 135 cm. (Private collection; courtesy Rupert Maas; exh. Leamington Spa Art Gallery and Museum).
Attributed works:
21. Sleepers and one that waketh, by Simeon Solomon. 1870– 71. Watercolour on paper, 34.7 by 44.7 cm. (Leamington Spa Art Gallery and Museum).
Attributed works:
22. Reminiscence, by Frederick Cayley Robinson. 1908. Tempera on board, 46 by 61 cm. (Leamington Spa Art Gallery and Museum).
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Advertisements March 2007 (front)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Adriano Ribolzi. Monte-Carlo. A rare XVI commode of rectangular shape à ressaut in Santo Domingo solid mahogany and veneer. It is stamped: Canabas, on the ridge of the bottom on the left-hand side, and the mark of the Jurande: JME. Joseph Canabas called Gegenbach (1712-1797). Paris, Louis XVI period. Height: 82.5 cm. Width: 135 cm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Studies of five fashionable girls, by George Henry Harlow (1787-1819). Black and red chalks, 28 by 21.5 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Robert Delaunay (1885-1941). Study for the 'verseuse'/'coffeepot'. 1916. Gouache and watercolour on paper, 65x64 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Philip Ferdinand de Hamilton (Brussels 1664-1750 Vienna). Studies of Fungi, including three examples of pinkish-white Bracket fungi (possibly Rigidoperus ulmarius), and edible Mushrooms Russula xerampelina (?), top right, Lactarius Chryssorrheus, lower left, and Russula sanguinea or lepida, lower left. Signed and dated 'P . F . de . Hamilton . S[uae]. C[aesareae]. [et Romanotum] M[aiestatis]. C[urtialis]. P[ictor]. /1736'. Oil on paper laid on canvas, 10 3/8 x 14 1/8 in. (26.3 x 36 cm)]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Jean Baptiste Isabey (Nancy 1767-Paris 1855). Portrait of a young woman. Signed lower right. Watercolour on paper, 14 x 10.5 cm]
Attributed works:
[Duke’s Auctioneers. The Dorchester Fine Art Salerooms. Weymouth Avenue, Dorchester, Dorset. The San Marco Panels. Guido di Pietro, called Fra Angelico. Dominican Saints, tempera on a gold ground, 390mmx130mm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. God the Father and the Holy Spirit with a host of Angels above a townscape, by Cristofano Roncalli, called Il Pomarancio (c. 1553-1626). Oil on paper in grisaille. 38.1 by 29.1 cm]
Attributed works:
[Flavia Ormond, Fine Arts. Adelson Galleries. 3 Netherton Grove. London. Louis-Léopold Boilly, La Bassée 1761 - 1845 Paris. The Favourite or Elder Sister (detail). Charcoal on grey paper with white heightening, signed L. Boilly. at lower right. 354 x 297 mm (13 9/10 x 11 7/10 inches)]
Attributed works:
[Galerie Antoine Laurentin. Paris. Marguerite, by André Lhote (1885-1962). Watercolour and gouache, 23.3 by 30.3 cm. Signed bottom right]
Attributed works:
[Galerie Berès. Paris. Study for the clowns, by Albert Gleizes (1881-1953). Signed and dated below to the right: Alb. Gleizes. Watercolour on paper, 47.9 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Aniello Falcone. Naples, 1607-1656. Calvary Battle between Turks and Christians. Oil on canvas, 76 x 113 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Battle, Aniello Falcone (1607-1656). Oil on canvas, 76 by 113 cm]
Attributed works:
[Galerie Coatalem. Paris. Lying nude, Gustave Klimt (1862-1918). Red chalk, 55 by 35 cm]
Attributed works:
[Galerie de la Présidence. Paris. Saint Malo, scene of death, by Paul Signac (1863-1935). 1929. Signed lower right. Watercolour, 27.3 by 44.2 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris. Sight of the Palace of Concorde in Paris, by Pierre-François-Léonard Fontaine (1762-1853). Probably executed in 1829. Black chalk, pen and grey ink, brown washing and grey, watercolour and lights of white, 26.5 by 145 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Carlo Francesco Mellone (active in Milan from 1685 to 1743). Saint Pius V. Gilt and patinated terra-cotta. Height: 40 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. The mocking of Christ, by Daniel Crespi (circa 1595?-1630). Circa 1624-1625. Oil on canvas, 108 by 91 cm]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Harriet W. Frishmuth. Scherzo: A Fountain. Patinated bronze, c. 1929.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Henri Roland Lancelot. Lago de Lugano. Oil on canvas, 12 3/4 x 16 in.]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Sir Joshua Reynolds. Portrait of Caroline Cox. Oil on canvas, 29 3/8 x 25 in]
Attributed works:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Thomas Moran. Moonlight Icebergs in Mid-Atlantic. Oil on unlined canvas, 20 x 30 in]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Amphitrite, by Claude Pautre di Choisy (1744-1794). Red Chalk, 43.5 by 31 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A young woman spurning a cavalier's advances, another moving backwards to the right, by Antoine Watteau (1684-1721). Black lead and red chalk, touches of white chalk and traces of grey wash on beige paper, 16 by 14.3 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Peter Lely. 1710-1762. Alice Beale, half-length, standing in a Landscape. Bartholomew Beale, half-length, standing in a landscape, his right hand resting on a bust of Homer. Oil on canvas; 36x30 inches; 91.5 x 76 cm each. The male portrait signed with the artist's PL monogram. In important English rococo frames for the pictures, c. 1750]
Attributed works:
[Pandora Old Masters. Po Box 1761. New York. Six men in a landscape, by Salvatore Rosa Arenella. (1615-1673). Pen and brown ink, brown wash and red chalk, 22.8 by 20 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A portrait of Mrs George Frederick Stratton, by Sir Thomas Lawrence, PRA (1769-1830). Oil on canvas, 76.9 by 64.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. J M Turner, R.A. (1775-1851). Fishing Boats off Hastings. Watercolour over pencil with scratching out and stopping out. 7 1/4 by 11 7/8 in., 18.4 by 30.1 cm.]
Attributed works:
[Talabardon & Gautier. Paris. Minerve, by Charles Gleyre (1808-1874). 1865. Signed lower left: C. Gleyre. Three pencils and pastel, 55.5 by 43.5 cm.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Frederick Cayley Robinson 1862-1927. The Call of the Sea, 1925. Oil on canvas 33 x 48 inches (84x122 cm). Signed Caylley Robinson 1925, lower left.]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolped and Other Criteria.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Soldiers surprised by the tomb, the lower half of The Resurrection, by Giuseppe Maria Crespi, il Spagnulo (1665-1747). Two shades of red chalk, strenghtened with pen and black ink, red chalk framing lines, 25.6 by 22 cm]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Thomas Jones (1743-1803). View of the Campi Flegrei from the Camaldolise Convent near Naples, 1783. Oil on canvas, 50 x 71 1/2 inches. Painted for Sir William Hamilton; exhibited in 1784 at the Royal Academy]
Attributed works:
[Whitfield Fine Art Ltd. London. Sleeping Cupid, by Giovanni-Battista Caracciolo, called Battistello (1578-1635). Oil on canvas, 75 by 140 cm]
Non-western art unattributed:
[Heritage, Auction Galleries. 3500 Maple Ave., 17th Floor. Dallas. Pavel Akimov Ovchinnikov. Russian Silver Gilt and ENamel Icon: The Annunciation, 1896-08-]
Western art unattributed:
[Rupert Wace Ancient Art. London. Exceptional bronze helmet face mask. Roman, 1st century AD. Height: 16.5 cm]
Exhibition Review
Current and Forthcoming Exhibitions: London
12/1977 | 897 | 119
Pages: 864+867-868+873-874+877
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
72. Detail from 'The Arnolfini Marriage', by Jan van Eyck. 1434. (National Gallery, London).
Attributed works:
73. The Effects of Intemperance, by Jan Steen. After Cleaning. Panel, 76 by 106.5 cm. (National Gallery, London).
Attributed works:
74. Girl Looking at a (?) Song Book, by Nicolas Maes. c.1655. Canvas, 89.5 by 74 cm. (Exh. Ronald Cook, London).
Attributed works:
75. Lady at Her Looking Glass, by Willem de Poorter. Panel, 25.4 by 20.8 cm. (Exh. Ronald Cook, London).
Attributed works:
76. Françoise van Wassenhove, Attributed to Thomas de Keyser. Dated 1627. Panel, 104 by 78 cm. (Exh. Ronald Cook, London).
Attributed works:
77. Detail from The Presentation in the Temple, by Guercino. 1623. Copper, 71.4 by 64.8 cm. (National Gallery, London; On Loan from the Mahon Trust).
Attributed works:
78. The Unpaid Bill, or the Dentist Reproving His Son's Prodigality, by J. M. W. Turner. Exh. 1808. Panel, 59.4 by 88 cm. (Collection D. P. H. Lennox; Exh. Tate Gallery).
Attributed works:
79. Unprofessional Beauty, by Val Prinsep. R. A. 1880. Canvas, 91.4 by 71.1 cm. (Exh. South London Art Gallery, London).
Attributed works:
80. Ludovic-Rodolphe Pissarro, by Camille Pissarro. Conté Crayon 21.3 by 16.7 cm. (Ashmolean Museum, Oxford; Exh. Morley College London).
Attributed works:
81. Whispering Tongues Can Poison Truth, by Val Prinsep. R. A. 1863. Canvas, 105.4 by 96.5 cm. (Arts Club, London; Exh. South London Art Gallery, London).
Attributed works:
82. Landscape with Foreground Tree, by Camille Pissarro. c.1886. Conté Crayon, 19.5 by 30.5 cm. (Ashmolean Museum, Oxford; Exh. Morley College).
Attributed works:
83. The Old Nurse, by Frederick Cayley Robinson. Signed and Dated 1926. Tempera on Board, 33.2 by 47 cm. (Private Collection; Exh. Fine Art Society, Edinburgh).
Attributed works:
84. The Winter Evening, by Frederick Cayley Robinson. Signed and Dated 1918. Canvas, 76.2 by 101.6 cm. (Private Collection; Exh. Fine Art Society, Edinburgh).
Attributed works:
85. Capesthorne, near Macclesfield, by John Piper. 1977. Gouache, 64.1 by 101 cm. (Exh. Marlborough Fine Art (London) Ltd., London).
Advertisements
Advertisements February 1933 (front)
02/1933 | 359 | 62
Pages: i-xviii
Subjects
advertisements:
advertisements:
collectors and dealers:
Illustrations
Attributed works:
The F. Kleinberger Gallery, Paris 9 Rue de l’Echelle, near Avenue de l’Opera. New York, 709 Fifth Avenue, between 55th and 56th street.] The Young Draughtsman by Honore Fragonard. From the Walferdin and Jules Ferry Collections. Described in Pourtales "Fragonard," Page 285.
Attributed works:
[Max Rothschild, 28 Sackville, Piccadilly, London, W] Michele da Verona. Canvas, 40 × 41 inches
Attributed works:
[Paul Graupe – Berlin, Bellevuestrasse 7. W.9.] Romney
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale February 16th-Portraits of a Lady and Gentleman Resting While Out Hacking, by G. Garrard, A. R. A., Signed.
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale Late February-A Barometer by Daniel Quare.
Non-western art unattributed:
[Bluett & sons, 48 Davies Street, London, W.1] Seated Figure of Kuan Ti, the God of War. Porcelain, Decorated with Green, Yellow and Aubergine Glazes "Sur Biscuit." Height, 11 in. 17th Century
Non-western art unattributed:
[Loo & Co. 48 Rue de Courcelles. Paris.] Fragment of a Fresco, Depicting a Flying Angel, in Polychrome. Sung Dynasty.
Non-western art unattributed:
[Ton-ying and company 5 East 57th Street. Paris 26 Place St. Georges.] Pair of White Egg-Shell Porcelain Cups. With a Dragon and a Phœnix Delicately Incised. With Mark of the Yung Lo Period (A. D. 1403-1424). Diameter: 3$frac{3}{4}$ inches.
Western art unattributed:
[Christie’s, Manson & Woods, LTD, Spencer House, St. James’s Place, S.W.1] An Elizabethan Silver Gilt Standing Salt and Cover, 1565. Sale, February 15, 1933
Western art unattributed:
[J. Leger & Son, 13 Old Bond Street, London] Cologne School. Panel, 24 × 14 inches
Western art unattributed:
[Kunsthaus Malmede. Cologne/Rh. 33 Sachsenhausen.] Two Exceptional 2nd-4th Century A. D. Roman Glasses, Excavated in Cologne. Bowl, size 5.5 cm. High by 11.5 cm.; Vessel, Signed, Frontin(us), Size 17 cm. High by 7.5 cm.
Western art unattributed:
[S.J. Phillips, 113 New Bond St., London, W1.] An Unusual XVIIIth Century Diamond "Sheaf" Brooch. French, circa 1775.
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale February 27th-28th-A Book Presented by M. Laurinus to the Archbishop of Cambrai.
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale February 9th-A Figure of St. Peter-Limoges 13th Century.
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1] Sale Late February-One of a Set of Eleven Chippendale Chairs, and a Three-Back Settee Covered in Contemporary "Gros Point" Needlework.